Union Pacific's Great Excursion Adventure

“Blame it all on yourself, cause she’s always a woman to me…”

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Tuesday – 01 March 2011
A new month begins.
Today also marks the beginning of Women’s History Month.

T minus three days to the train show.
T minus sixteen days until Green Lantern/St. Patrick’s Day.

Last night was very low-key around the house. SaraRules! fixed soft-shelled tacos and rice for dinner. While eating, we knocked out the last two episodes of NCIS: Los Angeles on the DVR and watched an episode of House Hunters about a couple in Texas. (They were almost as finicky as the couple I posted about a few days ago who were looking for the one-level home.) But, they found a spot they liked.

Tonight, SaraRules! and I are attending Utah Symphony‘s 2011-12 Season Announcement Reception at Abravanel Hall. (Yeah, I get some pretty swank fringe benefits of having a wife with a cool job.) After that, I’ll be dashing off to join ‘ D&D game. No rest for the wicked, I guess.

Stray Toasters

She would waste not, not in struggle
No other shall there ever be
And what she is to love, listen oh my brother
Is as the wind to Mercury

Namaste.

“…let us march on, til victory is won.”

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Monday – 28 February 2011
Another week of workin’ begins. This one includes some high, hazy clouds, but the sun is out and it’s supposed to be a nominally warm day, so, in the words of Curtis Mayfield: “It’s Alright.”

Last night, we went up to SaraRules!’ parents’ for dinner: Baked fish (both cajun seasoned and parmesan)  with rice pilaf and broccoli. After dinner, we watched The Long Kiss Goodnight. Long-time readers will recognize this movie as the top end of the “Cool WorldLong Kiss Goodnight” scale, my metering for bad movies. It’s a one-dart movie, but it also had some amusing dialogue and some lovely over-the-top scenes. And, more to the point: My in-laws love a good, campy action flick, so it was a perfect choice.

After dinner and the movie, SaraRules! and I headed home. I’d gotten her Fables Vol. 14: Witches, so she curled up with that while I surfed the Interwebs. I’ve also discovered that Triscuits (Cracked Pepper and Olive Oil) with string cheese make a tasty pre-bed snack.

Chew on This: Food for Thought – Black History Month
This year’s final Black History Month item is the National Association for the Advancement of Colored People or N.A.A.C.P (1, 2, 3).

Founded February 12, 1909, the NAACP is the nation’s oldest, largest and most widely recognized grassroots-based civil rights organization. Its more than half-million members and supporters throughout the United States and the world are the premier advocates for civil rights in their communities, conducting voter mobilization and monitoring equal opportunity in the public and private sectors.

The National Association for the Advancement of Colored People, usually abbreviated as NAACP, is one of the oldest and most influential civil rights organizations in the United States. Its mission is “to ensure the political, educational, social, and economic equality of rights of all persons and to eliminate racial hatred and racial discrimination”. Its name, retained in accordance with tradition, is one of the last surviving uses of the term colored people.

The NAACP’s headquarters are in Baltimore, Maryland, with additional regional offices in California, New York, Michigan, Colorado, Georgia, Texas and Maryland. Each regional office is responsible for coordinating the efforts of state conferences in the states included in that region. Local, youth, and college chapters organize activities for individual members. The NAACP is run nationally by a 64-member board led by a chair. The board elects one person as the President and one as chief executive officer for the organization; Benjamin Jealous is its most recent (and youngest) President.

In 1905, a group of 32 prominent, outspoken African Americans met to discuss the challenges facing “people of color” (a term used to describe people who were not white) and possible strategies and solutions. Because hotels in the U.S. were segregated, the men convened under the leadership of Harvard scholar W. E. B. Du Bois at a hotel (Fort Erie Hotel) on the Canadian side of Niagara Falls in Fort Erie, Ontario. As a result, the group came to be known as the Niagara Movement. A year later, three whites joined the group: journalist William E. Walling, social worker Mary White Ovington, and social worker Henry Moskowitz, then Associate Leader of the New York Society for Ethical Culture.

The Race Riot of 1908 in Lincoln’s hometown of Springfield, Illinois had highlighted the urgent need for an effective civil rights organization in the U.S. This event is often cited as the catalyst for the formation of the NAACP. Mary White Ovington, journalist William English Walling and Henry Moskowitz met in New York City in January 1909 and the NAACP was born. Solicitations for support went out to more than 60 prominent Americans, and a meeting date was set for February 12, 1909. This was intended to coincide with the 100th anniversary of the birth of President Abraham Lincoln, who emancipated enslaved African Americans. While the meeting did not take place until three months later, this date is often cited as the founding date of the organization.

The NAACP was founded on February 12, 1909 by a diverse group composed of Du Bois, Ida B. Wells, Archibald Grimké, Henry Moscowitz, Mary White Ovington, Oswald Garrison Villard, William English Walling (the last son of a former slave-holding family), and Florence Kelley, a social reformer and friend of Du Bois.

During the Great Depression of the 1930s, which was disproportionately disastrous for African Americans, the NAACP began to focus on economic justice. After years of tension with white labor unions, the Association cooperated with the newly formed Congress of Industrial Organizations in an effort to win jobs for black Americans. Walter White, a friend and adviser to First Lady Eleanor Roosevelt, met with her often in attempts to convince President Franklin D. Roosevelt to outlaw job discrimination in the armed forces, defense industries and the agencies spawned by Roosevelt’s New Deal legislation.

