Union Pacific's Great Excursion Adventure

“Take the last train to Clarksville, and I’ll meet you at the station…”

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Wednesday – 29 February 2012
Midweek. Check.
New comics day. Check.
Pasta and Movie Date Night. Check.
Leap Day. Check.

That’s right. It’s that one day we get every four years to balance out the calendar vs. earth’s orbit of the sun.

It also happens to be the birthday of my Aunt Mary and my Uncle Marion.  Having a birthday once every four years? And I thought that having twins with different birthdays was awkward!

And, it’s apparently Superman’s birthday, too.

Last night, on the way home from work, I stopped at the local Best Buy to pick up a copy of Justice League: Doom, DC Animation’s latest release, based on the JLA: Tower of Babel story.  (And, this is the last movie worked on by the late Dwayne McDuffie.) And, they were out of them. Well… at least the blu-ray, which I wanted. *sigh* So, I headed back home to hang out with SaraRules! and the girls before heading off to Guys’ Night Out. The girls went to bed fairly easily, allowing me a few spare minutes to run all over Hell and half of Georgia to a not-quite-so-local Best Buy. They had it.

Guys’ Night Out was good. Along with the usual suspects, we had a couple of new faces. Good food. Good beer. Good conversation. All the earmarks of a great way to spend an evening.

Chew on This: Food for Thought – Black History Month
Today’s item is: The Emancipation Proclamation, an executive order issued by United States President Abraham Lincoln on January 1, 1863, during the American Civil War using his war powers. It proclaimed the freedom of slaves in the ten states then in rebellion, thus applying to 3.1 million of the 4 million slaves in the U.S. at that time.

On September 22, 1862, Lincoln announced that he would issue a formal emancipation of all slaves in any state of the Confederate States of America that did not return to Union control by January 1, 1863. None returned, and the order, signed and issued January 1, 1863, took effect except in locations where the Union had already mostly regained control. The Proclamation made abolition a central goal of the war (in addition to reunion), outraged white Southerners who envisioned a race war, angered some Northern Democrats, energized anti-slavery forces, and weakened forces in Europe that wanted to intervene to help the Confederacy.

Slavery was made illegal everywhere in the U.S. by the Thirteenth Amendment, which took effect in December 1865.

The Proclamation applied only in ten states that were still in rebellion in 1863, thus it did not cover the nearly 500,000 slaves in the slave-holding border states (Missouri, Kentucky, Maryland or Delaware) which were Union states — those slaves were freed by separate state and federal actions. The state of Tennessee had already mostly returned to Union control, so it was not named and was exempted. Virginia was named, but exemptions were specified for the 48 counties then in the process of forming the new state of West Virginia, and seven additional counties and two cities in the Union-controlled Tidewater region. Also specifically exempted were New Orleans and 13 named parishes of Louisiana, all of which were also already mostly under Federal control at the time of the Proclamation. These exemptions left unemancipated an additional 300,000 slaves.

The Emancipation Proclamation was incorrectly ridiculed for freeing only the slaves over which the Union had no power. In fact 20,000 to 50,000 were freed the day it went into effect in parts of nine of the ten states to which it applied (Texas being the exception). In every Confederate state (except Tennessee and Texas), the Proclamation went into immediate effect in Union-occupied areas and at least 20,000 slaves were freed at once on January 1, 1863.

Additionally, the Proclamation provided the legal framework for the emancipation of nearly all four million slaves as the Union armies advanced, and committed the Union to ending slavery, which was a controversial decision even in the North. Hearing of the Proclamation, more slaves quickly escaped to Union lines as the Army units moved South. As the Union armies advanced through the Confederacy, thousands of slaves were freed each day until nearly all (approximately 4 million, according to the 1860 census were freed by July 1865.

While the Proclamation had freed most slaves as a war measure, it had not made slavery illegal. Of the states that were exempted from the Proclamation, Maryland, Missouri, Tennessee, and West Virginia prohibited slavery before the war ended; however, in Delaware and Kentucky, slavery continued to be legal until December 18, 1865, when the Thirteenth Amendment went into effect.

The Proclamation was immediately denounced by Copperhead Democrats who opposed the war and advocated restoring the union by allowing slavery. Horatio Seymour, while running for the governorship of New York, cast the Emancipation Proclamation as a call for slaves to commit extreme acts of violence on all white southerners, saying it was “a proposal for the butchery of women and children, for scenes of lust and rapine, and of arson and murder, which would invoke the interference of civilized Europe.” The Copperheads also saw the Proclamation as an unconstitutional abuse of Presidential power. Editor Henry A. Reeves wrote in Greenport’s Republican Watchman that “In the name of freedom of Negroes, [the proclamation] imperils the liberty of white men; to test a utopian theory of equality of races which Nature, History and Experience alike condemn as monstrous, it overturns the Constitution and Civil Laws and sets up Military Usurpation in their Stead.”

Racism remained pervasive on both sides of the conflict and many in the North supported the war only as an effort to force the south back into the Union. The promises of many Republican politicians that the war was to restore the Union and not about black rights or ending slavery, were now declared lies by their opponents citing the Proclamation. Copperhead David Allen spoke to a rally in Columbiana, Ohio, stating “I have told you that this war is carried on for the Negro. There is the proclamation of the President of the United States. Now fellow Democrats I ask you if you are going to be forced into a war against your Brethren of the Southern States for the Negro. I answer No!” The Copperheads saw the Proclamation as irrefutable proof of their position and the beginning of a political rise for their members; in Connecticut H.B. Whiting wrote that the truth was now plain even to “those stupid thick-headed persons who persisted in thinking that the President was a conservative man and that the war was for the restoration of the Union under the Constitution.”

War Democrats who rejected the Copperhead position within their party, found themselves in a quandary. While throughout the war they had continued to espouse the racist positions of their party and their disdain of the concerns of slaves, they did see the Proclamation as a viable military tool against the South, and worried that opposing it might demoralize troops in the Union army. The question would continue to trouble them and eventually lead to a split within their party as the war progressed.

