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Thursday – 09 February 2012
This NBN Thursday is a bit grey and hazy.  But, I started the morning with SaraRules! and the girls, so it was a good kick-off to the day.

Last night, we watched Killer Elite (not to be confused with the movie with almost the same title from 1975) for Movie Date Night. Robert DeNiro. Clive Owen. Jason Statham. All kicking ass and, in some cases, taking names. The premise was a little different than I expected, but not in a bad way. There were a couple of plot holes, but what movie doesn’t have those these days? In the end, it made for a decent night’s viewing.

Also, I tried out something different with my bike trainer: Disengaging the tension wheel, so that the back wheel spun freely. Works, but without any resistance, I was pedaling as easily in the higher gears (15 and up) as I was in the first three gears. Still, it’s an option.

Chew on This: Food for This – Black History Month
Today, you’re getting a double d0es of Black History Month goodness.

  • The first person of note is James Weldon Johnson, author, politician, poet, songwriter, and educator, and early civil rights activist.James Weldon Johnson (June 17, 1871 – June 26, 1938)  was born in Jacksonville, Florida, the son of Helen Louise Dillet and James Johnson. His brother was the composer J. Rosamond Johnson. Johnson was first educated by his mother (the first female, black teacher in Florida at a grammar school) and then at Edwin M. Stanton School. At the age of 16 he enrolled at Atlanta University, from which he graduated in 1894. In addition to his bachelor’s degree, he also completed some graduate coursework there.

    After graduation he returned to Stanton, a school for African American students in Jacksonville, until 1906, where, at the young age of 23, he became principal. As principal Johnson found himself the head of the largest public school in Jacksonville regardless of race. Johnson improved education by adding the ninth and tenth grades. During his tenure at Stanton, Johnson wrote Lift Every Voice and Sing — often called “The Negro National Hymn”, “The Negro National Anthem”, “The Black National Anthem”, or “The African-American National Anthem” — set to music by his brother John Rosamond Johnson (1873–1954) in 1900.

    In 1897, Johnson was the first African American admitted to the Florida Bar Exam since Reconstruction. He was also the first black in Duval County to seek admission to the state bar. In order to receive entry, Johnson underwent a two-hour examination before three attorneys and a judge. He later recalled that one of the examiners, not wanting to see a black man admitted, left the room.

    In 1906 President Theodore Roosevelt appointed him U.S. consul to Puerto Cabello, Venezuela, and in 1909 he became consul in Corinto, Nicaragua, where he served until 1914. He later taught at Fisk University. Meanwhile, he began writing a novel, The Autobiography of an Ex-Colored Man (published anonymously, 1912), which attracted little attention until it was reissued under his own name in 1927.

    In 1920 Johnson was elected to manage the NAACP, the first African American to hold this position. While serving the NAACP from 1914 through 1930 Johnson started as an organizer and eventually became the first black male secretary in the organization’s history. In 1920, he was sent by the NAACP to investigate conditions in Haiti, which had been occupied by U.S. Marines since 1915. Johnson published a series of articles in The Nation, in which he described the American occupation as being brutal and offered suggestions for the economic and social development of Haiti. These articles were reprinted under the title Self-Determining Haiti. Throughout the 1920s he was one of the major inspirations and promoters of the Harlem Renaissance trying to refute condescending white criticism and helping young black authors to get published.

    Johnson died while vacationing in 1939, when the car he was driving was hit by a train.

  • The second person of note is Mat Johnson (no relation), an American writer of literary fiction.Johnson (born August 19, 1970) grew up in “racially stratified” Philadelphia. His mother is African American; his father, Irish American. After his parents’ divorce, he was raised by his social worker mother in a largely black section of the city, Germantown, where he often felt like a standout. “When I was a little kid, I looked reallywhite—I was this little Irish boy in a dashiki.”In his teens, he transferred to a private school, Abingdon Friends, in a more affluent neighborhood. “It was the first time I was around a lot of white people. I suddenly realized I had an ethnic identity, and started to think about race.” He listened to Public Enemy and devoured The Autobiography of Malcolm X and books by W.E.B. DuBois and Toni Morrison. “African-American literature felt like an intellectual home, this place where I fit and belonged,” he says gratefully.

    Like the late playwright August Wilson, Johnson seems to identify almost exclusively with the African roots of his biracial family tree. “African-American is a Creole culture. It embraces the mix,” he asserts.