Throughout the 1940s the NAACP saw enormous growth in membership, recording roughly 600,000 members by 1946. It continued to act as a legislative and legal advocate, pushing for a federal anti-lynching law and for an end to state-mandated segregation. By the 1950s the NAACP Legal Defense and Educational Fund, headed by Marshall, secured the last of these goals through Brown v. Board of Education (1954), which outlawed segregation in public schools. The NAACP’s Washington, D.C., bureau, led by lobbyist Clarence M. Mitchell Jr., helped advance not only integration of the armed forces in 1948 but also passage of the Civil Rights Acts of 1957, 1964, and 1968, as well as the Voting Rights Act of 1965.

Heading into the 21st century, the NAACP is focused on disparities in economics, health care, education, voter empowerment and the criminal justice system while also continuing its role as legal advocate for civil rights issues. Yet the real story of the nation’s most significant civil rights organization lies in the hearts and minds of the people who would not stand idly by while the rights of America’s darker citizens were denied.

While much of NAACP history is chronicled in books, articles, pamphlets and magazines, the true movement lies in the faces—black, white, yellow, red, and brown—united to awaken the consciousness of a people and a nation. The NAACP will remain vigilant in its mission until the promise of America is made real for all Americans.

Stray Toasters

Namaste.

“Do you know where you’re going to…?”

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Saturday – 26 February 2011
I woke up this morning to find it snowing. Not a problem, as I hadn’t really planned on doing much today.

I slept in (until about 0900) and then headed downstairs to watch some TV and surf. HGTV provided a good episode of House Crashers, in which the target couple had a kitchen remodel done. It looked pretty amazing when all the dust settled. After that I remembered that I still had an episode of Batman: The Brave and the Bold on the DVR, “The Knights of Tomorrow!”

Something that I had completely forgotten: It was co-written by my friend, Jake Black. The story nicely blended elements of the Golden, Silver and Modern Ages, including:

  • Golden Age:
    • Batman, in his Golden Age costume
    • The introduction of Robin (Dick Grayson)
  • Silver Age:
    • The wedding of Bruce Wayne and Selina Kyle (Catwoman)
  • Modern Age
    • The “graduation” of Robin into his Nightwing persona
    • The passing of the Batman mantle from Bruce Wayne to Dick Grayson
    • The introduction of Damian Wayne (the current Robin)

It was a well-told story and was quite fun to watch.

After SaraRules! woke up, we headed to Millcreek Cafe and Eggworks for brunch. We tried their coffee cake, which was good – it seems as though they use a spice cake base (as opposed to yellow cake). As always, the food was good.

After we got back home, SaraRules!’ parents came over for a few. Her dad is going to help us finish the last 40% of the basement. Today, we started the ball rolling on what will be the new bathroom. We went through a few ideas and came up with something that we think will be really good.

Chew on This: Food for Thought – Black History Month
Today’s item is Motown (1, 2, 3), a record label that was originally founded by Berry Gordy, Jr. and incorporated as Motown Record Corporation in Detroit, Michigan, on April 14, 1960.

Motown played an important role in the racial integration of popular music, as it was the first record label owned by an African American even if it was not the first to feature primarily African-American artists. Motown achieved a crossover success. In the 1960s, Motown and its soul-based subsidiaries were the most successful proponents of what came to be known as The Motown Sound, a style of soul music with a distinct pop influence.

In 1959, Billy Davis and Berry Gordy’s sisters Gwen and Anna started Anna Records. Davis and Gwen Gordy wanted Berry to be the company president, but Berry wanted to strike out on his own. On January 12, 1959, he started Tamla Records, with an $800 loan from his family. Gordy originally wanted to name the label “Tammy” Records, after the popular song by Debbie Reynolds. When he found the name was already in use, he decided on Tamla instead. Tamla’s first release was Marv Johnson’s “Come to Me” in 1959. Its first hit was Barrett Strong‘s “Money (That’s What I Want)” (1959), which made it to #2 on the Billboard R&B charts.

Gordy’s first signed act was The Matadors, a group he had written and produced songs for, who changed their name to The Miracles when Tamla signed them; their first release was “Bad Girl”. Miracles lead singer Smokey Robinson became the vice president of the company.

From 1961 to 1971, Motown had 110 top 10 hits, and artists such as Stevie Wonder, Marvin Gaye, The Supremes, The Four Tops, and The Jackson 5, were all signed to Motown labels. The company operated several labels in addition to the Tamla and Motown imprints. A third label, which Gordy named after himself (though it was originally called “Miracle”) featured The Temptations, The Contours, and Martha and the Vandellas. A fourth, V.I.P., released recordings by The Velvelettes, The Spinners and Chris Clark. A fifth label, Soul, featured Jr. Walker & the All Stars, Jimmy Ruffin, Shorty Long, and Gladys Knight & the Pips. Many more Motown-owned labels released recordings in other genres, including Workshop Jazz (jazz), Mel-o-dy (country, although it was originally an R&B label), and Rare Earth (rock). Under the slogan “The Sound of Young America”, Motown’s acts were enjoying widespread popularity among black and white audiences alike.

In 1967, Berry Gordy purchased what is now known as Motown Mansion in Detroit’s Boston-Edison Historic District as his home. In 1968, Gordy purchased the Donovan building on the corner of Woodward Avenue and Interstate 75, and moved Motown’s Detroit offices there. Motown had established branch offices in both New York City and Los Angeles during the mid-1960s, and by 1969 had begun gradually moving more of its operations to Los Angeles. The company moved all of its operations to Los Angeles in June 1972, with a number of artists, among them Martha Reeves, The Four Tops, Gladys Knight & the Pips, and Motown’s Funk Brothers studio band, either staying behind in Detroit or leaving the company for other reasons. The main objective of Motown’s relocation was to branch out into the motion picture industry, and Motown Productions got its start in film by turning out two hit vehicles for Diana Ross: the Billie Holliday biographical film Lady Sings the Blues (1972), and Mahogany (1975). Other Motown films would include Thank God It’s Friday (1978), The Wiz (1978) and Berry Gordy’s The Last Dragon (1985).