Lincoln’s Gettysburg Address in November 1863 made indirect reference to the Proclamation and the ending of slavery as a war goal with the phrase “new birth of freedom”. The Proclamation solidified Lincoln’s support among the rapidly growing abolitionist element of the Republican Party and ensured they would not block his re-nomination in 1864

In the years after Lincoln’s death, his action in the proclamation was lauded. The anniversary of the Emancipation Proclamation was celebrated as a black holiday for more than 50 years; the holiday of Juneteenth was created in some states to honor it.

Stray Toasters

Namaste.

“You can be the President, I’d rather be the Pope…”

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Tuesday – 28 February 2012
Ordinarily, today would mark the end of the month. But, thanks to leap year – or DC’s “New 52,” according to Thom Zahler – we get an extra day this month. And, at least here in the Land Behind the Zion Curtain, it’s snowy. Well, more like “flurry-y,” but you get the idea. (And, of course, by the time I got back to writing this, it’s stopped.)

Last night was fairly quiet around the homestead. We took a short family excursion to the local Babies ‘R’ Us after work — the girls now have a new activity bouncer/saucer/thingamabob. Then, back home for the girls’ bedtime. And then dinner and a little TV for SaraRules! and me. (Followed, naturally, by some MW3 time for me.)

Chew on This: Food for Thought – Black History Month
Today’s topic is: African Diaspora, the historic movement of Africans and their descendants to places throughout the world—predominantly to the Americas, and also to Europe, the Middle East, and other places around the globe.

The term has been historically applied in particular to the descendants of the Africans who were enslaved and shipped to the Americas by way of the Atlantic slave trade, with the largest population in Brazil (see Afro-Brazilian). In modern times, it is also applied to Africans who have emigrated from the continent in order to seek education, employment and better living for themselves and their children. People from Sub-Saharan Africa, including many Africans, number at least 800 million in Africa and over 140 million in the Western Hemisphere, representing around 14% of the world’s population. It is believed that this diaspora has the potential to revitalize Africa. Primarily, many academics, NGOs, and websites such as Social Entrepreneurs of the African Diaspora view social entrepreneurship as a tool to be used by the African diaspora to improve themselves and their ancestral continent.

Much of the African diaspora was dispersed throughout Europe, Asia, and the Americas during the Atlantic and Arab Slave Trades. Beginning in the 9th century, Arabs took African slaves from the central and eastern portions of the continent (where they were known as the Zanj) and sold them into markets in the Middle East and eastern Asia. Beginning in the 15th century, Europeans captured or bought African slaves from West Africa and brought them to Europe and later to the Americas. Both the Arab and Atlantic slave trades ended in the 19th century. The dispersal through slave trading represents one of the largest forced migrations in human history. The economic effect on the African continent was devastating. Some communities created by descendants of African slaves in Europe and Asia have survived to the modern day, but in other cases, blacks intermarried with non-blacks and their descendants blended into the local population.

In the Americas, the confluence of multiple ethnic groups from around the world created multi-ethnic societies. In Central and South America, most people are descended from European, American Indian, and African ancestry. In Brazil, where in 1888 nearly half the population was descended from African slaves, the variation of physical characteristics extends across a broad range. In the United States, there was historically a greater colonial population in relation to African slaves, especially in the northern tier. Racist Jim Crow and anti-miscegenation laws after the Civil War, plus waves of vastly increased immigration from Europe in the 19th and 20th centuries, maintained some distinction between racial groups. In the 20th century, to institutionalize racial segregation, most southern states adopted the “one drop rule“, which defined anyone with any discernible African ancestry as African.

From the very onset of Spanish activity in the Americas, black Africans were present both as voluntary expeditionaries and as involuntary laborers. Juan Garrido was one such black conquistador. He crossed the Atlantic as a freedman in the 1510s and participated in the siege of Tenochtitlan.

Emigration from Sub-equatorial Africa has been the primary reason for the modern diaspora. People have left the subcontinent because of warfare and social disruption in numerous countries over the years, and also to seek better economic opportunities. Scholars estimate the current population of recent African immigrants to the United States alone is over 600,000, some of whom are Black Africans from the Sub-equatorial region. Countries with the largest recorded numbers of immigrants to the U.S. are Nigeria, Ghana, Sierra Leone and mostly West African Countries. Some immigrants have come from Angola, Cape Verde, Mozambique (see Luso American), Equatorial Guinea, Kenya, and Cameroon. Immigrants typically congregate in major urban areas, moving to suburban areas over time.

There are significant populations of recent African immigrants in many other countries around the world, including the UK and France, both nations that had colonies in Africa.

Stray Toasters

Namaste.

Finally…

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Friday – 24 February 2012
It’s (finally) the end of the week. It’s my working Friday, but it’s also the quiet day in the office; this isn’t to say that the day hasn’t been productive.

Of even more importance: The twins slept through the night again! And… *drumroll* … for the second consecutive night! I’m not necessarily expecting them to do so again tonight, but I wouldn’t be averse to it.

SaraRules! and I postponed Wednesday’s Pasta & Movie Date Night until last night. It was SaraRules!’ night to choose a movie. She picked Spike Lee’s She’s Gotta Have It. We had long talked about watching all of Spike Lee’s movies, in order, but hadn’t done anything about it… until last night. And it was good, especially for his first outing.

Chew on This: Food for Thought – Black History Month
Today’s person of note is Llewellyn Xavier, artist.


Llewellyn Xavier OBE was born in Saint Lucia on October 12, 1945

Xavier left Saint Lucia for Barbados in 1961, working as an agricultural apprentice for a time. A friend gave him a box of watercolors, and he was soon drawn to art. His first exhibition was a great success, and soon his reputation was established. In 1968, Xavier moved to England, where he became a pioneer in the field of mail art. He enrolled in the school of the Museum of Fine Arts, Boston, in 1979, and for a time was a Cistercian monk in Montreal. After a time, he left the monastery, marrying and returning to Saint Lucia in 1987.

Probably Xavier’s most important work to date is a large cycle of collages. His intense concern for the environment led to his masterpiece, Global Council for Restoration of the Earth’s Environment; it was first shown at the Patrick Cramer Gallery in Geneva in May of 1993. The collages incorporate all manner of recycled materials, including naturalist prints from the eighteenth and nineteenth centuries and postage stamps from many countries. They also include signatures of various world leaders of environmentalism and of a number of conservationists.