    Mat Johnson attended West Chester University, University of Wales-Swansea, and ultimately received his BA from Earlham College, and in 1993, he was awarded a Thomas J. Watson Fellowship. Johnson received his MFA from Columbia University School of the Arts in 1999. Johnson has taught at Rutgers University, Columbia University, Bard College, The Callaloo Journal Writers Retreat, and is now a permanent faculty member at The University of Houston Creative Writing Program.

    Mat Johnson’s first novel, Drop (Bloomsbury USA in 2000), was a coming of age novel about a self-hating Philadelphian who thinks he’s found his escape when he takes a job at a Brixton-based advertising agency in London, UK.  Drop was listed among Progressive Magazine’s “Best Novels of the Year.” In 2003, Johnson published Hunting in Harlem (Bloomsbury USA 2003), a satire about gentrification in Harlem and an exploration of belief versus fanaticism. Hunting in Harlem won the Zora Neale Hurston/Richard Wright Legacy Award for Novel of the Year.

    Johnson made his first move into the comics form with the publication of the five-issue limited series Hellblazer Special: Papa Midnite (Vertigo 2005), where he took an existing character of the Hellblazer franchise and created an origin story that strove to offer depth and dignity to a character that was arguably a racial stereotype of the noble savage. The work was set in 18th Century Manhattan, and was based around the research that Johnson was conducting for his first historical effort, The Great Negro Plot, a creative non-fiction that tells the story of the New York Slave Insurrection of 1741 and the resultant trial and hysteria.

    In February 2008, Vertigo Comics published Johnson’s graphic novel Incognegro, a noir mystery that deals with the issue of passing (racial identity) and the lynching past of the American south.

    He was named a 2007 USA James Baldwin Fellow and awarded a $50,000 grant by United States Artists, a public charity that supports and promotes the work of American artists. On September 21, 2011, Mat Johnson was awarded the Dos Passos Prize for Literature.

Information courtesy of Chronogram.com, DCComics.com, matjohnson.info and Wikipedia

Stray Toasters

Namaste.

Five Months (Part II)

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Wednesday – 08 February 2010
Vanessa turned 5-months-old today:

Last night, the girls took another foray into “New Food Adventures” with sweet potatoes. Their primary reflex is still to somewhat spit out whatever they’re fed, if it’s not in a bottle. This can be mitigated by simply re-spooning the food back in. After trying rice cereal last week, we were curious to see how they’d respond to a new food. We got our answer: They seemed to like it.  It was a messy – but successful – test.

As the night wore on, I finally decided to bring my bike in and set up the bike trainer that SaraRules! got me for Christmas. I got everything assembled and decided to try it out. It was a bit noisier than I expected, which may prevent me from using it after the girls go to bed at night… unless I move it into the unfinished part of the basement.

Chew on This: Food for Thought – Black History Month
Today’s person of note is: Elmer Samuel Imes, the second African-American to earn a Ph. D. in Physics and among the first African American scientists to make important contributions to Modern physics.

Elmer Samuel Imes (October 12, 1883 – September 11, 1941) was born in Memphis, Tennessee, attended grammar school in Oberlin, Ohio and completed his high school education at the Agricultural and Mechanical High School in Norman, Alabama. Imes graduated from Fisk University in 1903 with a degree in science.

Upon graduating from Fisk, Imes taught mathematics and physics at Georgia Normal and Agricultural Institute in Albany, Georgia (presently Albany State University) and the Emerson Institute in Mobile, Alabama. Imes returned to Fisk in 1913 as an instructor of science and mathematics. During his tenure there, Imes earned a Master’s degree in science from Fisk University.

In 1918, Imes earned a Ph. D. in Physics at the University of Michigan where he studied under Harrison McAllister Randall becoming the second African American to receive a Ph. D. in Physics since Edward Bouchet, did so from Yale University in 1876. Imes’ research and doctoral thesis led to the publication of Measurements on the Near-Infrared Absorption of Some Diamotic Gases in November 1919 in the Astrophysical Journal. This work was followed by a paper co-authored and presented jointly with Dr. Randall: The Fine Structure of the Near Infra-Red Absorption Bands of HCI,HBr, and HF at the American Physical Society and published in the Physical Review in 1920. His work demonstrated for the first time that Quantum Theory could be applied to radiation in all regions of the electromagnetic spectrum, to the rotational energy states of molecules as well as the vibration and electronic levels. His work provided an early verification of Quantum Theory.

Around 1919, Imes became married to Harlem Renaissance writer, Nella Larsen. The couple lived in Harlem becoming part of the Harlem intellectual society which included intellectuals such as Langston Hughes and W.E.B. Du Bois.