By the mid-1980s, Motown was losing money, and Berry Gordy sold his ownership in Motown to MCA Records and Boston Ventures in June 1988 for $61 million. In 1989, Gordy sold the Motown Productions TV/film operations to Motown executive Suzanne de Passe, who renamed the company de Passe Entertainment and runs it to this day.

By 1998, Motown had added stars such as 702, Brian McKnight, and Erykah Badu to its roster. In December 1998, PolyGram was acquired by Seagram, and Motown was absorbed into the Universal Music Group.

Stray Toasters

Namaste.

“Lit up with anticipation, we arrive at the launching site…”

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Thursday – 24 February 2011
Let’s try this… again… after WordPress decided to eat (and apparently thoroughly digest) my last post. Fortunately, I wasn’t too far into it and the miscellany is all fairly easily recoverable.

Happy birthday to :

Last night was D&D 4.0 night with and company. The encounter was a little different than our usual ones: We got into a bar fight. But, it wasn’t our fault. (This time.) And by “we got into a bar fight,” I mean that “we got beat on by a hero from the Forgotten Realms” (read: “ever-so-slightly out of our league”).

Correction: We got beat on by a drunken hero (read: “still ever-so-slightly out of our league”) from the Forgotten Realms.

It was a good encounter. We all survived, though some of our group had a few new lumps. And, we left the bar in one piece (more or less) and not on fire. I’d consider that a minor feat for our party.

Chew on This : Food for Thought – Black History Month
Today’s person of note is: Charles Young (1, 2, 3, 4)

Charles Young was the third African American graduate of West Point, the first black U.S. national park superintendent, first black military attaché, first black to achieve the rank of colonel, and highest-ranking black officer in the United States Army until his death in 1922.

Charles Young was born in 1864 into slavery to Gabriel Young and Arminta Bruen in May’s Lick, Kentucky, a small village near Maysville, but he grew up a free person. His father Gabriel escaped from slavery, in 1865 going across the Ohio River to Ripley, Ohio to enlist as a private in the Fifth Regiment of the Colored Artillery (Heavy) Volunteers during the American Civil War. After the war, the entire family migrated to Ripley in 1866, where the parents decided opportunities were better than in postwar Kentucky. As a youth, Charles Young attended the all-white high school in Ripley, the only one available. He graduated at age 16 at the top of his class. Following graduation, he taught school for a few years at the newly established black high school of Ripley.

While teaching, Young took a competitive examination for appointment as a cadet at United States Military Academy at West Point. He achieved the second highest score in the district in 1883, and after the primary candidate dropped out, Young reported to the academy in 1884. He was not the only black student in the academy,(John Hanks Alexander entered West Point Military Academy in 1883 and graduated in 1887, Alexander and Young shared a room for three years at West Point). He had to repeat his first year because of failing mathematics. Young’s strength was in languages, and he learned several. Young graduated with his commission as a second lieutenant in 1889, the third black man to do so at the time. Young began his service with the Ninth Cavalry in the American West: from 1889-1890 he served at Fort Robinson, Nebraska, and from 1890-1894 at Fort Duchesne, Utah.

Beginning in 1894 as a lieutenant, Young was assigned to Wilberforce College in Ohio, a historically black college, to lead the new military sciences department, which was established under a special federal grant. As a professor for four years, he was one of a number of outstanding men on the staff, including W.E.B. Du Bois, with whom he became friends.

In 1903, Young served as Captain of a black company at the Presidio of San Francisco. When appointed acting superintendent of Sequoia and General Grant national parks, he was the first black superintendent of a national park. At the time the military supervised the parks. Because of limited funding, the Army assigned personnel for short-term assignments during the summers, making it difficult for the officers to accomplish longer term goals, such as construction of infrastructure. Young supervised payroll accounts and directed the activities of rangers. Young’s greatest impact on the park was managing road construction, which helped to improve the underdeveloped park and enable more visitors to travel within it. Young and his troops accomplished more that summer than had teams under the three military officers who had been assigned the previous three summers.

With the Army’s founding of the Military Intelligence Department, in 1904 it assigned Young as one the first military attachés, serving in Port-au-Prince, Haiti. He was to collect intelligence on different groups in Haiti, to help identify forces that might destabilize the government. He served there for three years.

In 1908 Young was sent to the Philippines to join his Ninth Regiment and command a squadron of two troops.

In 1912 Young was assigned as military attaché in Liberia, the first African American to hold that post. For three years, he served as an expert adviser to the Liberian Government and also took a direct role, supervising construction of the country’s infrastructure. For his achievements, in 1916 the National Association for the Advancement of Colored People (NAACP) awarded Young the Spingarn Medal, given annually to the African American demonstrating the highest achievement and contributions.

He returned to Wilberforce University, where he was a Professor of Military Science through most of 1918. On November 6, 1918, after Young traveled by horseback from Wilberforce, Ohio to Washington, D.C. to prove his physical fitness, he was reinstated on active duty in the Army and promoted to full Colonel. In 1919, he was assigned again as military attaché to Liberia.

Young died January 8, 1922 of a kidney infection while on a reconnaissance mission in Nigeria. His body was returned to the United States, where he was given a full military funeral and buried at Arlington National Cemetery near Washington, DC.

Stray Toasters

Namaste.

“Superman and Green Lantern ain’t got nothin’ on me…”

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Wednesday – 23 February 2011
It’s midweek, once again.

Last night was SaraRules!’ night to host her book club. This meant that my evening had a roughly two-hour “free pass” section in it. I took advantage of this and did a little gallivanting. I went to West Valley Hobbies and Best Buy. I was mostly just window shopping at WVH, but I went to Best Buy with a purpose: To pick up the just-released All-Star Superman. (I also picked up the first two seasons of Moonlighting, as a boxed set.)