Xavier received the OBE in 2004 in recognition of his contributions to the art of the Commonwealth. His most recent series to date, also of collages, is titled Environment Fragile, and is meant to call attention to the destruction of the environment; he has sent pieces from the series to various dignitaries around the world.

Xavier’s work is in the collection of the Metropolitan Museum of Art, the American Museum of Natural History, and the Smithsonian Institution as well as in various European museums.

Stray Toasters

“Froggie jumped all over the stage that day…”

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Monday – 20 February 2012
It’s a new work week. Yay (or something to that effect).

I am, however, rather excited as the girls – for the second time in three days – slept through the night!

Vanessa (l), Sara, and Diana

That’s right, seven-and-a-half hours of sleep. (If only I didn’t have such disconcerting dreams last night…)

The rest of the weekend was good, as well. Saturday afternoon, I judged a tournament for Dr. Volt’s Comic Connection. Saturday evening, I attended Utah Symphony‘s performance of Rachmaninoff’s Piano Concerto N0. 2 and Beethoven’s Symphony No. 4 with Melissa Sanders. It was a fantastic concert.

Sunday was a relaxing day, spent mostly at home. We did venture out for a bit to Black Water Coffee Company and Fashion Place Mall… where the girls went on a shopping spree. Seriously. They cleaned up. (Okay, okay… it helped that Carter’s was having a pretty big sale. Still…) Later in the day, we headed up to SaraRules!’ parents for dinner before heading home for little girls’ bedtime. And, we wound up the evening with The Walking Dead and with me playing a little Modern Warfare 3.

And today is Presidents Day.

Chew on This: Food for Thought – Black History Month
After taking the weekend off from blogging, let’s get back into the swing of things with an all-music selection of notables:

  • Questlove (also known as ?uestlove), is an American drummer, DJ, music journalist and record producer.

    Ahmir Khalib Thompson (January 20, 1971) Thompson was born in Philadelphia. His father was Lee Andrews of Lee Andrews & the Hearts, one of the great 50s doo-wop groups. Ahmir, who started drumming at the age of 2, often accompanied his parents on tour. By the age of 8, he was well-versed in life on the road, learning how to “cut gels, place mics, place lights. Then I became the sound guy and tech guy. One night the drummer didn’t make it, and then I was [my father’s] drummer.”

    Thompson’s first gig came at the age of 13, during a performance at Radio City Music Hall. “My parents didn’t trust babysitters back in the early 70s,” Thompson told Mother Jones magazine in 2011. “So I had to play bongos on stage with them ’cause ‘No stranger’s gonna watch my son in Muncie, Indiana!’” That same year, Thompson was named the musical director for his father’s group, and he became determined to establish his own career in music.

    Questlove’s parents then enrolled him at the Philadelphia High School for the Creative and Performing Arts. By the time he graduated, he had founded a band called The Square Roots (later dropping the word “square”) with his friend Tariq Trotter (Black Thought). After high school, Thompson was offered a spot at the prestigious Juilliard School in New York, but the young musician couldn’t afford the tuition. Instead, Thompson devoted himself to making his unique style of music. The Roots’ roster was soon completed, with Questlove on percussion, Tariq Trotter and Malik B on vocals, Josh Abrams (Rubber Band) on bass (who was replaced by Leonard Hubbard in 1994), and Scott Storch on keyboards.

    Questlove currently performs with The Roots on Late Night with Jimmy Fallon, occasionally performing solos titled ‘re-mixing the clips’ where he draws on his production and DJ abilities to dub video clips, cue audio samples in rhythm, and play drum breaks simultaneously.

    Thompson, not one to rest on the heels of his success, has also been involved in a dizzying array of side projects. He appeared as a drummer for the instrumental jazz album, The Philadelphia Experiment in 2001, and in 2002 he released the compilation ?uestlove Presents: Babies Making Babies. He has also served as an executive producer for artists such as D’Angelo and Common; has written film scores; and drummed for artists like Christina Aguilera, Fiona Apple and Joss Stone.

  • Otis Redding (September 9, 1941 – December 10, 1967) was an American soul singer-songwriter, record producer, arranger, and talent scout.

    Otis Ray Redding, Jr. (September 9, 1941 – December 10, 1967) was born in the small town of Dawson, Georgia to gospel singer Otis Redding, Sr., and housekeeper Fannie Redding. At an early age, he sang in the Vineville Baptist Church choir and learned guitar and piano. From the age of 10, he took drum and singing lessons. Later, at Ballard-Hudson High School, he sang in a school band. Every Sunday he earned $6 (USD) by performing songs for Macon radio station WIBB. His passion was singing and often cited Little Richard and Sam Cooke as major influences.

    At age fifteen, he abandoned school to help his family financially. His father had contracted tuberculosis and was often hospitalized, leaving his mother as the primary financial provider for the family, while Redding worked as a well digger, gas station attendant and guest musician in the following years. His breakthrough came when he played Little Richard’s “Heebie Jeebies”, winning a $5 contest fifteen weeks in a row, until being banned.Redding was soon hired by Little Richard’s band The Upsetters.

    Redding joined Johnny Jenkins’s Pinetoppers, a local Georgia band, and also served as the group’s driver. When the group traveled to Memphis, Tennessee, to record at the famed Stax studios, Redding sang two songs of his own at the end of the session. One of the two, “These Arms of Mine” (1962), launched his career, attracting both a record label executive (Jim Stewart) and a manager (Phil Walden) who passionately believed in his talent.Redding’s open-throated singing became the measure of the decade’s great soul artists. Unabashedly emotional, he sang with overwhelming power and irresistible sincerity. “Otis wore his heart on his sleeve,” said Jerry Wexler, whose Atlantic label handled Stax’s distribution, thus bringing Redding to a national market. Redding’s influence extended beyond his gritty vocals. As a composer, especially with his frequent partner Steve Cropper, he introduced a new sort of rhythm-and-blues line—lean, clean, and steely strong. He arranged his songs as he wrote them, singing horn and rhythm parts to the musicians and, in general, sculpting his total sound. That sound, the Stax signature, would resonate for decades to come.

