Union Pacific's Great Excursion Adventure

It’s Monday again.

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Monday – 19 March 2012
Another work week begins and this one has brought snow flurries with it.

The past few days have been good. And a bit busy. Highlights included:

  • Taking Adventure Babies: Team DiVa to Sugar House Park for a walk on Friday. We parked near the duck pond, so they watched the birds before we started our walk.
    Diana (rear) and Vanessa, watching the ducks and pigeons
  • Green Lantern/St. Patrick’s Day
  • Judging a HeroClix tournament for Dr. Volt’s Comic Connection.
  • FINALLY watching the first episode of Green Lantern: The Animated Series
  • Attending Utah Opera’s The Elixir of Love with SaraRules!
  • Corned beef and cabbage!
  • The season finale of The Walking Dead.

Stray Toasters

Namaste.

Mittwoch

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Wednesday – 14 March 2012
Midweek…? Check.
New Comics Day…? Check.
Pasta and Movie Date Night…? Raincheck.  (We’re having company for dinner this evening; PMDN will be tomorrow.)

And, on top of all that, it’s Pi Day. (See also: The Pi-Search Page)

Last night was relatively quiet. Team DiVa didn’t go for a stroll, but there was some pre-bedtime playtime. After the girls were down and dinner was eaten, I got around to herding a bunch of free-range ‘Clix. I’d been negligent about sorting them for longer than I’d care to admit. After that, I made my way onto CoD: MW3 with a coworker. I had some horrible rounds. Seriously bad. I thought about changing my gamertag to “BulletMagnet” at a couple of points.

Stray Toasters

Namaste.

Halfway There (Part I)

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Wednesday – 07 March 2012
It’s the middle of the week. And it’s new comics day. And it may or may not be Pasta and Movie Date Night.

But, more importantly: It’s Diana’s 6-month birthday!

Both little ladies are doing well, despite long crying jags in the wee hours of this morning: Diana started around 2:30, Vanessa around 4:00. We’re trying to get the girls to learn to put themselves back to sleep when they wake up in the middle of the night, so we didn’t go immediately rushing in to comfort them…
…which made for a long couple of hours.

…which, in turn, led me to sleep on the couch downstairs so I could get my last few hours’ sleep (and not have an encore presentation of Monday).

But, by the time I looked in on them around 7:15, they were all giggles, grins and kicks.

Kids. Go figure.

Stray Toasters

Namaste.

“No, I have not been to Oxford town…”

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Tuesday – 21 February 2012
Ugh. That’s how I felt this morning when my alarm went off. Not because the girls woke up in the middle of the night. (Which was fine, as they woke up about 4:15 and were asleep again shortly thereafter.) No, last night’s broken sleep came courtesy of some rather disturbing dreams. Disturbing enough that it took me a while to want to go back to sleep. Yeah, it was that much fun.

The evening, however, was good. It was another bath night for the girls. After last week’s experience with Vanessa (a.k.a. “Splash-O-Matic 5000”), I decided to change into shorts before giving the girls their baths. And, of course, this week, both girls were fairly subdued. Still, bath time was good.

After the girls were down, SaraRules! made a fantastic chicken curry dish (with chickpeas and spinach) over rice. We ate and knocked a couple of episodes of NCIS: Los Angeles and Castle off the DVR. When those were done, we saw that Blade Runner was on AMC. We watched part of it and realized that neither of us had watched the whole film in a while. We plan on rectifying that in the not-too-distant future.

Chew on This: Food for Thought – Black History Month
Today’s person of note is: Leslie Uggams, an American actress and singer.

Leslie Uggams was born on May 25, 1943 in New York City, to Harold and Juanita Uggams. As a small child Uggams would sing along to records, exhibiting a remarkably mature voice. The fact that Uggams had vocal talent was not a total surprise. Her father was a member of the Hall Johnson Choir, and her mother was a chorus girl at the Cotton Club.

In 1949, at age six, Uggams sang in public for the first time at St. James Presbyterian Church in New York City. The following year, she made her acting debut with a small part on an episode of the television comedy Beulah, which starred the legendary Ethel Waters. Uggams played Beulah’s niece.

At 9-years-old Leslie, opened for such legends as Louis Armstrong, Ella Fitzgerald and Dinah Washington at the Apollo Theater. She also made appearances on Your Show of Shows, The Milton Berle Show, and The Arthur Godfrey Show. After completing the third grade, Uggams left her local public school to enroll at the Professional Children’s School, a private institution in Manhattan catering to children with show business connections.

At 15 , she appeared on the CBS-TV quiz show “Name That Tune,” winning $12,500 toward her college education. The appearance gave Uggams a chance to showcase her vocal skills. Her rendition of “He’s Got the Whole World in His Hands” was noticed by record producer Mitch Miller who, as director of artists and repertory at Columbia Records, was one of the most influential figures in popular music during the 1950s. Miller signed Uggams to a contract, and her first album was released in 1959. Despite increasing career demands, Uggams continued to excel at school. At the Professional Children’s School, from which she graduated in 1961, Uggams was editor of the yearbook and president of the student body.

When Miller got his own television show, Sing Along with Mitch, in 1961, Uggams was asked to appear on it, first as a guest vocalist, then as a regular member of the all-singer cast. She became the lone African American performer regularly appearing on network television. The presence of an African American singer on the Sing Along with Mitch show drew relatively little controversy, although some stations in the South refused to air the program. “Mitch was told either I go or the show goes. He said, ‘Either she stays or there’s no show.’ He loved that show, and he had been trying to sell it for so long that to turn around and do that was heroic,” Uggams told Nadine Brozan of the New York Times in 1994. Uggams sometimes found her position as television’s only African American performer difficult to bear. “It was a heavy load. I was responsible for having a clean image. I wanted people to have respect for black people.”

Uggams later attended the prestigious Juilliard School of Music, where she studied every subject offered except singing. “They said they wouldn’t touch her voice,” Uggams’ mother told Newsweek. In 1963, Uggams left Juilliard a few credits short of a degree.