When I got back home, I played DCUO for a bit. This time, I ventured to Gotham City. As bright and shiny as Metropolis was, Gotham was equally dark and menacing. I met Commissioner Gordon and Robin (voiced by Wil Wheaton) before heading off to my first mission. On the way to that mission, I noticed that I flew over Crime Alley. I’d heard that there was a Feat available for finding the Wayne Memorial – the place where Bruce Wayne’s parents were gunned down. So, I detoured to see if I could locate it. I did. Not only was there, in fact, a Feat awarded for finding it, but the designers actually put a couple of roses on the ground there. Nice touch.

After her book club was finished, SaraRules! and I watched All-Star Superman. The movie was an adaptation of the award-winning mini-series of the same name (1, 2), by Grant Morrison and Frank Quitely. It did a good job of condensing the story into 76 minutes, without losing much of the tone and flavor that Morrison brought to the story.

Chew on This: Food for Thought – Black History Month
I’m going to go out of my standard semi-alphabetical order for today’s entry.  Today’s person of note is: Dwayne McDuffie (1, 2).

Dwayne McDuffie was an American writer of comic books and television. His notable works included creating the animated series Static Shock, writing and producing the animated series Justice League Unlimited, and co-founding the comic book company Milestone Media.

McDuffie was born and raised in Detroit, Michigan and attended The Roeper School. He attended the University of Michigan studying physics, graduating with an undergraduate degree in English, and a graduate degree in physics. He then moved to New York to attend film school at New York University’s Tisch School of the Arts.

While working as a copy-editor for a financial magazine, a friend got him an interview for an assistant editor position at Marvel Comics. While on staff at Marvel as Bob Budiansky’s assistant on special projects, McDuffie also scripted stories for the company. His first major work was Damage Control, a series about the company that shows up between issues and tidies up the mess left by the latest round of superhero/supervillain battles. While an editor at Marvel, he submitted a spoof proposal for a comic entitled Teenage Negro Ninja Thrasher in response to Marvel’s treatment of its black characters. Becoming a freelancer in early 1990, McDuffie followed that with dozens of various comics titles for Marvel comics, DC Comics, and Archie Comics.

In 1992, wanting to express a multi-cultural sensibility that he felt was missing in comic books, McDuffie co-founded Milestone Media, a comic book company owned by African-Americans. McDuffie explained:

If you do a black character or a female character or an Asian character, then they aren’t just that character. They represent that race or that sex, and they can’t be interesting because everything they do has to represent an entire block of people. You know, Superman isn’t all white people and neither is Lex Luthor. We knew we had to present a range of characters within each ethnic group, which means that we couldn’t do just one book. We had to do a series of books and we had to present a view of the world that’s wider than the world we’ve seen before.

Milestone debuted its titles in 1993 through a publishing deal with DC Comics. Serving as editor-in-chief, McDuffie created or co-created many characters, including Static. After Milestone had ceased publishing new comics, Static was developed into an animated series Static Shock. McDuffie was hired to write and story-edit on the series, writing 11 episodes. McDuffie was hired as a staff writer for the animated series Justice League and was promoted to story editor and producer as the series became Justice League Unlimited. During the entire run of the animated series, McDuffie wrote, produced, or story-edited 69 out of the 91 episodes.

On February 21, 2011, McDuffie died from complications due to a surgical procedure performed the previous evening.

And, the/another reason that I chose McDuffie for today’s personality: He wrote the adaptation for All-Star Superman, which was released yesterday.

Stray Toasters

Namaste.

Sunday afternoon ruminations

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Sunday – 20 February 2011
Today is my friend, Perry’s, birthday:

This morning, I was up before 0800. That in itself wasn’t so bad. I made my way to the living room, to see what the world outside the windows looked like. Opening the blinds, I discovered the world was grey and white: Snow was falling. (Why can’t it be Spring now…?)

Yesterday’s main excitement, so to speak, was the HeroClix tournament at Dr. Volt’s Comic Connection. I was curious as to how it would go, as the store layout had changed last week, and I didn’t know how it would affect gamers’ ability to move about. Turns out that it wasn’t bad at all. We had a decent turnout – 10 players – which provided a good litmus test. We’ve had a number of close tournaments over the past few months, many of them decided by less than five (5) points. Yesterday’s event was not of that mold: The winner came in over 300 points above his nearest competitor.

On the way home from the game, I stopped to pick up late lunch/early dinner for SaraRules! and myself. (Guess who had Chinese food.) We wound down the evening with Machete. Somehow, I never got around to seeing it last year. Pity. It was a fun flick that, in many places, tossed “suspension of disbelief” right out the window… and that was just fine.

Chew on This: Food for Thought – Black History Month
Today’s person of note is Dr. DeNorval Unthank.

Unthank was born in Allentown, Pennsylvania. His mother died when he was nine, leaving eight children. Unthank’s father, a cook unable to support him, sent him to live with his aunt and uncle in Kansas City. After completing high school, Unthank attended the University of Michigan where he received his B.A. He received his medical degree in 1926 from Howard University in Washington, D.C. Unthank returned to Kansas City to complete advanced medical training before moving to Portland in 1929 to start his own practice.

Dr. Unthank was recruited to Portland in 1929 because the city needed a black doctor.  He was quickly tested as his white neighbors greeted his first attempt to move into a previously all white residential area with broken windows, threatening phone calls, and general harassment.  Unthank had to move his family four times before finding a place to settle down peacefully.

Throughout the 1930s, Dr. Unthank was Portland’s only black medical practitioner.  He was a dedicated doctor and a friend to any minority group in the city as well.  Black families could not receive treatment in hospitals – house calls were necessary, and Dr. Unthank made himself available day and night.  He served African Americans, Asians and many whites as well.