During the period Imes spent in the scientific and materials industry, his work resulted in four patents for instruments which were used for measuring magnetic and electric properties.

In 1939, he conducted research in magnetic materials at the Physics Department at New York University and continued as chair of the physics department at Fisk until his death in 1941.

Stray Toasters

Namaste.

Five months (Part I)

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Tuesday – 07 February 2012
Today, Diana turned 5-months-old:

Today also finds me in the south 40. So far, it hasn’t been too painful an experience. And, it’s even been somewhat productive. I consider that combination a good thing. (The doughnuts and the frozen mocha didn’t hurt things, either…)

Last night, and Mr. and Mrs. came over for a visit. As it was the first time any of them had met the girls, there was a bit of surprise of just how big they are — granted, it is kind of hard to tell from just pictures. There were also a few questions about parenthood and life changes, too.  I must admit that I was a little surprised – pleasantly so – at how well the girls took to hanging out with and at how comfortable he seemed with them.  (MENTAL NOTE: Keep this in mind for future babysitting needs!)

Chew on This: Food for Thought – Black History Month
Today’s person of note is Benjamin Hooks, an American civil rights leader, who also served as executive director of the National Association for the Advancement of Colored People (NAACP) from 1977 to 1992.

Benjamin Lawson Hooks (January 31, 1925 – April 15, 2010) was born in Memphis, Tennessee. He was the fifth of seven children of Robert B. Hooks and Bessie White Hooks. Young Benjamin’s paternal grandmother, Julia Britton Hooks (1852–1942), graduated from Berea College in Kentucky in 1874 and was only the second American black woman to graduate from college.

In his youth, he had felt called to the Christian ministry. His father, however, did not approve and discouraged Benjamin from such a calling. Hooks enrolled in LeMoyne-Owen College, in Memphis, Tennessee. There he undertook a pre-law course of study 1941–43. In his college years he became more acutely aware that he was one of a large number of Americans who were required to use segregated lunch counters, water fountains, and restrooms. After graduating in 1944 from Howard University, he joined the Army and had the job of guarding Italian prisoners of war. He found it humiliating that the prisoners were allowed to eat in restaurants from which he was barred. He was discharged from the Army after the end of the war with the rank of staff sergeant. After the war he enrolled at the DePaul University College of Law in Chicago to study law. No law school in his native Tennessee would admit him. He graduated from DePaul in 1948 with his Juris Doctor (J.D.) degree.

From 1949 until 1965 he practiced law in Memphis. He participated in restaurant sit-ins of the late 1950s and early ’60s and joined the Board of Directors of Martin Luther King’s Southern Christian Leadership Conference, among many other civil-rights and public-service organizations. He was ordained as a Baptist minister in 1956 and began to preach regularly at the Greater Middle Baptist Church in Memphis, while continuing his busy law practice. He joined the Southern Christian Leadership Conference (then known as Southern Negro Leaders Conference on Transportation and Nonviolent Integration) along with Dr. Martin Luther King, Jr.

In July 1972 Hooks was appointed to the U.S. Federal Communications Commission and became the first black FCC commissioner. As a member of the FCC, Hooks addressed the lack of minority ownership of television and radio stations, the minority employment statistics for the broadcasting industry, and the image of blacks in the mass media. Hooks completed his five-year term on the board of commissioners in 1978, but he continued to work for black involvement in the entertainment industry.

He resigned to become executive director of the NAACP on Aug. 1, 1977, succeeding Roy Wilkins. Hooks also served as the chairman of the board of directors of the National Civil Rights Museum in Memphis and helped to found the Benjamin L. Hooks Institute for Social Change at the University of Memphis in 1996. Hooks stressed the need for affirmative action and pressed for increased minority voter registration.

Hooks received the Presidential Medal of Freedom from President George W. Bush in November 2007.

Information courtesy of biography.com, FactMonster.com and Wikipedia.

Stray Toasters

Wow… just ran into a wee bit of monkeydom. It’s lovely when the answers you get don’t quite fulfill the questions you ask.

Namaste.

Where’d the weekend go…?!

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Monday – 06 February 2012
Not only is today the start of a new work week, but – more importantly – it’s my niece, Grace’s, birthday:

This past weekend has been good. It has included, but not been limited to:

  • Hanging out with the twins.

    Diana (l) and Vanessa

  • Playing HeroClix: Star Trek Tactics with the guys.
  • Judging a tournament for Dr. Volt’s Comic Connection.
  • Tracking down (after THREE attempts!) and watching Contagion.
  • Taking the girls to their third train show!
  • Watching the Super Bowl.