In the late ’60s and early ’70s, Uggams acted in television shows like The Girl from U.N.C.L.E., I Spy, The Mod Squad, Marcus Welby, M.D., while continuing to appear as herself on variety shows. In 1970, she had her own musical variety television series on CBS-TV, The Leslie Uggams Show, and signed a new recording contract with Atlantic Records. In 1972, she made her dramatic film debut opposite Charlton Heston in the MGM film Skyjacked.  However, it was Leslie’s portrayal of Kizzy in the most watched dramatic show in TV history, Alex Haley’s Roots, that won her worldwide recognition as a dramatic actress – including the Critics Choice Award for Best Supporting Actress in 1978, an Emmy nomination for Best Leading Actress and coveted Golden Globe Nomination from the Hollywood Foreign Press Association.

In 1983, Uggams won a Daytime Emmy as “Outstanding Host or Hostess of a Variety Series” for Fantasy.

In 1987, she toured with Peter Nero and Mel Torme in “The Great Gershwin Concert,” for which she received rave reviews. In 1988, she starred as Reno Sweeney in the National Company of the Lincoln Center Production of “Anything Goes” and later reprised the role at Lincoln Center’s Vivian Beaumont Theater on Broadway.

Uggams entered the world of daytime drama in 1996 when she played Rose Keefer, a woman with a checkered past, on All My Children. Her portrayal of Rose Keefer earned Uggams a nomination for the NAACP Image Award.

Singing continues to be the mainstay of Uggams’ career, and acting assignments are fit into a busy concert schedule. Uggams would like to do more acting but,”You can’t just sit around waiting for a good script. You can wait forever.”
Information courtesy of Answers.com, IMDb.com, LeslieUggams.com, MasterworksBroadway.com, NPR and Wikipedia.
Stray Toasters

“Froggie jumped all over the stage that day…”

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Monday – 20 February 2012
It’s a new work week. Yay (or something to that effect).

I am, however, rather excited as the girls – for the second time in three days – slept through the night!

Vanessa (l), Sara, and Diana

That’s right, seven-and-a-half hours of sleep. (If only I didn’t have such disconcerting dreams last night…)

The rest of the weekend was good, as well. Saturday afternoon, I judged a tournament for Dr. Volt’s Comic Connection. Saturday evening, I attended Utah Symphony‘s performance of Rachmaninoff’s Piano Concerto N0. 2 and Beethoven’s Symphony No. 4 with Melissa Sanders. It was a fantastic concert.

Sunday was a relaxing day, spent mostly at home. We did venture out for a bit to Black Water Coffee Company and Fashion Place Mall… where the girls went on a shopping spree. Seriously. They cleaned up. (Okay, okay… it helped that Carter’s was having a pretty big sale. Still…) Later in the day, we headed up to SaraRules!’ parents for dinner before heading home for little girls’ bedtime. And, we wound up the evening with The Walking Dead and with me playing a little Modern Warfare 3.

And today is Presidents Day.

Chew on This: Food for Thought – Black History Month
After taking the weekend off from blogging, let’s get back into the swing of things with an all-music selection of notables:

  • Questlove (also known as ?uestlove), is an American drummer, DJ, music journalist and record producer.

    Ahmir Khalib Thompson (January 20, 1971) Thompson was born in Philadelphia. His father was Lee Andrews of Lee Andrews & the Hearts, one of the great 50s doo-wop groups. Ahmir, who started drumming at the age of 2, often accompanied his parents on tour. By the age of 8, he was well-versed in life on the road, learning how to “cut gels, place mics, place lights. Then I became the sound guy and tech guy. One night the drummer didn’t make it, and then I was [my father’s] drummer.”

    Thompson’s first gig came at the age of 13, during a performance at Radio City Music Hall. “My parents didn’t trust babysitters back in the early 70s,” Thompson told Mother Jones magazine in 2011. “So I had to play bongos on stage with them ’cause ‘No stranger’s gonna watch my son in Muncie, Indiana!’” That same year, Thompson was named the musical director for his father’s group, and he became determined to establish his own career in music.

    Questlove’s parents then enrolled him at the Philadelphia High School for the Creative and Performing Arts. By the time he graduated, he had founded a band called The Square Roots (later dropping the word “square”) with his friend Tariq Trotter (Black Thought). After high school, Thompson was offered a spot at the prestigious Juilliard School in New York, but the young musician couldn’t afford the tuition. Instead, Thompson devoted himself to making his unique style of music. The Roots’ roster was soon completed, with Questlove on percussion, Tariq Trotter and Malik B on vocals, Josh Abrams (Rubber Band) on bass (who was replaced by Leonard Hubbard in 1994), and Scott Storch on keyboards.

    Questlove currently performs with The Roots on Late Night with Jimmy Fallon, occasionally performing solos titled ‘re-mixing the clips’ where he draws on his production and DJ abilities to dub video clips, cue audio samples in rhythm, and play drum breaks simultaneously.

    Thompson, not one to rest on the heels of his success, has also been involved in a dizzying array of side projects. He appeared as a drummer for the instrumental jazz album, The Philadelphia Experiment in 2001, and in 2002 he released the compilation ?uestlove Presents: Babies Making Babies. He has also served as an executive producer for artists such as D’Angelo and Common; has written film scores; and drummed for artists like Christina Aguilera, Fiona Apple and Joss Stone.

  • Otis Redding (September 9, 1941 – December 10, 1967) was an American soul singer-songwriter, record producer, arranger, and talent scout.

    Otis Ray Redding, Jr. (September 9, 1941 – December 10, 1967) was born in the small town of Dawson, Georgia to gospel singer Otis Redding, Sr., and housekeeper Fannie Redding. At an early age, he sang in the Vineville Baptist Church choir and learned guitar and piano. From the age of 10, he took drum and singing lessons. Later, at Ballard-Hudson High School, he sang in a school band. Every Sunday he earned $6 (USD) by performing songs for Macon radio station WIBB. His passion was singing and often cited Little Richard and Sam Cooke as major influences.