Dr. Unthank was politically active and was outspoken in his support of civil rights and equal opportunity.  In 1940, Dr. Unthank was elected head of the Advisory Council, an organization that hoped to pressure local leaders into providing equal access to economic opportunities related to WWII jobs.  The Council documented incidents of discrimination in the workplace around Portland despite raised expectations following President Franklin Roosevelt’s signing of Executive Order 8802.  On Dec. 5, 1941, the Council organized a mass meeting to promote an official letter of protest to federal authorities about Portland’s situation.

During and after World War II, Dr. Unthank worked tirelessly to build his medical practice and promote civil rights.  He became the first black member of Portland’s City Club in 1943.  He encouraged the club to publish a significant 1945 study called “The Negro in Portland,” which opened the eyes of many citizens to ongoing discriminatory practices.  Dr. Unthank also served as president of the local chapter of the NAACP, and was a cofounder of the Portland Urban League.  He played a strong role in the passing of Oregon’s 1953 Civil Rights Bill, which among many issues, overturned a law banning interracial marriages in the state.

Dr. Unthank died on September 20, 1977. His impact on racial integration and institutional recognition of minority groups was eulogized in many newspaper articles and obituaries by people from both the medical profession and the civic organizations he helped form and influence.

Stray Toasters

That’s good enough for me.

Namaste.

The End Is the Beginning Is the End

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Saturday – 19 February 2011
It’s a grey day here… and there’s the possibility of snow in the forecast. Yay.

Last night was the beginning of the end of an era. The local Borders, where we spend the “coffee” portion of our Clitorati gathering,  is one of the nearly 300 stores that is slated to close. I’ve been going to that store for close to ten years; I started going there on Friday evenings because that was where and I would meet so that she could coach me at drawing. In fact, the entire Clitorati gathering came about from me telling people that they should come and hang out with us while we were there. And now, nearly ten years down the road, we find ourselves looking for a new home-away-from-home.

We knew that the stor was closing. What we didn’t know, until we arrived last night, was that the Seattle’s Best Coffee franchise/sublet that ran the cafe closed – for the last time – on Thursday night. This means that for the next two months (or however long it takes to liquidate their inventory), there will be no cafe service. At all. I spoke with Brandi, one of the sales associates about the closing: She said that she and the other employees found out about it on Wednesday… from The Wall Street Journal article. According to her, employees:

  • …had no advance warning.
  • …haven’t been offered any kind of relocation/transfer package to the Orem/Provo store.
  • …will be officially unemployed when the closeout sale is over.

While Borders has been on the rocks financially for a long time, I think that it’s poor form to let your employees be blindsided by the closure news and have to find out from mass media.

Since the list of closing stores came out on Wednesday, there’s been chatter among the group as to where we should now meet. We bandied about a few places and decided that we’d test drive the new location when the time came. Funny, we weren’t quite expecting it to be so soon. We had eight people show up for coffee last night, which made for a decent litmus test. I think that our new choice fared decently; we’ll have to see how it stands up over time.

After coffee and dinner, I came home and played DCUO for a bit. I’ve decided that I don’t necessarily want to plow through the game. Instead, I’m enjoying just roaming around the city (I haven’t even left Metropolis yet) and enjoying the view. Jim Lee and his crew did an amazing job of bringing Metropolis to life. I’m looking forward to seeing the other settings the game has to offer.

Chew on This: Food for Thought – Black History Month
Today’s person of note is: Wallace Thurman (1, 2, 3)

Wallace Henry Thurman was an American novelist during the Harlem Renaissance. He is best known for his novel The Blacker the Berry: A Novel of Negro Life, which explores discrimination among black people based on skin color.

Thurman was born in Salt Lake City, UT to Beulah and Oscar Thurman. Between his mother’s many marriages, Wallace and his mother lived with Emma Jackson, his maternal grandmother. His grandmother’s home doubled as a saloon where alcohol was served without a license.

Thurman’s early life was marked by loneliness, family instability and illness. He began grade school at age six in Boise, Idaho, but his poor health eventually led to a two-year absence from school, during which he returned to Salt Lake City. From 1910 to 1914, Thurman lived in Chicago, but he would have to finish grammar school in Omaha, Nebraska.[2] During this time, he suffered from persistent heart attacks. While living in Pasadena, California’s lower altitude in the winter of 1918, Thurman came down with influenza during the worldwide Influenza Pandemic. Considering his history of illness, he surprisingly recovered and then returned to Salt Lake City, where he finished high school.

Thurman studied at the University of Utah and the University of Southern California, although he did not receive a degree. He moved to Harlem in 1925, and by the time he became managing editor of the black periodical Messenger in 1926, he had immersed himself in the Harlem literary scene and encouraged such writers as Langston Hughes and Zora Neale Hurston to contribute to his publication. That summer, Hughes asked Thurman to edit Fire!! , a literary magazine conceived as a forum for young black writers and artists. Despite outstanding contributors, who included Hughes, Hurston, and Gwendolyn Bennett, the publication folded after one issue. Two years later Thurman published Harlem, again with work by the younger writers of the Harlem Renaissance, but it too survived only one issue.

Thurman was lauded as a satirist and often used satire to accuse blacks of prejudice against darker-skinned member of their race. He also rejected the belief that the Harlem Renaissance was a substantial literary movement, claiming that the 1920s produced no outstanding writers and that those who were famous exploited, and allowed themselves to be patronized by, whites. He claimed, as did a number of authors of the decade, that white critics judged black works by lower standards than they judged white efforts. Thurman maintained that black writers were held back from making any great contribution to the canon of Negro literature by their race-consciousness and decadent lifestyles.