    Redding developed polyps on his larynx, which he tried to treat with tea and lemon or honey. He was hospitalized in September 1967 at Mt. Sinai Hospital in New York to undergo surgery. In the winter of 1967, he again recorded at Stax. One new song was (Sittin’ On) The Dock of the Bay, written by Cropper and Redding. Redding was inspired by the Beatles album Sgt. Pepper’s Lonely Hearts Club Band, and tried to create a similar sound, against the label’s wishes, and his wife was dissatisfied with its atypical melody. Redding wanted to change his musical style to avoid boring his audience. The Stax crew were similarly dissatisfied; Stewart thought that it was not R&B, while bassist Donald “Duck” Dunn thought its sound would damage Stax’s reputation. However, Redding thought it was the best song he ever wrote and would top the charts. Redding died just three days later, when his chartered plane crashed into Lake Monona, Wisconsin. Redding was entombed at his ranch in Round Oak, about 20 miles (32 km) north of Macon. Jerry Wexler delivered the eulogy. Redding was survived by his wife and three children.

  • Tupac Shakur (June 16, 1971 – September 13, 1996), was an American rapper and actor.

    Tupac Amaru Shakur was born on the East Harlem section of Manhattan in New York City. He was named after Túpac Amaru II, a Peruvian revolutionary who led an indigenous uprising against Spain and was subsequently executed. His mother, Afeni Shakur, and his father, Billy Garland, were active members of the Black Panther Party in New York in the late 1960s and early 1970s; he was born just one month after his mother’s acquittal on more than 150 charges of “Conspiracy against the United States government and New York landmarks” in the New York Panther 21 court case.

    At the age of twelve, Shakur enrolled in Harlem’s 127th Street Repertory Ensemble and was cast as the Travis Younger character in the play A Raisin in the Sun, which was performed at the Apollo Theater. In 1986, the family relocated to Baltimore, Maryland. After completing his second year at Paul Laurence Dunbar High School he transferred to the Baltimore School for the Arts, where he studied acting, poetry, jazz, and ballet. As a teenager, Shakur attended the Baltimore School for the Arts, where he took acting and dance classes, including ballet. While living in Baltimore, he discovered rap and began performing as MC New York.

    In June 1988, Shakur and his family moved to Marin City, California. He began attending the poetry classes of Leila Steinberg in 1989. That same year, Steinberg organized a concert with a former group of Shakur’s, Strictly Dope; the concert led to him being signed with Atron Gregory who set him up as a roadie and backup dancer with the young rap group Digital Underground in 1990.

    In 1991, Shakur emerged as a solo artist – using the name 2Pac – with his debut album 2Pacalypse Now. The track “Brenda’s Got a Baby” reached as high as number three on the Billboard Hot Rap Singles chart. His second album Strictly 4 My N. I. G. G. A. Z. crossed over to the pop charts, with singles “I Get Around” and “Keep Ya Head Up.” The album went platinum, selling more than a million copies. Around this time, Shakur also appeared in several films, including Poetic Justice (1993) opposite Janet Jackson.

    Tupac became quite a sensation, earning praise for his musical and acting talent as well as condemnation for his explicit, violent lyrics. Many of his songs told of fights, gangs, and sex. He appeared to be living up to his aggressive gangster rap persona with several arrests for violent offenses in the 1990s. In 1994, he spent several days in jail for assaulting director Allen Hughes and was later convicted of sexual assault in another case.

    Shakur himself fell victim to violence, getting shot five times in the lobby of a recording studio during a mugging. On the night of November 30, 1994, the day before the verdict in his sexual abuse trial was to be announced, Shakur was shot five times and robbed after entering the lobby of Quad Recording Studios in Manhattan by two armed men in army fatigues. He would later accuse Sean Combs, Andre Harrell, and Biggie Smalls—whom he saw after the shooting—of setting him up. According to the doctors at Bellevue Hospital, where he was admitted immediately following the incident, Shakur had received five bullet wounds; twice in the head, twice in the groin and once through the arm and thigh. He checked out of the hospital, against doctor’s orders, three hours after surgery. In the day that followed, Shakur entered the courthouse in a wheelchair and was found guilty of three counts of molestation, but innocent of six others, including sodomy. On February 6, 1995, he was sentenced to one-and-a-half to four-and-a-half years in prison on a sexual assault charge.

    After serving eight months in prison, Shakur returned to music with the album All Eyez on Me. He was reportedly released after Death Row Records CEO Marion “Suge” Knight paid a bond of more than $1 million as part of Shakur’s parole. In his latest project, Shakur as the defiant street thug was back in full force on this recording. The song “California Love” featured a guest appearance by famed rapper-producer Dr. Dre and made a strong showing on the pop charts. Besides his hit album, he tackled several film roles.

    On a trip to Las Vegas to attend a boxing match, Shakur was shot while riding in a car driven by Knight on September 7, 1996. He died six days later on September 13 from his injuries. His killer has never been caught. Since his death, numerous albums of his work have been released, selling millions of copies.

  • Tina Turner is an American singer and actress whose career has spanned more than 50 years

    Tina Turner (born Anna Mae Bullock; November 26, 1939) was born in Nutbush, Tennessee, the daughter of Zelma Bullock, a factory worker, and Floyd Richard Bullock, a Baptist deacon, farm overseer, and factory worker. Zelma Bullock later relocated to St. Louis, Missouri. Floyd Bullock moved to Detroit and later settled in California. Anna Mae and her sister relocated to Brownsville where they were raised by their grandmother.  She performed on several talent shows as a child and sang at her church choir. She later moved to St. Louis and, following her graduation from high school in 1958, took work as a nurse aide at Barnes-Jewish Hospital.

    In between the time Anna Bullock had moved to St. Louis, she was enthralled by the city’s thriving nightclub scene and her sister often took her to several of the clubs, much to their mother’s chagrin. Anna was introduced to Ike Turner and his Kings of Rhythm band after her sister took her to Club Manhattan where Alline served as a barmaid. Anna pursued Ike Turner for months asking him to let her sing with his band. When she was seventeen, she sang during a band intermission to a B. B. King song which impressed Turner. Eventually Turner allowed her to join the band as a background vocalist. Turner gave Bullock her first stage name, “Little Ann,” during this time and included her in his record, “Box Top”, which was a local hit in St. Louis.