    At age fifteen, he abandoned school to help his family financially. His father had contracted tuberculosis and was often hospitalized, leaving his mother as the primary financial provider for the family, while Redding worked as a well digger, gas station attendant and guest musician in the following years. His breakthrough came when he played Little Richard’s “Heebie Jeebies”, winning a $5 contest fifteen weeks in a row, until being banned.Redding was soon hired by Little Richard’s band The Upsetters.

    Redding joined Johnny Jenkins’s Pinetoppers, a local Georgia band, and also served as the group’s driver. When the group traveled to Memphis, Tennessee, to record at the famed Stax studios, Redding sang two songs of his own at the end of the session. One of the two, “These Arms of Mine” (1962), launched his career, attracting both a record label executive (Jim Stewart) and a manager (Phil Walden) who passionately believed in his talent.Redding’s open-throated singing became the measure of the decade’s great soul artists. Unabashedly emotional, he sang with overwhelming power and irresistible sincerity. “Otis wore his heart on his sleeve,” said Jerry Wexler, whose Atlantic label handled Stax’s distribution, thus bringing Redding to a national market. Redding’s influence extended beyond his gritty vocals. As a composer, especially with his frequent partner Steve Cropper, he introduced a new sort of rhythm-and-blues line—lean, clean, and steely strong. He arranged his songs as he wrote them, singing horn and rhythm parts to the musicians and, in general, sculpting his total sound. That sound, the Stax signature, would resonate for decades to come.

    Redding developed polyps on his larynx, which he tried to treat with tea and lemon or honey. He was hospitalized in September 1967 at Mt. Sinai Hospital in New York to undergo surgery. In the winter of 1967, he again recorded at Stax. One new song was (Sittin’ On) The Dock of the Bay, written by Cropper and Redding. Redding was inspired by the Beatles album Sgt. Pepper’s Lonely Hearts Club Band, and tried to create a similar sound, against the label’s wishes, and his wife was dissatisfied with its atypical melody. Redding wanted to change his musical style to avoid boring his audience. The Stax crew were similarly dissatisfied; Stewart thought that it was not R&B, while bassist Donald “Duck” Dunn thought its sound would damage Stax’s reputation. However, Redding thought it was the best song he ever wrote and would top the charts. Redding died just three days later, when his chartered plane crashed into Lake Monona, Wisconsin. Redding was entombed at his ranch in Round Oak, about 20 miles (32 km) north of Macon. Jerry Wexler delivered the eulogy. Redding was survived by his wife and three children.

  • Tupac Shakur (June 16, 1971 – September 13, 1996), was an American rapper and actor.

    Tupac Amaru Shakur was born on the East Harlem section of Manhattan in New York City. He was named after Túpac Amaru II, a Peruvian revolutionary who led an indigenous uprising against Spain and was subsequently executed. His mother, Afeni Shakur, and his father, Billy Garland, were active members of the Black Panther Party in New York in the late 1960s and early 1970s; he was born just one month after his mother’s acquittal on more than 150 charges of “Conspiracy against the United States government and New York landmarks” in the New York Panther 21 court case.

    At the age of twelve, Shakur enrolled in Harlem’s 127th Street Repertory Ensemble and was cast as the Travis Younger character in the play A Raisin in the Sun, which was performed at the Apollo Theater. In 1986, the family relocated to Baltimore, Maryland. After completing his second year at Paul Laurence Dunbar High School he transferred to the Baltimore School for the Arts, where he studied acting, poetry, jazz, and ballet. As a teenager, Shakur attended the Baltimore School for the Arts, where he took acting and dance classes, including ballet. While living in Baltimore, he discovered rap and began performing as MC New York.

    In June 1988, Shakur and his family moved to Marin City, California. He began attending the poetry classes of Leila Steinberg in 1989. That same year, Steinberg organized a concert with a former group of Shakur’s, Strictly Dope; the concert led to him being signed with Atron Gregory who set him up as a roadie and backup dancer with the young rap group Digital Underground in 1990.

    In 1991, Shakur emerged as a solo artist – using the name 2Pac – with his debut album 2Pacalypse Now. The track “Brenda’s Got a Baby” reached as high as number three on the Billboard Hot Rap Singles chart. His second album Strictly 4 My N. I. G. G. A. Z. crossed over to the pop charts, with singles “I Get Around” and “Keep Ya Head Up.” The album went platinum, selling more than a million copies. Around this time, Shakur also appeared in several films, including Poetic Justice (1993) opposite Janet Jackson.

    Tupac became quite a sensation, earning praise for his musical and acting talent as well as condemnation for his explicit, violent lyrics. Many of his songs told of fights, gangs, and sex. He appeared to be living up to his aggressive gangster rap persona with several arrests for violent offenses in the 1990s. In 1994, he spent several days in jail for assaulting director Allen Hughes and was later convicted of sexual assault in another case.

    Shakur himself fell victim to violence, getting shot five times in the lobby of a recording studio during a mugging. On the night of November 30, 1994, the day before the verdict in his sexual abuse trial was to be announced, Shakur was shot five times and robbed after entering the lobby of Quad Recording Studios in Manhattan by two armed men in army fatigues. He would later accuse Sean Combs, Andre Harrell, and Biggie Smalls—whom he saw after the shooting—of setting him up. According to the doctors at Bellevue Hospital, where he was admitted immediately following the incident, Shakur had received five bullet wounds; twice in the head, twice in the groin and once through the arm and thigh. He checked out of the hospital, against doctor’s orders, three hours after surgery. In the day that followed, Shakur entered the courthouse in a wheelchair and was found guilty of three counts of molestation, but innocent of six others, including sodomy. On February 6, 1995, he was sentenced to one-and-a-half to four-and-a-half years in prison on a sexual assault charge.