Thurman and others of the “Niggerati” (the deliberately ironic name Thurman used for the young African American artists and intellectuals of the Harlem Renaissance) wanted to show the real lives of African Americans, both the good and the bad. Thurman believed that black artists should be more objective in their writings and not so self-conscious that they failed to acknowledge and celebrate the arduous conditions of African American lives. As Singh and Scott put it, “Thurman’s Harlem Renaissance is, thus, staunch and revolutionary in its commitment to individuality and critical objectivity: the black writer need not pander to the aesthetic preferences of the black middle class, nor should he or she write for an easy and patronizing white approval.”

Thurman died at the age of 32 from tuberculosis, which many suspect was exacerbated by his long fight with alcoholism.

Stray Toasters

And with that, it’s time to finish getting ready for today’s HeroClix tournament at Dr. Volt’s.

Namaste.

“My baby just cares for me…”

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Friday – 18 February 2011
It’s my day off. Unfortunately, it’s not a four-day weekend for me, as our robot overlords protectors don’t give us President’s Day as a holiday. Oh, well.

Last night, SaraRules! and I attended Ballet West‘s performance of

It was very enjoyable. The dancers for Aurora, Prince Desire (“Prince Philip” for the Disney-ites out there), the Lilac Fairy and the Male Bluebird were all excellent. My only real complain about the performance came in Act III, with the court dances of the fairy-tale characters in attendance — It seemed to be a never-ending cavalcade of dance. Granted, the performers were all talented and acquitted themselves nicely, but it just seemed to make the production drag on and on. (NOTE: The dances were written into the original production by Tchaikovsky, so it’s the way the ballet is supposed to be performed.)

After we returned home, I played a little CoD: Black Ops before calling it a night.

Chew on This: Food for Thought – Black History Month
Today’s personality of note is: Nina Simone (1, 2)

Eunice Kathleen Waymon, also known by her stage name Nina Simone, was an American singer, songwriter, pianist, arranger, and civil rights activist widely associated with jazz music. Simone aspired to become a classical pianist while working in a broad range of styles including classical, jazz, blues, soul, folk, R&B, gospel, and pop.

She took to music at an early age, learning to play piano at the age of 4, and singing in her church’s choir. The sixth of seven children, Simone grew up poor. Her music teacher helped establish a special fund to pay for Simone’s education and, after finishing high school, Simone won a scholarship to New York City’s famed Julliard School of Music to train as a classical pianist, but she eventually had to leave school after she ran out of funds. Moving to Philadelphia, Simone lived with her family there in order to save money and go to a more affordable music program. Her career took an unexpected turn, however, when she was rejected from the Curtis Institute of Music in Philadelphia; she later claimed the school denied her admittance because she was African-American. Turning away from classical music, she started playing American standards, jazz and blues in clubs in the 1950s. Her original style arose from a fusion of gospel and pop songs with classical music, in particular her first inspiration, classical composer Bach, and accompanied with her expressive jazz-like singing in characteristic low tenor. She injected as much of her classical background into her music as possible to give it more depth and quality, and as she felt that pop music was inferior. She took the stage name Nina Simone—”Nina” came from a nickname meaning “little one” and “Simone” after the actress Simone Signoret.

Simone had always included songs in her repertoire that hinted about her African-American origins (such as “Brown Baby” and “Zungo” on Nina at the Village Gate during 1962). But on her debut album for Philips, Nina Simone In Concert (live recording, 1964), Simone for the first time openly addresses the racial inequality that was prevalent in the United States with the song “Mississippi Goddam”. It was her response to the murder of Medgar Evers and the bombing of a church in Birmingham, Alabama that killed four black children. The song was released as a single, being boycotted in certain southern states. With “Old Jim Crow” on the same album she reacts to the Jim Crow Laws. From then on, a civil rights message was standard in Simone’s recording repertoire, where it had already become a part of her live performances. Simone performed and spoke at many civil rights meetings, such as at the Selma to Montgomery marches. Simone advocated violent revolution during the civil rights period as opposed to Martin Luther King’s non-violent approach, and hoped that African Americans could, by armed combat, form a separate state.

In 1987, the original 1958 recording of “My Baby Just Cares For Me” was used in an advert for Chanel No. 5 perfume in the UK. This led to a re-release which stormed to number 5 in the UK singles chart giving her a brief surge in popularity in the UK. Her autobiography, I Put a Spell on You, was published during 1992 and she recorded her last album, A Single Woman, in 1993.

In 1993, Simone settled near Aix-en-Provence in Southern France. She had been ill with breast cancer for several years before she died in her sleep at her home in Carry-le-Rouet, Bouches-du-Rhône on April 21, 2003. Simone’s ashes were scattered in several African countries.

Stray Toasters

That’s it for now.
Time to find some trouble to get into…

Namaste.

“They say hey little boy you can’t go, where the others go… ‘Cause you don’t look like they do.”

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Wednesday – 16 February 2011
It’s Midweek. Which also means that it’s new comics day and D&D 4.0 night. Win-Win-Win.

Last night was D&D 3.5 night, but it was also “The Game Night That Almost Didn’t Happen.” Of the six (6) players in our campaign, only and I made it. Fortunately, had a small side adventure ready to go. We ran through it, picked up some “free” XP and have something new for our characters that the others don’t/didn’t get. (Neener neener neeeeeeeener!)

After the game, I went home and watched the first half of Prince of Persia with SaraRules!.  It’s not the greatest movie ever made, but it has been entertaining. We will most likely finish it tonight.

Chew on This: Food for Thought – Black History Month
Today’s item is the Plessy v. Ferguson court case.

Plessy v. Ferguson, 163 U.S. 537 (1896), is a landmark United States Supreme Court decision in the jurisprudence of the United States, upholding the constitutionality of state laws requiring racial segregation in private businesses (particularly railroads), under the doctrine of “separate but equal”.