    In November 1959, when a male vocalist failed to show up for a recording session, Anna was told to give a guide vocal to the song. Ike Turner then sent the song to New York where he met with Sue Records president Juggy Murray and played the song to him. Upon hearing it, Murray insisted Turner keep Anna’s vocals on the song, giving Turner a $25,000 advance, convinced the song would be a hit single. In response to this, Turner decided to form a duo around him and Bullock. In the process, he changed her stage name to “Tina Turner.” The two achieved considerable success as a rhythm-and-blues vocal duo and became known for their electrifying stage and television performances. However, after years of abuse, the marriage and professional partnership was officially dissolved in 1976.

    After a slow start, Turner’s solo career took off with a remake of Al Green’s Let’s Stay Together in 1983. Her much anticipated solo album, Private Dancer, won four Grammy Awards and sold well over 20 million copies worldwide. Subsequent albums include Break Every Rule (1986), Tina Live in Europe (1988, Grammy for Female Rock Vocal Performance) and Foreign Affair, which included the hit single “(Simply) The Best.” In the 1990s, she released Wildest Dreams and Twenty Four Seven.Turner also launched an acting career, appearing in the films Mad Max: Beyond Thunderdrome starring Mel Gibson and The Last Action Hero with Arnold Schwarzenegger. She has also made several recordings for soundtracks, including “We Don’t Need Another Hero,” “Goldeneye,” and “He Lives In You” for The Lion King II: Simba’s Pride.

    In 1993, Turner’s best-selling 1986 autobiography I, Tina was made into the motion picture What’s Love Got to Do with It? starring Angela Bassett. Her soundtrack for the movie went double platinum in the U.S.

    Though she is now semi-retired, Turner does make rare appearances and recordings. She returned to the stage in 2008 to embark on her “Tina!: 50th Anniversary Tour.” It became one of the highest-selling ticketed shows of 2008 and 2009.

Stray Toasters

Namaste.

“So take me away, I don’t mind… But you’d better promise me, I be back in time.”

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Thursday – 16 February 2012
It’s not only NBN Thursday, but it’s also “Technical Friday.”

Last night, SaraRules! and I had Pasta & Movie Date Night. We co-cooked dinner (grilled chicken and broccoli over spaghetti, with alfredo sauce) and watched Source Code. I enojyed it… for the most part. In fact, I think the thing that I disliked the most was that the blu-ray disc started skipping in the middle of Chapter 11, making us miss roughly five minutes of the film.

*shakes fist*

Aside from that, it was a good movie. It remined me of Seven Days, with a hint of Groundhog Day.

Chew on This: Food for Thought – Black History Month
Today’s person of note is: P.B.S. Pinchback, the first non-white and first person of African American descent to become governor of a U.S. state.

Pinckney Benton Stewart Pinchback (May 10, 1837  – December 21, 1921) was born in Macon, Georgia, to Eliza Stewart, a former slave, and William Pinchback, her former master, who were living together as husband and wife. Pinchback was brought up in relatively affluent surroundings. He was raised as white and his parents sent him north to Cincinnati, Ohio, to attend school. In 1848, however, Pinchback’s father died. William Pinchback’s relatives disinherited his mulatto wife and children and claimed his property in Mississippi. Fearful that the northern Pinchbacks might also try to claim her five children as slaves, Pinchback’s mother fled with them to Cincinnati.

In 1860 Pinchback married Nina Hawthorne of Memphis, Tennessee. The Civil War began the following year, and Pinchback decided to fight on the side of the Union. In 1862 he furtively made his way into New Orleans, which had just been captured by the Union Army. He raised several companies for the Union’s all black 1st Louisiana Native Guards Regiment. Commissioned a captain, he was one of the Union Army’s few commissioned officers of African American ancestry. He became Company Commander of Company A, 2nd Louisiana Regiment Native Guard Infantry (later reformed as the 74th US Colored Infantry Regiment). Passed over twice for promotion and tired of the prejudice he encountered from white officers, Pinchback resigned his commission in 1863.

At the war’s end, he and his wife moved to Alabama, to test their freedom as full citizens. Racial tensions there during Reconstruction were reaching shocking levels of violence, however, he brought his family back to New Orleans and became active in the Republican Party, participating in Reconstruction state conventions. In 1868, he organized the Fourth Ward Republican Club in New Orleans. That same year, he was elected as a State Senator, where he became senate president pro tempore of a Legislature that included 42 representatives of African American descent (half of the chamber, and seven of 36 seats in the Senate). In 1871 he became acting lieutenant governor upon the death of Oscar Dunn, the first elected African-American lieutenant governor of a U.S. state.

In 1872, the incumbent Republican governor, Henry Clay Warmoth, suffered impeachment charges near the end of his term. State law required that Warmoth step aside until convicted or cleared of the charges. Pinchback, as lieutenant governor, succeeded as governor on December 9 and served for 35 days until the end of Warmoth’s term. Warmoth was not convicted and the charges were eventually dropped.

In 1872 Pinchback was elected to Congress, but his Democratic opponent contested the election and won the seat. A year later he was elected to the U.S. Senate, but he was again refused the seat amid charges and countercharges of fraud and election irregularities—although some observers said it was the colour of his skin that counted against him. He was appointed to his last office in 1882 as surveyor of customs in New Orleans.

At the age of 50 he decided to take up a new profession and entered Straight College, New Orleans, to study law; he was subsequently admitted to the bar. Disillusioned with the outcome of Reconstruction and the return to power of the traditional white hierarchy, he moved to Washington, D.C., where he remained active in politics.

Pinchback died in Washington in 1921 and is interred in Metairie Cemetery in New Orleans. His service as governor helped him to be interred there although the cemetery was segregated and reserved for whites.

Stray Toasters

Namaste.

Tilting, but not at windmills…

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Thursday – 09 February 2012
This NBN Thursday is a bit grey and hazy.  But, I started the morning with SaraRules! and the girls, so it was a good kick-off to the day.