    After serving eight months in prison, Shakur returned to music with the album All Eyez on Me. He was reportedly released after Death Row Records CEO Marion “Suge” Knight paid a bond of more than $1 million as part of Shakur’s parole. In his latest project, Shakur as the defiant street thug was back in full force on this recording. The song “California Love” featured a guest appearance by famed rapper-producer Dr. Dre and made a strong showing on the pop charts. Besides his hit album, he tackled several film roles.

    On a trip to Las Vegas to attend a boxing match, Shakur was shot while riding in a car driven by Knight on September 7, 1996. He died six days later on September 13 from his injuries. His killer has never been caught. Since his death, numerous albums of his work have been released, selling millions of copies.

  • Tina Turner is an American singer and actress whose career has spanned more than 50 years

    Tina Turner (born Anna Mae Bullock; November 26, 1939) was born in Nutbush, Tennessee, the daughter of Zelma Bullock, a factory worker, and Floyd Richard Bullock, a Baptist deacon, farm overseer, and factory worker. Zelma Bullock later relocated to St. Louis, Missouri. Floyd Bullock moved to Detroit and later settled in California. Anna Mae and her sister relocated to Brownsville where they were raised by their grandmother.  She performed on several talent shows as a child and sang at her church choir. She later moved to St. Louis and, following her graduation from high school in 1958, took work as a nurse aide at Barnes-Jewish Hospital.

    In between the time Anna Bullock had moved to St. Louis, she was enthralled by the city’s thriving nightclub scene and her sister often took her to several of the clubs, much to their mother’s chagrin. Anna was introduced to Ike Turner and his Kings of Rhythm band after her sister took her to Club Manhattan where Alline served as a barmaid. Anna pursued Ike Turner for months asking him to let her sing with his band. When she was seventeen, she sang during a band intermission to a B. B. King song which impressed Turner. Eventually Turner allowed her to join the band as a background vocalist. Turner gave Bullock her first stage name, “Little Ann,” during this time and included her in his record, “Box Top”, which was a local hit in St. Louis.

    In November 1959, when a male vocalist failed to show up for a recording session, Anna was told to give a guide vocal to the song. Ike Turner then sent the song to New York where he met with Sue Records president Juggy Murray and played the song to him. Upon hearing it, Murray insisted Turner keep Anna’s vocals on the song, giving Turner a $25,000 advance, convinced the song would be a hit single. In response to this, Turner decided to form a duo around him and Bullock. In the process, he changed her stage name to “Tina Turner.” The two achieved considerable success as a rhythm-and-blues vocal duo and became known for their electrifying stage and television performances. However, after years of abuse, the marriage and professional partnership was officially dissolved in 1976.

    After a slow start, Turner’s solo career took off with a remake of Al Green’s Let’s Stay Together in 1983. Her much anticipated solo album, Private Dancer, won four Grammy Awards and sold well over 20 million copies worldwide. Subsequent albums include Break Every Rule (1986), Tina Live in Europe (1988, Grammy for Female Rock Vocal Performance) and Foreign Affair, which included the hit single “(Simply) The Best.” In the 1990s, she released Wildest Dreams and Twenty Four Seven.Turner also launched an acting career, appearing in the films Mad Max: Beyond Thunderdrome starring Mel Gibson and The Last Action Hero with Arnold Schwarzenegger. She has also made several recordings for soundtracks, including “We Don’t Need Another Hero,” “Goldeneye,” and “He Lives In You” for The Lion King II: Simba’s Pride.

    In 1993, Turner’s best-selling 1986 autobiography I, Tina was made into the motion picture What’s Love Got to Do with It? starring Angela Bassett. Her soundtrack for the movie went double platinum in the U.S.

    Though she is now semi-retired, Turner does make rare appearances and recordings. She returned to the stage in 2008 to embark on her “Tina!: 50th Anniversary Tour.” It became one of the highest-selling ticketed shows of 2008 and 2009.

Stray Toasters

Namaste.

“So take me away, I don’t mind… But you’d better promise me, I be back in time.”

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Thursday – 16 February 2012
It’s not only NBN Thursday, but it’s also “Technical Friday.”

Last night, SaraRules! and I had Pasta & Movie Date Night. We co-cooked dinner (grilled chicken and broccoli over spaghetti, with alfredo sauce) and watched Source Code. I enojyed it… for the most part. In fact, I think the thing that I disliked the most was that the blu-ray disc started skipping in the middle of Chapter 11, making us miss roughly five minutes of the film.

*shakes fist*

Aside from that, it was a good movie. It remined me of Seven Days, with a hint of Groundhog Day.

Chew on This: Food for Thought – Black History Month
Today’s person of note is: P.B.S. Pinchback, the first non-white and first person of African American descent to become governor of a U.S. state.

Pinckney Benton Stewart Pinchback (May 10, 1837  – December 21, 1921) was born in Macon, Georgia, to Eliza Stewart, a former slave, and William Pinchback, her former master, who were living together as husband and wife. Pinchback was brought up in relatively affluent surroundings. He was raised as white and his parents sent him north to Cincinnati, Ohio, to attend school. In 1848, however, Pinchback’s father died. William Pinchback’s relatives disinherited his mulatto wife and children and claimed his property in Mississippi. Fearful that the northern Pinchbacks might also try to claim her five children as slaves, Pinchback’s mother fled with them to Cincinnati.

In 1860 Pinchback married Nina Hawthorne of Memphis, Tennessee. The Civil War began the following year, and Pinchback decided to fight on the side of the Union. In 1862 he furtively made his way into New Orleans, which had just been captured by the Union Army. He raised several companies for the Union’s all black 1st Louisiana Native Guards Regiment. Commissioned a captain, he was one of the Union Army’s few commissioned officers of African American ancestry. He became Company Commander of Company A, 2nd Louisiana Regiment Native Guard Infantry (later reformed as the 74th US Colored Infantry Regiment). Passed over twice for promotion and tired of the prejudice he encountered from white officers, Pinchback resigned his commission in 1863.