Chew on This: Food for Thought – Black History Month
It’s catch-up time for our Black History Month items:

  • Paul Laurence Dunbar (June 27, 1872 – February 9, 1906) was a poet, novelist, and playwright of the late 19th and early 20th centuries, born in Dayton, Ohio.

    Both of Dunbar’s parents were former slaves; his father escaped to freedom in Canada and then returned to the U.S. to fight in the Civil War. The young Dunbar was the only black student in his Dayton high school, where he was both the editor of the school newspaper and class president, as well as the president of the school literary society. Also of note: He was a classmate of aviation pioneer Orville Wright.Dunbar wrote a dozen books of poetry, four books of short stories, five novels, and a play. He also wrote lyrics for In Dahomey – the first musical written and performed entirely by African-Americans to appear on Broadway in 1903; the musical comedy successfully toured England and America over a period of four years – one of the more successful theatrical productions of its time.[12] His essays and poems were published widely in the leading journals of the day. His work appeared in Harper’s Weekly, the Saturday Evening Post, the Denver Post, Current Literature and a number of other publications. During his life, considerable emphasis was laid on the fact that Dunbar was of pure black descent.

    Dunbar became the first African-American poet to earn nation-wide distinction and acceptance. The New York Times called him “a true singer of the people — white or black.” Much of Dunbar’s work was authored in conventional English, while some was rendered in African-American dialect. Dunbar remained always suspicious that there was something demeaning about the marketability of dialect poems. One interviewer reported that Dunbar told him, “I am tired, so tired of dialect”, though he is also quoted as saying, “my natural speech is dialect” and “my love is for the Negro pieces”.

    In 1900, he was diagnosed with tuberculosis and his doctors recommended drinking whisky to alleviate his symptoms. He moved to Colorado with his wife on the advice of his doctors. Dunbar and his wife separated in 1902, but they never divorced. Depression and declining health drove him to a dependence on alcohol, which further damaged his health. He moved back to Dayton to be with his mother in 1904. Dunbar died from tuberculosis on February 9, 1906, at age thirty-three.

  • Edward Kennedy “Duke” Ellington (April 29, 1899 – May 24, 1974), composer, pianist, and big band leader,  was born in Washington, D.C.

    Ellington grew up in a secure middle-class family in Washington, D.C. Daisy, his mother, surrounded her son with dignified women to reinforce his manners and teach him to live elegantly. Ellington’s childhood friends noticed that “his casual, offhand manner, his easy grace, and his dapper dress gave him the bearing of a young nobleman”, and began calling him “Duke.”His family encouraged his interests in the fine arts, and he began studying piano at age seven, but his first piano lessons came appeared not to have had that much lasting effect upon him. As Duke’s piano lessons faded into the past, Duke began to show a flare for the artistic. Duke attended Armstrong Manual Training School to study commercial art instead of going to an academics-oriented school.

    Duke began to seek out and listen to ragtime pianists in Washington and, during the summers, in Philadelphia or Atlantic City, where he and his mother vacationed. While vacationing in Asbury Park, Duke heard of a hot pianist named Harvey Brooks. At the end of his vacation, Duke sought Harvey out in Philadelphia where Harvey showed Duke some pianistic tricks and shortcuts. Duke later recounted that, “When I got home I had a real yearning to play. I hadn’t been able to get off the ground before, but after hearing him I said to myself, ‘Man you’re going to have to do it.’” Thus the music career of Duke Ellington was born. Duke was taken under the wings of Oliver “Doc” Perry and Louis Brown, who taught Duke how to read music and helped improve his overall piano playing skills. Duke found piano playing jobs at clubs and cafes throughout the Washington area. Three months shy of graduation, Duke dropped out of school and began his professional music career.

    Ellington made his first professional appearance as a jazz pianist in 1916. By 1918 he had formed a band, and after appearances in nightclubs in Harlem he became one of the most famous figures in American jazz. Ellington first played in New York City in 1923. Later that year he moved there and, in Broadway nightclubs, led a sextet that grew in time into a 10-piece ensemble. Extended residencies at the Cotton Club in Harlem (1927–32, 1937–38) stimulated Ellington to enlarge his band to 14 musicians and to expand his compositional scope. He selected his musicians for their expressive individuality, and several members of his ensemble were themselves important jazz artists. Ellington’s orchestra, playing his own and Billy Strayhorn’s compositions and arrangements, achieved a fine unity of style and made many innovations in the jazz idiom.