After the American Civil War (1861–1865), during the period known as Reconstruction, the government was able to provide some protection for the civil rights of the newly freed slaves. But when Reconstruction ended with the Compromise of 1877 and federal troops were withdrawn from the south, southern state governments began passing Jim Crow laws that prohibited blacks from using the same public accommodations as whites.

The Thirteenth Amendment (1, 2)served to abolish slavery and involuntary servitude, except as a punishment for crime. Under the meaning of the Thirteenth Amendment, the term “slavery” implies involuntary servitude or bondage and the ownership by human beings of other human beings as property. According to the Slaughterhouse Cases, the Thirteenth Amendment was intended primarily to abolish slavery as it had been known in the United States, and that it equally forbade involuntary servitude.

In 1890, the State of Louisiana passed Act 111 that required separate accommodations for African Americans and Whites on railroads, including separate railway cars, though it specified that the accommodations must be kept “equal”. Concerned, several African Americans (including Louisiana’s former governor P.B.S. Pinchback) and Whites in New Orleans formed an association, the Citizens’ Committee to Test the Separate Car Act, dedicated to the repeal of that law. They raised $1412.70 ($33716.44 in 2008 USD) which they offered to the then-famous author and Radical Republican jurist, Albion W. Tourgée, to serve as lead counsel for their test case. Tourgée agreed to do it for free. Later, they enlisted Homer Plessy, who was one-eighth black (an octoroon in the now-antiquated parlance), to take part in an act of planned civil disobedience. The plan was for Plessy to be thrown off the railway car and arrested not for vagrancy, which would not have led to a challenge that could reach the Supreme Court, but for violating the Separate Car Act, which could and did lead to a challenge with the high court.

The Committee hired a detective to ensure that Plessy was arrested for violating the Separate Car Act, which the Citizen’s Committee wanted to challenge with the goal of having it overturned. They chose Plessy because, with his light skin color, he could buy a first class train ticket and, at the same time, be arrested when he announced, while sitting on board the train, that he had an African-American ancestor. For the Committee, this was a deliberate attempt to exploit the lack of clear racial definition in either science or law so as to argue that segregation by race was an “unreasonable” use of state power.

The decision was handed down by a vote of 7 to 1 with the majority opinion written by Justice Henry Billings Brown and the dissent written by Justice John Marshall Harlan. “Separate but equal” remained standard doctrine in U.S. law until its repudiation in the 1954 Supreme Court decision Brown v. Board of Education.

Stray Toasters

Quote of the Day
Today’s quote comes from Sib-4’s Foursquare status update:

Melissa just became the mayor of Eighth Circle Of Hell!

It was one of the first things that I read this morning, post-email, and (as a fan of Dante’s Inferno) it made me laugh.

And, that’s a wrap.

Namaste.

“I know why the caged bird sings…”

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Thursday – 10 February 2011
Another NBN Thursday is upon us.

Last night was D&D (4.0) game night. We started a new encounter, created by . It was good… and a little odd. We were traveling down a road, minding our own business, when we were ‘jacked by a goblin… which stole an item that we were trying to return to its rightful place. We chased the gob through woods and into a clearing. There, we found:

  1. A goblin corpse (the goblin we’d been chasing, in fact) and
  2. A pink slime

For those of you – like me – who have never encountered Item #2 before, allow me to share with you a little insight:

The key thing to note there is its “Seasoning Mist.” All but two of us were caught in the mist… which nearly turned us into a party of cannibals. Nearly. Instead, a few of us (those who missed our saving throws) wound up eating some of the carrion in the area. Yeah, it was like that. We managed to survive the encounter.

Back at home, SaraRules! and I tackled another recorded episode of NCIS and a couple of other shows before she called it a night and I dove into yesterday’s four-color haul.

Chew on This: Food for Thought – Black History Month
Today’s item is Juneteenth.

Juneteenth, also known as Freedom Day or Emancipation Day, is a holiday in the United States honoring African American heritage by commemorating the announcement of the abolition of slavery in the U.S. State of Texas in 1865. Celebrated on June 19, the term is a portmanteau of June and nineteenth, and is recognized as a state holiday in 36 states of the United States.

Though Abraham Lincoln issued the Emancipation Proclamation on September 22, 1862, with an effective date of January 1, 1863, it had minimal immediate effect on most slaves’ day-to-day lives, particularly in the Confederate States of America. Texas, as a part of the Confederacy, was resistant to the Emancipation Proclamation, and though slavery was very prevalent in East Texas, it was not as common in the Western areas of Texas, particularly the Hill Country, where most German-Americans were opposed to the practice. Juneteenth commemorates June 18 and 19, 1865. June 18 is the day Union General Gordon Granger and 2,000 federal troops arrived in Galveston, Texas, to take possession of the state and enforce the emancipation of its slaves. On June 19, 1865, legend has it while standing on the balcony of Galveston’sAshton Villa, Granger read the contents of “General Order No. 3”:

The people of Texas are informed that, in accordance with a proclamation from the Executive of the United States, all slaves are free. This involves an absolute equality of personal rights and rights of property between former masters and slaves, and the connection heretofore existing between them becomes that between employer and hired labor. The freedmen are advised to remain quietly at their present homes and work for wages. They are informed that they will not be allowed to collect at military posts and that they will not be supported in idleness either there or elsewhere.

Stray Toasters

Namaste.