At the war’s end, he and his wife moved to Alabama, to test their freedom as full citizens. Racial tensions there during Reconstruction were reaching shocking levels of violence, however, he brought his family back to New Orleans and became active in the Republican Party, participating in Reconstruction state conventions. In 1868, he organized the Fourth Ward Republican Club in New Orleans. That same year, he was elected as a State Senator, where he became senate president pro tempore of a Legislature that included 42 representatives of African American descent (half of the chamber, and seven of 36 seats in the Senate). In 1871 he became acting lieutenant governor upon the death of Oscar Dunn, the first elected African-American lieutenant governor of a U.S. state.

In 1872, the incumbent Republican governor, Henry Clay Warmoth, suffered impeachment charges near the end of his term. State law required that Warmoth step aside until convicted or cleared of the charges. Pinchback, as lieutenant governor, succeeded as governor on December 9 and served for 35 days until the end of Warmoth’s term. Warmoth was not convicted and the charges were eventually dropped.

In 1872 Pinchback was elected to Congress, but his Democratic opponent contested the election and won the seat. A year later he was elected to the U.S. Senate, but he was again refused the seat amid charges and countercharges of fraud and election irregularities—although some observers said it was the colour of his skin that counted against him. He was appointed to his last office in 1882 as surveyor of customs in New Orleans.

At the age of 50 he decided to take up a new profession and entered Straight College, New Orleans, to study law; he was subsequently admitted to the bar. Disillusioned with the outcome of Reconstruction and the return to power of the traditional white hierarchy, he moved to Washington, D.C., where he remained active in politics.

Pinchback died in Washington in 1921 and is interred in Metairie Cemetery in New Orleans. His service as governor helped him to be interred there although the cemetery was segregated and reserved for whites.

Stray Toasters

Namaste.

Tilting, but not at windmills…

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Thursday – 09 February 2012
This NBN Thursday is a bit grey and hazy.  But, I started the morning with SaraRules! and the girls, so it was a good kick-off to the day.

Last night, we watched Killer Elite (not to be confused with the movie with almost the same title from 1975) for Movie Date Night. Robert DeNiro. Clive Owen. Jason Statham. All kicking ass and, in some cases, taking names. The premise was a little different than I expected, but not in a bad way. There were a couple of plot holes, but what movie doesn’t have those these days? In the end, it made for a decent night’s viewing.

Also, I tried out something different with my bike trainer: Disengaging the tension wheel, so that the back wheel spun freely. Works, but without any resistance, I was pedaling as easily in the higher gears (15 and up) as I was in the first three gears. Still, it’s an option.

Chew on This: Food for This – Black History Month
Today, you’re getting a double d0es of Black History Month goodness.

  • The first person of note is James Weldon Johnson, author, politician, poet, songwriter, and educator, and early civil rights activist.James Weldon Johnson (June 17, 1871 – June 26, 1938)  was born in Jacksonville, Florida, the son of Helen Louise Dillet and James Johnson. His brother was the composer J. Rosamond Johnson. Johnson was first educated by his mother (the first female, black teacher in Florida at a grammar school) and then at Edwin M. Stanton School. At the age of 16 he enrolled at Atlanta University, from which he graduated in 1894. In addition to his bachelor’s degree, he also completed some graduate coursework there.

    After graduation he returned to Stanton, a school for African American students in Jacksonville, until 1906, where, at the young age of 23, he became principal. As principal Johnson found himself the head of the largest public school in Jacksonville regardless of race. Johnson improved education by adding the ninth and tenth grades. During his tenure at Stanton, Johnson wrote Lift Every Voice and Sing — often called “The Negro National Hymn”, “The Negro National Anthem”, “The Black National Anthem”, or “The African-American National Anthem” — set to music by his brother John Rosamond Johnson (1873–1954) in 1900.

    In 1897, Johnson was the first African American admitted to the Florida Bar Exam since Reconstruction. He was also the first black in Duval County to seek admission to the state bar. In order to receive entry, Johnson underwent a two-hour examination before three attorneys and a judge. He later recalled that one of the examiners, not wanting to see a black man admitted, left the room.

    In 1906 President Theodore Roosevelt appointed him U.S. consul to Puerto Cabello, Venezuela, and in 1909 he became consul in Corinto, Nicaragua, where he served until 1914. He later taught at Fisk University. Meanwhile, he began writing a novel, The Autobiography of an Ex-Colored Man (published anonymously, 1912), which attracted little attention until it was reissued under his own name in 1927.

    In 1920 Johnson was elected to manage the NAACP, the first African American to hold this position. While serving the NAACP from 1914 through 1930 Johnson started as an organizer and eventually became the first black male secretary in the organization’s history. In 1920, he was sent by the NAACP to investigate conditions in Haiti, which had been occupied by U.S. Marines since 1915. Johnson published a series of articles in The Nation, in which he described the American occupation as being brutal and offered suggestions for the economic and social development of Haiti. These articles were reprinted under the title Self-Determining Haiti. Throughout the 1920s he was one of the major inspirations and promoters of the Harlem Renaissance trying to refute condescending white criticism and helping young black authors to get published.

    Johnson died while vacationing in 1939, when the car he was driving was hit by a train.

  • The second person of note is Mat Johnson (no relation), an American writer of literary fiction.Johnson (born August 19, 1970) grew up in “racially stratified” Philadelphia. His mother is African American; his father, Irish American. After his parents’ divorce, he was raised by his social worker mother in a largely black section of the city, Germantown, where he often felt like a standout. “When I was a little kid, I looked reallywhite—I was this little Irish boy in a dashiki.”In his teens, he transferred to a private school, Abingdon Friends, in a more affluent neighborhood. “It was the first time I was around a lot of white people. I suddenly realized I had an ethnic identity, and started to think about race.” He listened to Public Enemy and devoured The Autobiography of Malcolm X and books by W.E.B. DuBois and Toni Morrison. “African-American literature felt like an intellectual home, this place where I fit and belonged,” he says gratefully.