    He wrote nearly two thousand compositions before his death in 1974 – among his best-known short works are “Mood Indigo,” “Solitude,” and “Sophisticated Lady.” He also wrote jazz works of complex orchestration and ambitious scope for concert presentation, notably Creole Rhapsody (1932), Black, Brown and Beige (1943), Liberian Suite (1947), Harlem (1951), and Night Creatures (1955), and composed religious music, including three sacred concerts (1965, 1968, and 1973). Ellington made many tours of Europe, appeared in numerous jazz festivals and several films, and made hundreds of recordings. In 1969 he received the Presidential Medal of Freedom.

    Ellington died of lung cancer and pneumonia on May 24, 1974, a month after his 75th birthday

  • James Leonard Farmer, Jr. (January 12, 1920 – July 9, 1999) was a civil rights activist and leader in the American Civil Rights Movement.

    Farmer was a child prodigy; at the age of 14, he enrolled at Wiley College, where he was the captain of the debate team. While there, a professor of English, Melvin Tolson, became his mentor. Farmer earned a Bachelor of Science at Wiley College in 1938, and a Bachelor of Divinity from Howard University School of Religion in 1941. Inspired by Howard Thurman, a professor of theology at Howard University, Farmer became interested in Gandhi-style pacifism. During the 1950s, Farmer served as national secretary of the Student League for Industrial Democracy (SLID), the youth branch of the socialist League for Industrial Democracy. SLID later became Students for a Democratic Society. Farmer talked to A. J. Muste, the executive director of the Fellowship of Reconciliation(FOR), about an idea to combat racial inequality. Muste found the idea promising but wanted to see it in writing. Farmer spent months writing the memorandum making sure it was perfect. A. J. Muste wrote him back asking him about money to fund it and how they would get members. Finally, Farmer was asked to propose his idea in front of the FOR National Council. In the end, FOR chose not to sponsor the group, but gave Farmer permission to start the group in Chicago. When Farmer got back to Chicago, the group began setting up the organization. The name decided upon was CORE, the Committee of Racial Equality. The name was changed about a year later to the Congress of Racial Equality.In 1961 Farmer, who was working for the NAACP, was reelected as the national director of CORE, at a time when the civil rights movement was gaining power. Despite the Irene Morgan Supreme Court decision and the Boynton decision, interstate buses were still segregated. Gordon Carey proposed the idea of a second Journey of Reconciliation. Farmer jumped at the idea. This time, however, the group planned to journey through the Deep South. Farmer coined a new name for the trip: the Freedom Ride. The plan was for a mixed race and gender group to test segregation on interstate buses. The group would spend time in Washington D.C. for intensive training. They would embark on May 4, 1961 half by Greyhound and half by Trailways. They would go through Virginia, the Carolinas, Georgia, Alabama, Mississippi, and finish in New Orleans on May 17. For overnight stops there were planned rallies and support from the black community. There were usually talks at local churches or colleges.

    Growing disenchanted with emerging militancy and black nationalist sentiments in CORE, Farmer resigned as director in 1966. He took a teaching position at Lincoln University, a historically black college (HBCU), and continued to lecture. In 1968 Farmer ran for U.S. Congress as a Liberal Party candidate backed by the Republican Party, but lost to Shirley Chisholm. His defeat was not total; in 1969 the newly elected President Richard Nixon offered him the position of Assistant Secretary of the Department of Health, Education, and Welfare (now Health and Human Services). The next year, frustrated by the Washington bureaucracy, Farmer resigned from the position.

    Farmer retired from politics in 1971 but remained active, lecturing and serving on various boards and committees. In 1975 he co-founded Fund for an Open Society. Its vision is a nation in which people live in stably integrated communities, where political and civic power is shared by people of different races and ethnicities. He led this organization until 1999. From 1984 through 1998, Farmer taught at Mary Washington College (now The University of Mary Washington) in Fredericksburg, Virginia, where a bust of him now stands on campus and the multicultural center is named after him. They also named a program after him that encouraged minority students to enroll and enter college. It is the James Farmer Scholars program.

    In 1998 President Bill Clinton awarded him the Presidential Medal of Freedom.

    Farmer died in 1999 in Fredericksburg, Virginia of complications from diabetes.

  • Grambling State Universityis a historically black, public, coeducational university, located in Grambling, Louisiana, United States.
    Grambling State University opened on November 1, 1901 as the Colored Industrial and Agricultural School. It was founded by the North Louisiana Colored Agriculture Relief Association, organized in 1896 by a group of African-American farmers who wanted to organize and operate a school for African Americans in their region of the state.