Last night, we watched Killer Elite (not to be confused with the movie with almost the same title from 1975) for Movie Date Night. Robert DeNiro. Clive Owen. Jason Statham. All kicking ass and, in some cases, taking names. The premise was a little different than I expected, but not in a bad way. There were a couple of plot holes, but what movie doesn’t have those these days? In the end, it made for a decent night’s viewing.

Also, I tried out something different with my bike trainer: Disengaging the tension wheel, so that the back wheel spun freely. Works, but without any resistance, I was pedaling as easily in the higher gears (15 and up) as I was in the first three gears. Still, it’s an option.

Chew on This: Food for This – Black History Month
Today, you’re getting a double d0es of Black History Month goodness.

  • The first person of note is James Weldon Johnson, author, politician, poet, songwriter, and educator, and early civil rights activist.James Weldon Johnson (June 17, 1871 – June 26, 1938)  was born in Jacksonville, Florida, the son of Helen Louise Dillet and James Johnson. His brother was the composer J. Rosamond Johnson. Johnson was first educated by his mother (the first female, black teacher in Florida at a grammar school) and then at Edwin M. Stanton School. At the age of 16 he enrolled at Atlanta University, from which he graduated in 1894. In addition to his bachelor’s degree, he also completed some graduate coursework there.

    After graduation he returned to Stanton, a school for African American students in Jacksonville, until 1906, where, at the young age of 23, he became principal. As principal Johnson found himself the head of the largest public school in Jacksonville regardless of race. Johnson improved education by adding the ninth and tenth grades. During his tenure at Stanton, Johnson wrote Lift Every Voice and Sing — often called “The Negro National Hymn”, “The Negro National Anthem”, “The Black National Anthem”, or “The African-American National Anthem” — set to music by his brother John Rosamond Johnson (1873–1954) in 1900.

    In 1897, Johnson was the first African American admitted to the Florida Bar Exam since Reconstruction. He was also the first black in Duval County to seek admission to the state bar. In order to receive entry, Johnson underwent a two-hour examination before three attorneys and a judge. He later recalled that one of the examiners, not wanting to see a black man admitted, left the room.

    In 1906 President Theodore Roosevelt appointed him U.S. consul to Puerto Cabello, Venezuela, and in 1909 he became consul in Corinto, Nicaragua, where he served until 1914. He later taught at Fisk University. Meanwhile, he began writing a novel, The Autobiography of an Ex-Colored Man (published anonymously, 1912), which attracted little attention until it was reissued under his own name in 1927.

    In 1920 Johnson was elected to manage the NAACP, the first African American to hold this position. While serving the NAACP from 1914 through 1930 Johnson started as an organizer and eventually became the first black male secretary in the organization’s history. In 1920, he was sent by the NAACP to investigate conditions in Haiti, which had been occupied by U.S. Marines since 1915. Johnson published a series of articles in The Nation, in which he described the American occupation as being brutal and offered suggestions for the economic and social development of Haiti. These articles were reprinted under the title Self-Determining Haiti. Throughout the 1920s he was one of the major inspirations and promoters of the Harlem Renaissance trying to refute condescending white criticism and helping young black authors to get published.

    Johnson died while vacationing in 1939, when the car he was driving was hit by a train.

  • The second person of note is Mat Johnson (no relation), an American writer of literary fiction.Johnson (born August 19, 1970) grew up in “racially stratified” Philadelphia. His mother is African American; his father, Irish American. After his parents’ divorce, he was raised by his social worker mother in a largely black section of the city, Germantown, where he often felt like a standout. “When I was a little kid, I looked reallywhite—I was this little Irish boy in a dashiki.”In his teens, he transferred to a private school, Abingdon Friends, in a more affluent neighborhood. “It was the first time I was around a lot of white people. I suddenly realized I had an ethnic identity, and started to think about race.” He listened to Public Enemy and devoured The Autobiography of Malcolm X and books by W.E.B. DuBois and Toni Morrison. “African-American literature felt like an intellectual home, this place where I fit and belonged,” he says gratefully.

    Like the late playwright August Wilson, Johnson seems to identify almost exclusively with the African roots of his biracial family tree. “African-American is a Creole culture. It embraces the mix,” he asserts.

    Mat Johnson attended West Chester University, University of Wales-Swansea, and ultimately received his BA from Earlham College, and in 1993, he was awarded a Thomas J. Watson Fellowship. Johnson received his MFA from Columbia University School of the Arts in 1999. Johnson has taught at Rutgers University, Columbia University, Bard College, The Callaloo Journal Writers Retreat, and is now a permanent faculty member at The University of Houston Creative Writing Program.

    Mat Johnson’s first novel, Drop (Bloomsbury USA in 2000), was a coming of age novel about a self-hating Philadelphian who thinks he’s found his escape when he takes a job at a Brixton-based advertising agency in London, UK.  Drop was listed among Progressive Magazine’s “Best Novels of the Year.” In 2003, Johnson published Hunting in Harlem (Bloomsbury USA 2003), a satire about gentrification in Harlem and an exploration of belief versus fanaticism. Hunting in Harlem won the Zora Neale Hurston/Richard Wright Legacy Award for Novel of the Year.

    Johnson made his first move into the comics form with the publication of the five-issue limited series Hellblazer Special: Papa Midnite (Vertigo 2005), where he took an existing character of the Hellblazer franchise and created an origin story that strove to offer depth and dignity to a character that was arguably a racial stereotype of the noble savage. The work was set in 18th Century Manhattan, and was based around the research that Johnson was conducting for his first historical effort, The Great Negro Plot, a creative non-fiction that tells the story of the New York Slave Insurrection of 1741 and the resultant trial and hysteria.

    In February 2008, Vertigo Comics published Johnson’s graphic novel Incognegro, a noir mystery that deals with the issue of passing (racial identity) and the lynching past of the American south.

    He was named a 2007 USA James Baldwin Fellow and awarded a $50,000 grant by United States Artists, a public charity that supports and promotes the work of American artists. On September 21, 2011, Mat Johnson was awarded the Dos Passos Prize for Literature.

Information courtesy of Chronogram.com, DCComics.com, matjohnson.info and Wikipedia

Stray Toasters

Namaste.

“Tell me, Doctor, where are we going this time? Is this the 50’s… or 1999?”