    Like the late playwright August Wilson, Johnson seems to identify almost exclusively with the African roots of his biracial family tree. “African-American is a Creole culture. It embraces the mix,” he asserts.

    Mat Johnson attended West Chester University, University of Wales-Swansea, and ultimately received his BA from Earlham College, and in 1993, he was awarded a Thomas J. Watson Fellowship. Johnson received his MFA from Columbia University School of the Arts in 1999. Johnson has taught at Rutgers University, Columbia University, Bard College, The Callaloo Journal Writers Retreat, and is now a permanent faculty member at The University of Houston Creative Writing Program.

    Mat Johnson’s first novel, Drop (Bloomsbury USA in 2000), was a coming of age novel about a self-hating Philadelphian who thinks he’s found his escape when he takes a job at a Brixton-based advertising agency in London, UK.  Drop was listed among Progressive Magazine’s “Best Novels of the Year.” In 2003, Johnson published Hunting in Harlem (Bloomsbury USA 2003), a satire about gentrification in Harlem and an exploration of belief versus fanaticism. Hunting in Harlem won the Zora Neale Hurston/Richard Wright Legacy Award for Novel of the Year.

    Johnson made his first move into the comics form with the publication of the five-issue limited series Hellblazer Special: Papa Midnite (Vertigo 2005), where he took an existing character of the Hellblazer franchise and created an origin story that strove to offer depth and dignity to a character that was arguably a racial stereotype of the noble savage. The work was set in 18th Century Manhattan, and was based around the research that Johnson was conducting for his first historical effort, The Great Negro Plot, a creative non-fiction that tells the story of the New York Slave Insurrection of 1741 and the resultant trial and hysteria.

    In February 2008, Vertigo Comics published Johnson’s graphic novel Incognegro, a noir mystery that deals with the issue of passing (racial identity) and the lynching past of the American south.

    He was named a 2007 USA James Baldwin Fellow and awarded a $50,000 grant by United States Artists, a public charity that supports and promotes the work of American artists. On September 21, 2011, Mat Johnson was awarded the Dos Passos Prize for Literature.

Information courtesy of Chronogram.com, DCComics.com, matjohnson.info and Wikipedia

Stray Toasters

Namaste.

Five Months (Part II)

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Wednesday – 08 February 2010
Vanessa turned 5-months-old today:

Last night, the girls took another foray into “New Food Adventures” with sweet potatoes. Their primary reflex is still to somewhat spit out whatever they’re fed, if it’s not in a bottle. This can be mitigated by simply re-spooning the food back in. After trying rice cereal last week, we were curious to see how they’d respond to a new food. We got our answer: They seemed to like it.  It was a messy – but successful – test.

As the night wore on, I finally decided to bring my bike in and set up the bike trainer that SaraRules! got me for Christmas. I got everything assembled and decided to try it out. It was a bit noisier than I expected, which may prevent me from using it after the girls go to bed at night… unless I move it into the unfinished part of the basement.

Chew on This: Food for Thought – Black History Month
Today’s person of note is: Elmer Samuel Imes, the second African-American to earn a Ph. D. in Physics and among the first African American scientists to make important contributions to Modern physics.

Elmer Samuel Imes (October 12, 1883 – September 11, 1941) was born in Memphis, Tennessee, attended grammar school in Oberlin, Ohio and completed his high school education at the Agricultural and Mechanical High School in Norman, Alabama. Imes graduated from Fisk University in 1903 with a degree in science.

Upon graduating from Fisk, Imes taught mathematics and physics at Georgia Normal and Agricultural Institute in Albany, Georgia (presently Albany State University) and the Emerson Institute in Mobile, Alabama. Imes returned to Fisk in 1913 as an instructor of science and mathematics. During his tenure there, Imes earned a Master’s degree in science from Fisk University.

In 1918, Imes earned a Ph. D. in Physics at the University of Michigan where he studied under Harrison McAllister Randall becoming the second African American to receive a Ph. D. in Physics since Edward Bouchet, did so from Yale University in 1876. Imes’ research and doctoral thesis led to the publication of Measurements on the Near-Infrared Absorption of Some Diamotic Gases in November 1919 in the Astrophysical Journal. This work was followed by a paper co-authored and presented jointly with Dr. Randall: The Fine Structure of the Near Infra-Red Absorption Bands of HCI,HBr, and HF at the American Physical Society and published in the Physical Review in 1920. His work demonstrated for the first time that Quantum Theory could be applied to radiation in all regions of the electromagnetic spectrum, to the rotational energy states of molecules as well as the vibration and electronic levels. His work provided an early verification of Quantum Theory.

Around 1919, Imes became married to Harlem Renaissance writer, Nella Larsen. The couple lived in Harlem becoming part of the Harlem intellectual society which included intellectuals such as Langston Hughes and W.E.B. Du Bois.

During the period Imes spent in the scientific and materials industry, his work resulted in four patents for instruments which were used for measuring magnetic and electric properties.

In 1939, he conducted research in magnetic materials at the Physics Department at New York University and continued as chair of the physics department at Fisk until his death in 1941.

Stray Toasters

Namaste.

It’s the weekend, baby!

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Friday – 03 February 2012
It’s my 9/80 day off with the girls.


Diana (l) and Vanessa

I’m trying to decide what we should do. There’s an offer on the table for a short road – and hobby shop – trip that’s sounding more and more appealing. On the other hand, we’re already planning to hit the World’s Greatest Hobby train show on Sunday, so I’m (somewhat) less inclined to buy something today.

Chew on This: Food for Thought – Black History Month
Today’s person of note is: Don Cornelius

Donald Cortez “Don” Cornelius (September 27, 1936 – February 1, 2012) was an American television show host and producer who was best known as the creator of the nationally syndicated dance/music franchise Soul Train, which he hosted from 1971 to 1993.