    In response to the Association’s request for assistance, Tuskegee Institute’s Booker T. Washington sent Charles P. Adams to help the group organize an industrial school. Adams became its founding president.

    In 1905, the school moved to its present location and was renamed the North Louisiana Agricultural and Industrial School. By 1928, after becoming a state junior college and being renamed the Louisiana Negro Normal and Industrial Institute, the school began to award two-year professional certificates and diplomas. In 1936, and the curriculum emphasis shifted to rural teacher education; students were able to receive professional teaching certificates after completing a third academic year. The first baccalaureate degree was awarded in 1944, in elementary education.

    In 1946, the school became Grambling College, named after P.G. Grambling, the white sawmill owner who had donated the parcel of land where the school was constructed. In addition to elementary educators, Grambling prepared secondary teachers and added curricula in sciences, liberal arts and business, transforming the college from a single purpose institution of teacher education into a multipurpose college. In 1949, the college earned its first accreditation by the Southern Association of Colleges and Schools (SACS).

    In 1974, the addition of graduate programs in early childhood and elementary education gave the school a new status and a new name – Grambling State University. The university expanded and prospered between 1977 and 2000. Several new academic programs were incorporated and new facilities were added to the 384-acre campus, including a business and computer science building, school of nursing, student services building, stadium, stadium support facility and an intramural sports center.

    Alumni of Grambling State include: Willie Brown (Green Bay Packers), eight-time Mr. Olympia winner Ronnie Coleman, Grammy-winner Erykah Badu (although she began concentrating on music full-time and left the university before graduating); former NFL quarterback and Super Bowl XXII MVP Doug Williams, who currently serves as the Tigers head football coach. Award winning and world renowned jazz artist Michael Thomas is a Grambling alumnus and he was a member of the Tiger Marching Band along with jazz artists Lovett Hines and Bob French. The writer Judi-Ann Mason was a double major graduate of Grambling.

Information courtesy of AllAboutJazz.com, Biography.com, FactMonster.com, the Grambling State University website (www.gram.edu), PBS.org and Wikipedia

Stray Toasters

Namaste.

It’s the weekend, baby!

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Friday – 03 February 2012
It’s my 9/80 day off with the girls.


Diana (l) and Vanessa

I’m trying to decide what we should do. There’s an offer on the table for a short road – and hobby shop – trip that’s sounding more and more appealing. On the other hand, we’re already planning to hit the World’s Greatest Hobby train show on Sunday, so I’m (somewhat) less inclined to buy something today.

Chew on This: Food for Thought – Black History Month
Today’s person of note is: Don Cornelius

Donald Cortez “Don” Cornelius (September 27, 1936 – February 1, 2012) was an American television show host and producer who was best known as the creator of the nationally syndicated dance/music franchise Soul Train, which he hosted from 1971 to 1993.

Originally a journalist inspired by the civil rights movement, Cornelius recognized that in the late 1960s there was no television venue in the United States for soul music, and introduced many African-American musicians to a larger audience as a result of their appearances on Soul Train, a program that was both influential among African-Americans and popular with a wider audience. As writer, producer, and host of Soul Train, Cornelius was instrumental in offering wider exposure to black musicians such as James Brown, Aretha Franklin, and Michael Jackson, as well as creating opportunities for talented dancers that would presage subsequent television dance programs. Cornelius said “We had a show that kids gravitated to,” and Spike Lee described the program as an “urban music time capsule.”

By way of NPR’s Dan Charnas:

The significance of Don Cornelius to American culture — and to the American culture business — is told nowhere more eloquently than in one brief exchange between Cornelius and singer James Brown, a story that Cornelius himself recalls in VH-1’s excellent 2010 documentary Soul Train: The Hippest Trip in America.

It was the Godfather of Soul’s first appearance on Cornelius’ then-nascent syndicated TV show — designed to do for soul music and black audiences what American Bandstand had long done for pop music and mainstream audiences. Brown marveled at the professionalism of the production, the flawlessness of its execution.

He turned to Cornelius and asked, “Who’s backing you on this, man?”

“It’s just me, James,” Cornelius answered.

Brown, nonplused, acted as if Cornelius didn’t understand the question. He asked it two more times, and Cornelius answered twice again: “It’s just me, James.”