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Thursday – 02 February 2012
It’s not just another NBN Thursday, it’s also Groundhog Day.

Yep. It’s just like that. And, apparently, the groundhog predicts six more weeks of winter. (Apparently, Utah never gets that memo.)

Last night was Movie Date Night around the household. The movie I chose was Drive, as SaraRules! and I both have an affinity for car chase movies. It was good… and far from what I expected, which was a pleasant surprise. I can’t really say “how” or “why”, but I will say this: The movie is not for the squeamish.

After the movie, I played a little CoD: Modern Warfare 3. There was one round that was horrid. Seriously abominable. The team we faced locked my team down on a map and just ate us up. We’d respawn. We’d die. Lather. Rinse. Repeat. Fortunately (or “mercifully”), the round was over fairly quickly.

Chew on This: Food for Thought – Black History Month
Today’s person of note is Benjamin Banneker.

Benjamin Banneker (November 9, 1731 – October 9, 1806) was a free African American astronomer, mathematician, surveyor, almanac author and farmer.

It is difficult to verify much of Benjamin Banneker’s family history. Some writers have stated that he was a grandson of a European American named Molly Welsh, who came to colonial America as an indentured servant.Researchers have questioned this, as Banneker described himself only as having an African ancestry. None of Banneker’s surviving papers describe a white ancestor or identify the name of his grandmother.

Born on November 9, 1731 near Elliott City, Maryland, Benjamin Banneker was educated by Quakers, however, most of his education was self-taught. He quickly revealed to the world his inventive nature and first achieved national acclaim for his scientific work in the 1791 survey of the Federal Territory (now Washington, D.C.).

Benjamin Banneker has been called the first African American intellectual; because of his dark skin and great intellect he was called the “sable genius.” Benjamin Banneker was a self-taught mathematician and astronomer. In 1753, after studying the inner workings of a friend’s watch, he made a wooden pocket watch – one of the first watches made in America – that accurately kept time for more than 40 years. Twenty years later, Banneker began making astronomical calculations that enabled him to successfully forecast a 1789 solar eclipse.

From 1791 to 1802, he published the Pennsylvania, Delaware, Maryland, and Virginia Almanac and Ephemeris, which contained tide tables, future eclipses, and medicinal formulas. It is believed to be the first scientific book published by an African American. Also a surveyor, Banneker was appointed by President George Washington to the District of Columbia Commission, which was responsible for the survey work that established the city’s original boundaries. When the chairman of the committee, Pierre Charles L’Enfant, suddenly resigned and left, taking the plans with him, Banneker reproduced the plans from memory, saving valuable time. A staunch opponent of slavery, Banneker sent a copy of his first almanac to then-Secretary of State Thomas Jefferson to counter Jefferson’s belief in the intellectual inferiority of blacks.

On August 19 1791, Banneker sent a copy of his first almanac to secretary of state Thomas Jefferson. In an enclosed letter, he questioned the slaveholder’s sincerity as a “friend to liberty.” He urged Jefferson to help get rid of “absurd and false ideas” that one race is superior to another. He wished Jefferson’s sentiments to be the same as his, that “one Universal Father . . . afforded us all the same sensations and endowed us all with the same faculties.” Jefferson responded with praise for Banneker’s accomplishments.

Banneker never married. Because of declining sales, his last almanac was published in 1797. After selling much of his farm to the Ellicotts and others, he died in his log cabin nine years later on October 9, 1806, exactly one month before his 75th birthday. A commemorative obelisk that the Maryland Bicentennial Commission and the State Commission on Afro American History and Culture erected in 1977 stands near his unmarked grave in an Oella, Maryland, churchyard.

Stray Toasters

“It’s just a jump to the left…”

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Tuesday – 24 January 2012
For a day that started off grey with low clouds, it sure is sunny and bright out there. Of course, that’s a marked improvement over yesterday evening’s snow, so I’ll not complain.

Yesterday morning:

This morning:

Last night, came over. The original plan was for her to help me get the girls to bed while SaraRules! attended a Junior League meeting… but the meeting got rescheduled. So, she just came over and hung out with us, instead. She also tried to teach Diana to do The Time Warp, but it didn’t go so well. (I attribute it to the fact that the twins can’t stand yet, let alone dance.) But, I applaud her effort.

And, here’s a shot of the girls from this past weekend:

Stray Toasters

Thoughts on a grey day…

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Thursday – 19 January 2012
It’s another NBN Thursday in the valley… but it’s one without snow. Mother Nature appears to have overlooked us, at least for the moment.

Last night, the girls slept pretty well. Thankfully. Vanessa woke up for a bit at 10:30, but found her way back to sleep about 45 minutes later. Again, thankfully. Both girls were up for a 2:15-ish feeding, followed by another four hours of sleep. So, all things considered, I’d call it a “good” night.

After the girls went to sleep, SaraRules! and I watched Limitless. We had an inkling of what to expect, but I found they took a couple of turns that I didn’t see coming. I appreciated that. While it wasn’t a perfect movie, I thought that it was well-done and quite entertaining. I give it a definite “thumbs-up with an okay.”

Stray Toasters

And… done with meetings for the day. Finally.

Once more, from the top…

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Tuesday – 17 January 2012
It’s Day One of the work week for me. And, it’s my short week, to boot. AND, there’s a train show on Friday. Triple score!

Yesterday was Martin Luther King, Jr. Day.

Like last year, I took the day off of work and volunteered at the Habitat for Humanity ReStore. And it was good. After that, I stopped at RubySnap and picked up a few cookies before stopping in to say “Hi” to SaraRules! at work and making a couple more stops before heading home. Yes, one of those stops was The Train Shoppe. No, I didn’t get anything. (Besides, I just ordered a new switching engine online a couple of days ago.)

The girls have been a little under the weather. According to the pediatrician, they don’t have colds, but a “respiratory illness” that has the earmarks of a cold, minus the runny noses. All I know is that they’re congested and a little irritable. Hopefully, they’ll be over it soon-ish.

Instant Replay: Football

Houston Texans at Baltimore Ravens
13 – 20
Sunday, the Ravens hosted the Ravens for the Divisional Playoffs…

…and won. It wasn’t pretty. It wasn’t easy. But, it was a win. And, a little fun fact: Ravens Not Penalized For First Time Ever

Next stop: Foxoboro, MA.