Originally a journalist inspired by the civil rights movement, Cornelius recognized that in the late 1960s there was no television venue in the United States for soul music, and introduced many African-American musicians to a larger audience as a result of their appearances on Soul Train, a program that was both influential among African-Americans and popular with a wider audience. As writer, producer, and host of Soul Train, Cornelius was instrumental in offering wider exposure to black musicians such as James Brown, Aretha Franklin, and Michael Jackson, as well as creating opportunities for talented dancers that would presage subsequent television dance programs. Cornelius said “We had a show that kids gravitated to,” and Spike Lee described the program as an “urban music time capsule.”

By way of NPR’s Dan Charnas:

The significance of Don Cornelius to American culture — and to the American culture business — is told nowhere more eloquently than in one brief exchange between Cornelius and singer James Brown, a story that Cornelius himself recalls in VH-1’s excellent 2010 documentary Soul Train: The Hippest Trip in America.

It was the Godfather of Soul’s first appearance on Cornelius’ then-nascent syndicated TV show — designed to do for soul music and black audiences what American Bandstand had long done for pop music and mainstream audiences. Brown marveled at the professionalism of the production, the flawlessness of its execution.

He turned to Cornelius and asked, “Who’s backing you on this, man?”

“It’s just me, James,” Cornelius answered.

Brown, nonplused, acted as if Cornelius didn’t understand the question. He asked it two more times, and Cornelius answered twice again: “It’s just me, James.”

That the man who wrote the song “Say It Loud — I’m Black and I’m Proud” and who recorded the soundtrack to the Black Power movement could scarcely comprehend that a black man like Cornelius both owned and helmed this kind of enterprise without white patronage is a testament to the magnitude and the improbability of Cornelius’ achievements.

Don Cornelius proved a truism about America and race that so few people, even today, understand: Black culture, expressed in undiluted form and unapologetically, will by virtue become accepted by the American mainstream. It’s something that future rap moguls like Russell Simmons and Jay-Z understood instinctively. So it’s a tragic irony that Soul Train‘s decline came with the dawn of the hip-hop era.  Last year, the set and memorabilia of Soul Train landed at the Smithsonian’s Museum of African-American History and Culture.

In the early-morning hours of February 1, 2012, officers responded to a report of a shooting and found Cornelius with an apparent self-inflicted gunshot wound to the head. He was taken to Cedars-Sinai Medical Center, where he was pronounced dead by the Los Angeles County Assistant Chief Coroner. According to former Soul Train host, Shemar Moore, Cornelius may have been suffering from early onset of dementia or Alzheimer’s disease and his health had been on the decline.

Information courtesy of NPR, The New York Times and Wikipedia

Stray Toasters

And tonight, I’m playing HeroClix: Star Trek Tactics with the guys…

…just before the HeroClix: ‘Dungeons & Dragons’ event that I came up with and am judging tomorrow.

Weekend full of tabletop gaming goodness. Aw, yeah…

Namaste.

Middle-of-the-week musings…

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Wednesday – 11 January 2012
Midweek. My day started with pre-work cuddles from both of the girls. AND there shall be new comics today. AND tonight is “Pasta and Movie Night.” I’d say that this is a Wednesday full of “Win.”

Last night was another baby bath night around the homestead. It was also a 180° change from Monday night’s pre-bedtime experience. The girls, while tired, were little troopers through their baths and bedtime preparations. We’ve also stopped double-swaddling the girls and just going with the single-blanket swaddle… and (so far) it hasn’t bitten us in the ass.

After the girls went to bed – and after we ate dinner – I decided to unwind by spending a little time playing DC Universe Online. After a fairly brief patch/update, I was back in Gotham City.

I finished out a mission that I started… probably back in November. I thought about doing the final mission in that arc, but realized that I was already up a bit later than I had planned to be. So, I called it a night.

Stray Toasters

Namaste.

“Jack, relax… get busy with the facts.”

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Tuesday – 10 January 2012
Work Week: Day 2. So far, it’s been monkey-free and relatively painless. But, it is Tuesday, so there will be meetings. Hazard of the job, I guess.

Speaking of “hazards,” for some reason, I had this running through my head last night:

Last night, my sister-in-law, Sanaz, came over to help watch the girls and put them to bed while SaraRules! was at a Junior League meeting.

Under normal circumstances, bedtime is a fairly easy time of night — it’s just that two kids makes it nigh-impossible for one person to get them squared away without help. Last night, I don’t know what exactly happened, but Diana and Vanessa were not happy and wailed – at the top of their lungs –  for the better part of forty-five minutes before winding down enough to eat and go to sleep. (I don’t think that I’ve been so happy for them to go to sleep in a long time…) In thinking about it, it hasn’t been that hard to get them both to sleep in at least two months. And I can’t fathom what I would have done without Sanaz’ help.

After the girls fell asleep – which was almost immediately after they ate – Sanaz and I went into the kitchen so I could tackle the stack o’ bottles from the day. We chatted while I busted suds. I found out a bit about what she does (I know that she’s a pharmacist, but there’s more to her job than just doling out medication), what she would like to do and the world of pharmacy. It was a good conversation.

After SaraRules! got home, I found that I was restless and couldn’t decide how to spend the rest of my evening. I frittered away the better part of an hour before deciding to call it a relatively early night and just read in bed. I know I’m late to the party, but I started reading World War Z: An Oral History of the Zombie War, by Max Brooks. I am liking it.

Stray Toasters

Namaste.

Post-Christmas wrap-up (or would that be “unwrapping?”)

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Tuesday – 27 December 2011
Our first Christmas as parents has come and gone. And it was a good one. We spent the holiday with Sara’s family and, as usual, it was a lot of fun. Added bonuses: I was able to video chat not only with my mom and uncle, but also with Rana, John and the girls, as well. Win-Win.

Because I didn’t consider what scheduling a post for midnight on Christmas might mean for “getting it lost on Facebook,” here’s this year’s Christmas card:

The picture was taken by Jenny Porter of Serendipity Photography.