That the man who wrote the song “Say It Loud — I’m Black and I’m Proud” and who recorded the soundtrack to the Black Power movement could scarcely comprehend that a black man like Cornelius both owned and helmed this kind of enterprise without white patronage is a testament to the magnitude and the improbability of Cornelius’ achievements.

Don Cornelius proved a truism about America and race that so few people, even today, understand: Black culture, expressed in undiluted form and unapologetically, will by virtue become accepted by the American mainstream. It’s something that future rap moguls like Russell Simmons and Jay-Z understood instinctively. So it’s a tragic irony that Soul Train‘s decline came with the dawn of the hip-hop era.  Last year, the set and memorabilia of Soul Train landed at the Smithsonian’s Museum of African-American History and Culture.

In the early-morning hours of February 1, 2012, officers responded to a report of a shooting and found Cornelius with an apparent self-inflicted gunshot wound to the head. He was taken to Cedars-Sinai Medical Center, where he was pronounced dead by the Los Angeles County Assistant Chief Coroner. According to former Soul Train host, Shemar Moore, Cornelius may have been suffering from early onset of dementia or Alzheimer’s disease and his health had been on the decline.

Information courtesy of NPR, The New York Times and Wikipedia

Stray Toasters

And tonight, I’m playing HeroClix: Star Trek Tactics with the guys…

…just before the HeroClix: ‘Dungeons & Dragons’ event that I came up with and am judging tomorrow.

Weekend full of tabletop gaming goodness. Aw, yeah…

Namaste.

“Tell me, Doctor, where are we going this time? Is this the 50’s… or 1999?”

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Thursday – 02 February 2012
It’s not just another NBN Thursday, it’s also Groundhog Day.

Yep. It’s just like that. And, apparently, the groundhog predicts six more weeks of winter. (Apparently, Utah never gets that memo.)

Last night was Movie Date Night around the household. The movie I chose was Drive, as SaraRules! and I both have an affinity for car chase movies. It was good… and far from what I expected, which was a pleasant surprise. I can’t really say “how” or “why”, but I will say this: The movie is not for the squeamish.

After the movie, I played a little CoD: Modern Warfare 3. There was one round that was horrid. Seriously abominable. The team we faced locked my team down on a map and just ate us up. We’d respawn. We’d die. Lather. Rinse. Repeat. Fortunately (or “mercifully”), the round was over fairly quickly.

Chew on This: Food for Thought – Black History Month
Today’s person of note is Benjamin Banneker.

Benjamin Banneker (November 9, 1731 – October 9, 1806) was a free African American astronomer, mathematician, surveyor, almanac author and farmer.

It is difficult to verify much of Benjamin Banneker’s family history. Some writers have stated that he was a grandson of a European American named Molly Welsh, who came to colonial America as an indentured servant.Researchers have questioned this, as Banneker described himself only as having an African ancestry. None of Banneker’s surviving papers describe a white ancestor or identify the name of his grandmother.

Born on November 9, 1731 near Elliott City, Maryland, Benjamin Banneker was educated by Quakers, however, most of his education was self-taught. He quickly revealed to the world his inventive nature and first achieved national acclaim for his scientific work in the 1791 survey of the Federal Territory (now Washington, D.C.).

Benjamin Banneker has been called the first African American intellectual; because of his dark skin and great intellect he was called the “sable genius.” Benjamin Banneker was a self-taught mathematician and astronomer. In 1753, after studying the inner workings of a friend’s watch, he made a wooden pocket watch – one of the first watches made in America – that accurately kept time for more than 40 years. Twenty years later, Banneker began making astronomical calculations that enabled him to successfully forecast a 1789 solar eclipse.

From 1791 to 1802, he published the Pennsylvania, Delaware, Maryland, and Virginia Almanac and Ephemeris, which contained tide tables, future eclipses, and medicinal formulas. It is believed to be the first scientific book published by an African American. Also a surveyor, Banneker was appointed by President George Washington to the District of Columbia Commission, which was responsible for the survey work that established the city’s original boundaries. When the chairman of the committee, Pierre Charles L’Enfant, suddenly resigned and left, taking the plans with him, Banneker reproduced the plans from memory, saving valuable time. A staunch opponent of slavery, Banneker sent a copy of his first almanac to then-Secretary of State Thomas Jefferson to counter Jefferson’s belief in the intellectual inferiority of blacks.

On August 19 1791, Banneker sent a copy of his first almanac to secretary of state Thomas Jefferson. In an enclosed letter, he questioned the slaveholder’s sincerity as a “friend to liberty.” He urged Jefferson to help get rid of “absurd and false ideas” that one race is superior to another. He wished Jefferson’s sentiments to be the same as his, that “one Universal Father . . . afforded us all the same sensations and endowed us all with the same faculties.” Jefferson responded with praise for Banneker’s accomplishments.