Stray Toasters

Namaste.

Thoughts on a Thursday afternoon…

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Thursday – 12 January 2012
It’s another NBN Thursday in the valley. There’s sun, but it’s still quite cold outside. But, my morning started out with cuddles from both girls, so I got a good kickoff to the day.

And, speaking of the little ladies, this picture was taken during last night’s “tummy time:”


Vanessa (l) and Diana
(*waits to see how long before this picture appears on my mother’s Facebook page…*)

Last night was also “Pasta and Movie Date Night” at our house. SaraRules! picked up a movie on the way home: Tangled. It was a cute – and rather fun – movie, putting a slightly different spin on the Rapunzel fairy tale.

Before bed, I read a little more of World War Z. I’m still enjoying it. After turning out the light and calling it a day, I was treated to a few hours of zombie-infested dreams. Go figure. But it wasn’t all The Walking Dead. It was more like “The Walking Dead meets Resident Evil (movies) meets S.H.I.E.L.D. meets The X-Men.” Yeah, it was that weird. Suspenseful. Action-packed. Slightly frenetic. And I think it is that combination of things that kept it from being outright scary/fear-inducing.

Stray Toasters

Namaste.

Middle-of-the-week musings…

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Wednesday – 11 January 2012
Midweek. My day started with pre-work cuddles from both of the girls. AND there shall be new comics today. AND tonight is “Pasta and Movie Night.” I’d say that this is a Wednesday full of “Win.”

Last night was another baby bath night around the homestead. It was also a 180° change from Monday night’s pre-bedtime experience. The girls, while tired, were little troopers through their baths and bedtime preparations. We’ve also stopped double-swaddling the girls and just going with the single-blanket swaddle… and (so far) it hasn’t bitten us in the ass.

After the girls went to bed – and after we ate dinner – I decided to unwind by spending a little time playing DC Universe Online. After a fairly brief patch/update, I was back in Gotham City.

I finished out a mission that I started… probably back in November. I thought about doing the final mission in that arc, but realized that I was already up a bit later than I had planned to be. So, I called it a night.

Stray Toasters

Namaste.

“Jack, relax… get busy with the facts.”

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Tuesday – 10 January 2012
Work Week: Day 2. So far, it’s been monkey-free and relatively painless. But, it is Tuesday, so there will be meetings. Hazard of the job, I guess.

Speaking of “hazards,” for some reason, I had this running through my head last night:

Last night, my sister-in-law, Sanaz, came over to help watch the girls and put them to bed while SaraRules! was at a Junior League meeting.

Under normal circumstances, bedtime is a fairly easy time of night — it’s just that two kids makes it nigh-impossible for one person to get them squared away without help. Last night, I don’t know what exactly happened, but Diana and Vanessa were not happy and wailed – at the top of their lungs –  for the better part of forty-five minutes before winding down enough to eat and go to sleep. (I don’t think that I’ve been so happy for them to go to sleep in a long time…) In thinking about it, it hasn’t been that hard to get them both to sleep in at least two months. And I can’t fathom what I would have done without Sanaz’ help.

After the girls fell asleep – which was almost immediately after they ate – Sanaz and I went into the kitchen so I could tackle the stack o’ bottles from the day. We chatted while I busted suds. I found out a bit about what she does (I know that she’s a pharmacist, but there’s more to her job than just doling out medication), what she would like to do and the world of pharmacy. It was a good conversation.

After SaraRules! got home, I found that I was restless and couldn’t decide how to spend the rest of my evening. I frittered away the better part of an hour before deciding to call it a relatively early night and just read in bed. I know I’m late to the party, but I started reading World War Z: An Oral History of the Zombie War, by Max Brooks. I am liking it.

Stray Toasters

Namaste.

Hello, Friday. I’ve missed you.

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Friday – 06 January 2012
Today’s my day off. I get to spend it with these cuties:


Diana


Vanessa

These shots were taken while the girls were having “tummy time.” (Look it up, if you’re not familiar with it.) At the moment, they’re taking a nap. I’m not sure what we’re going to do today after they wake up, but there may very well be a trip to Liberty Park involved. In fact, I’d say that I’m Ivory Soap sure that it will happen. There might also be a trip to Black Water Coffee Company in the cards, too.

 Stray Toasters

That’s it for now.

Namaste.

“I’m back in the saddle again…”

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Tuesday – 03 January 2012
I’m still trying to train my fingers to type “2012” rather than “2011.”  (Or “2112,” for that matter.)

It’s the first day back at work in two weeks. I won’t lie: There’s been some struggle in getting back into “work” mode. But, there strides have been made. I’ve even managed to accomplish a thing or two.

Yesterday afternoon and last night were – as I suspected they might be – long. After the girls’ four-month checkup (which went very well), SaraRules! and I headed to Black Water Coffee Company, to say “Hi” to Jim — our former neighborhood coffee shop owner.  BWCC is the second location of Pin-up Girl Espresso… which makes it (currently) the only location, at least until IHC finishes construction of a new facility in our neighborhood. It was good to see Jim and to catch up on a few things. And, getting a frozen mocha didn’t hurt, either. As the girls started to rouse, we headed home.

Diana and Vanessa were cranky, thanks in no small part to receiving their immunizations. After trying to get Vanessa to nap around 3:00 PM, she finally nodded off around 4:30. Of course, she refused to lie down, so I wound up with on my shoulder.

On the couch.

For an hour.

Although, I was glad that she slept. She needed it, as did Diana. On the back side of the nap (and before bedtime), they were intermittently happy and fussy. And there was little to no warning as to when their moods would change. Bedtime was a welcome thing. Fortunately, the little ladies headed to The Dreaming without too much ado. They slept until almost 5:00 AM this morning, which was also quite welcome.

After feeding the girls, I went back to bed. For reasons that I have yet to figure out, let alone explain, I had Will2K stuck in my head.

Yeah. Didn’t make it easy to fall asleep. But, I did and when the 6:30 alarm went off… I ignored it.  And the 7:00 alarm. And the 7:10 snooze. I finally got up at 7:30. I was good with that.

Stray Toasters

Namaste.