And pictures of Christmas day can be found here.

Diana and Vanessa made out like little bandits. Lots of clothes, a few books, and even some toys. Granted, they’re not really “up” on the whole idea of Christmas, so it was just another day for them… aside from the fact that we hung out with their grandparents and aunts and uncles for the better part of the day.

I was able to surprise SaraRules! with a couple of gifts this year. (Go, me!) She had asked for one thing – which I got – but I had remembered that she had shown a particular interest in a letterpress kit we saw a few weeks ago. I found the kit and got it for her. What I didn’t know was that she had gone looking for that same kit elsewhere… just before Christmas. (That would have been awkward.) Fortunately for me, she didn’t find it. Again: Win.

I also was very fortunate in the gifts that I received. As I noted a couple of weeks ago, I got myself the 12-pack of Legion action figures for Christmas. It showed up on… Thursday, I think. I didn’t even bother wrapping the shipping box; I just wrapped a ribbon around it and called it good. SaraRules! got me a bike trainer, which is great — I’ll be able to actually get some cardio conditioning in while I’d otherwise be sitting on my butt, watching TV or playing video games.  (Oh, yeah, we bought a new 360 to replace “old and busted.” I didn’t realize how much smaller and more quiet the new models are.) Among the other things I got were:

  • The MTH DCS Remote Set for my model train layout
  • A couple of calendars — one Green Lantern calendar and one of train paintings
  • The Anniversary Edition of Roots
  • Call of Duty: Modern Warfare 3
  • A nice cologne set
  • A set of Lord of the Rings ‘Clix, and
  • A GL action figure (Hal Jordan: Test Pilot)

Like I said: It was a good Christmas.

Another “gift” that SaraRules! and I got (from her sister and mom) was the ability to go out for a movie date on Saturday. We saw Mission: Impossible – Ghost Protocol. It was a good bit of fun. Lots of action. Decent enough plot. Although, we both agreed that the female lead seemed kind of “just there to be there.”  If there’s an M:I 5 and she’s in it, hopefully, she’ll be fleshed out a bit more.

We also finally got around to seeing Harry Potter and the Deathly Hallows: Part 2 last night. Long movie. But, it was good. Of course, knowing how it turns out didn’t hurt.

Sounds like little ones are safely abed, so I should head on to Guys’ Night Out!

I hope that everyone had a safe and merry Christmas.

Happy Kwanzaa for those who celebrate it.

Namaste.

“I don’t know what to say, the monkeys won’t do…”

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Thursday – 08 December 2011
Not only is today “NBN” Thursday, nor is it just my “Technical Friday”…

But today is Vanessa’s 1/4-birthday!

And, I got to start the morning with cuddles from both “Baby Dynamo” (as SaraRules! calls her) and Little Miss Diana. AND… I made all seven of the lights on the way to work this morning. (It was a close call at Light #4, but I made it.) I take these things as omens that today is going to be a good day.

Chew on This: Food for Thought
I made the following post on Twitter a little while ago:

Civility, logic, reason and common sense all seem to go out the window when people see/hear the words “sale” or “free.” #monkeys

I predicated this statement based on the observation of peoples’ reactions to a recycling/giveaway that was being done in our office. People were complaining about “This [item] doesn’t have [component]…” or “This isn’t as good as that one…” or, and this is my favorite: “Can I go through X and Y and Z and scavenge pieces for this…?”

*grblsnrkx*

Look…

The equipment is being given away.

FOR. FREE.

ALL you had to do was put your name in a bag to be drawn to be eligible to TAKE an item.

FOR. FREE.

If it’s too much hassle to be happy with what you’re getting – again: FOR FREE! – then maybe (just maybe) you shouldn’t have put your name in the bag in the first place.

Stray Toasters

Quote of the Day
I have a dead-blow hammer – bequeathed to me by – at my desk at work. I have been known to refer to it as Mjolnir, on occasion. Today, Julie borrowed it, to crush peppermint. (Don’t know why; didn’t ask.) She brought it back and said:

“Thor’s hammer smells a bit like peppermint…”

I retorted:

“Now dispensing minty-fresh justice!”

We both laughed.

Namaste.

“…a day that will live in infamy.”

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Wednesday – 07 December 2011
Today is Pearl Harbor Remembrance Day.

Today is also Diana’s 1/4-birthday. That’s right, our oldest little lady is three-months-old today.

Last night, SaraRules! took the girls to her book club, leaving me to my own devices for a couple of hours. I decided to be a little productive. For my first amazing feat: I put up the downstairs Christmas tree (more on this later). I also gave my brother a call, to help him suss out why his Xbox wouldn’t connect to Xbox Live after they changed ISPs. After that, I felt that I had earned a trip to Best Buy. Oddly enough, I didn’t find anything that I just couldn’t live without.

I made it home a few minutes before the ladies got home. That gave me time to prep blankets and bottles for the girls. (Hey, I try to be a good father.) We got the girls to bed without too much ado. After getting something to eat, we headed downstairs to watch a little pre-bed TV. SaraRules! asked what I’d done with my evening, so I recounted the events of the night. When I got to the part about “I put up the Christmas tree,” she blinked a couple of times, looked over at the tree and said,”Whoa… you did put up the tree!” That’s right: She totally missed it – all six feet of it – when she went downstairs… despite looking dead at it at one point. (In her defense: She’d had a long day…)

Stray Toasters

Namaste.

“Chase the dreams of merchandise…”

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Tuesday – 29 November 2011
Day Two of the work week and all’s well. So far. Hopefully, it will stay that way.

Tonight, SaraRules! and I are attending the Opening Night Auction of The Festival of Trees:

Since we got our tree from there last year, we’re going to look for some other decoration. And, it’s for a good cause: Proceeds benefit Primary Children’s Medical Center.

Stray Toasters

And that’s a wrap.

Namaste.