Banneker never married. Because of declining sales, his last almanac was published in 1797. After selling much of his farm to the Ellicotts and others, he died in his log cabin nine years later on October 9, 1806, exactly one month before his 75th birthday. A commemorative obelisk that the Maryland Bicentennial Commission and the State Commission on Afro American History and Culture erected in 1977 stands near his unmarked grave in an Oella, Maryland, churchyard.

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Wednesday – 01 February 2012
It’s not only midweek and new comics day, it’s also 2-1-12… which means it’s also Rush Day!

Today is also the day that HeroClix: Star Trek Tactics hits the shelves. (Think Star Fleet Battles… but updated. And in ‘Clix form.)

After the girls were asleep last night, I headed out to meet the guys for Guys’ Night Out. It was a good crowd. And, when mixed with good food, drink and conversation, made for a great way to spend a Tuesday night.

Today, to quote Al Jarreau: “I got my certain and my sure ‘nough on…” In other words: It’s a suit day. Grey herringbone suit, white and purple striped shirt, purple tie, white pocket square, grey socks, black loafers AND… purple LEGO cufflinks. BAM!

And tonight is movie night. (And I still have NO idea what we’re going to watch…)

Chew on This: Food For Thought – Black History Month
Today also marks the start of Black History Month.

Today’s person of note is: Marian Anderson

Marian Anderson (February 27, 1897 – April 8, 1993) was an African-American contralto and one of the most celebrated singers of the twentieth century. Most of her singing career was spent performing in concert and recital in major music venues and with major orchestras throughout the United States and Europe between 1925 and 1965. Although she was offered contracts to perform roles with many important European opera companies, Anderson declined all of these, preferring to perform in concert and recital only. She did, however, perform opera arias within her concerts and recitals.

Anderson displayed vocal talent as a child, but her family could not afford to pay for formal training. From the age of six, she was tutored in the choir of the Union Baptist Church, where she sang parts written for bass, alto, tenor, and soprano voices. Members of the congregation raised funds for her to attend a music school for a year. At 19 she became a pupil of Giuseppe Boghetti, who was so impressed by her talent that he gave her free lessons for a year. In 1925 she entered a contest with 300 competitors and won first prize, a recital at Lewisohn Stadium in New York City with the New York Philharmonic Orchestra.

Anderson became an important figure in the struggle for black artists to overcome racial prejudice in the United States during the mid twentieth century. In 1939, when the Daughters of the American Revolution (DAR) refused to allow her to perform at Constitution Hall in Washington, D.C., Eleanor Roosevelt resigned her DAR membership in protest and sponsored Anderson’s concert at the Lincoln Memorial, before a crowd of more than 75,000 people and a radio audience in the millions.

Anderson continued to break barriers for black artists in the United States, becoming the first black person, American or otherwise, to perform at the Metropolitan Opera in New York City on January 7, 1955. Her performance as Ulrica in Giuseppe Verdi’s Un ballo in maschera at the Met was the only time she sang an opera role on stage.

She also worked for several years as a delegate to the United Nations Human Rights Committee and as a “goodwill ambassadress” for the United States Department of State. The recipient of numerous awards and honors, Anderson was awarded the Presidential Medal of Freedom in 1963, the Kennedy Center Honors in 1978, the National Medal of Arts in 1986, and a Grammy Lifetime Achievement Award in 1991.

In 2001, the 1939 documentary film, Marian Anderson: the Lincoln Memorial Concert was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”.

On January 27, 2005, a commemorative U.S. postage stamp honored Marian Anderson as part of the Black Heritage series. Anderson is also pictured on the US$5,000 Series I United States Savings Bond.

The Marian Anderson Award was originally established in 1943 by Anderson after she was awarded the $10,000 Bok Prize that year by the city of Philadelphia. Anderson used the award money to establish a singing competition to help support young singers. Eventually the prize fund ran out of money and it was disbanded in 1976. In 1990 the award was re-established and has dispensed $25,000 annually. In 1998 the prize was restructured with the “Marian Anderson Award” going to an established artist, not necessarily a singer, who exhibits leadership in a humanitarian area. A separate prize, the “Marian Anderson Prize for Emerging Classical Artists” is given to promising young classical singers.

(Information courtesy of biography.com, FactMonster.com and Wikipedia)

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Namaste.