“Black Tie, White Noise”

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Wednesday – 09 February 2011
Midweek. Which makes it not only new comics day, but also D&D (4.0) night. Now, to just make it through the work day…

Last night, SaraRules! and I helped her father (and both brothers) move an organ out of her grandfather’s apartment. I’m going to let that sink in for a moment…

::: pause :::

Got it? Okay. Moving on. It was cold last night. Sub-freezing, with a not-so-lovely wind adding to the “fun.” The move took a little longer than it could/should have. But, in the end, the organ was loaded into a U-Haul trailer. Amen. Mid-move I jokingly asked SaraRules! where she was taking me for dinner. Without missing a beat, she asked,”Where do you want to go…? Outback?” Mmm, Outback…

And, so it was, later, as the miller told his tale, that her face – at first just ghostly – turned a whiter shade of pale that we wound up at the local Outback Steakhouse.  Aussie Cheese Fries. Prime Rib. Good. On the way home from dinner, we drove past A Perfect Dress, to see what new fashion (or horrors) they had in the windows. Turns out that SaraRules! and I agreed that most of the items weren’t too bad; there were only a couple of dresses that we questioned. The rest of the evening was spent, on the couch, watching TV. And I wrapped up the night playing CoD: Black Ops with a few coworkers before calling it a night.

Chew on This: Food for Thought – Black History Month
I had a hard time coming up with something that began with the letter “I” for today’s entry. Eventually, an idea came to mind… and it’s one that I find apropos, as today is also the day that new comic books release:

Today’s item is Incognegro, a graphic novel by Mat Johnson.


(c) DC Comics

For a synopsis of the book’s plot, I’ll refer to an interview that Mat Johnson did with Newsarama in 2007:

NEWSARAMA: Mat, let’s start with the big picture. What’s the gist of Incognegro?

Mat Johnson: It’s the story of a mixed person of African-American descent who passed for white in the 1930s to investigate lynchings in the South. He goes down to Mississippi on a specific mission that ends up getting tangled really quickly, and it turns into a noir thriller.

NRAMA: What can you tell us about the protagonist Zane Pinchback and where he is when the book opens?

MJ: He’s a reporter in Harlem during the Harlem Renaissance, and he’s kind of a minor celebrity, but he’s only famous on paper. Nobody can know what he looks like because of what he does. So he’s somewhat frustrated by that, being famous but not being famous. He’s dealing with his past, and part of what happens in the story is he’s pulled back into his personal past, his own story.
NRAMA: In addition to dealing with his own issues, he also has to go “incognegro” and go to the South to save his brother. So there’s a whole external drive going for him, in addition to his own internal awakening, right?

MJ:
He has a twin brother who looks much like himself but is dark-skinned. His brother has had none of the breaks that Zane had, largely because of his difference in appearance, even though they’re of the same mother and father. When he goes back, Zane has to confront this other life that he was able to escape, but that his brother instead had to dive deeper into. And that’s really the emotional heart of the book, the two of them and their lives, the convergence of them coming together.

Johnson also notes that the story was partially inspired by Walter Francis White, a light-skinned African-American who used his skin color (or lack thereof) to investigate lynchings and race riots in the American south in the early 20th Century:

MJ: Yeah. Well, Walter White is the primary idea for the piece, when he was investigating these lynchings, but there’ve been other points in history – I’m African-American, but I look fairly white or European, so I’ve always been very fascinated by these points in history, when people like myself interacted, sometimes for better and sometimes for worse. I was fascinated with the idea of taking something that is part of my life and part of past lives, and seeing if I could make that into not just a curiosity, but into something that actually could mean the difference in lives.

As I wrote in 2008, when I first read the book:

Incognegro, written by Mat Johnson (1, 2, 3) – a light-skinned Black man, himself – is adeptly written. Its characters aren’t just stereotypical caricatures; they have depth. The settings aren’t just backdrops, they add to the flavor of the scenes. The story also contains a few interesting plot twists, as well.

See also: The New York Times review of the book.

Stray Toasters

Quote of the Day
Today’s quote comes from last night’s moving extravaganza. While standing outside, watching the comedy of trying to figure out how to arrange the organ in the trailer, SaraRules! thanked me for “…helping my crazy family” with the move. We joked about it for a moment before she noted:

SaraRules!: “Oh, your family’s crazy, too.”
Me: “Yeah, but at least my family has the good sense to be crazy indoors, where it’s warm!”

We both got a good laugh out of that.

Namaste.

The Great Date Night Adventure!

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Tuesday – 08 February 2011
It’s a sunny day in the valley. That is in stark contrast to the snow that fell yesterday afternoon and last night. Although, on the “plus” side: The air is clean(er) and you can see across the valley:

Last night, SaraRules! and I had a Date Night Adventure! It was really just supposed to be dinner and a concert, but the first half turned into something of an ordeal. Shortly after last month’s Preservation Hall Jazz Band concert, we learned that Wynton Marsalis and the Jazz at Lincoln Center Orchestra was going to be performing.

So, we decided to go and celebrate Valentine’s Day a little early.

This came under the heading of “Good Theory.”
“Practical Application” went a little something like this:

We drove to the University of Utah campus and found parking. We walked down to 13th East, as we had planned to eat at Aristo’s, a restaurant that SaraRules! had heard was good and wanted to try. We walked in to find they had at least a 45-minute wait. No good.

We walked next door to Indochine, a Vietnamese restaurant. The restaurant was fairly packed and there wasn’t anyone at the front counter. Again, no good.

We headed over to Market Street Broiler… and were met with people walking out, saying that they’d lost some power – the block across the street had a complete power outage – and were closing. *sigh*  We were starting to see a pattern and it wasn’t good.

We then walked back down to B&D Burger. We were at the “beggars can’t be choosers” point of the evening and we were also running out of time. It was 6:30 PM when we walked in and the concert started at 7:30. Fortunately, we were only a five-minute walk from the hall. SaraRules!, in her near-infinite wisdom, suggested that we grab what looked like the last available table before we ordered. (Very good call on her part.) We stood in line for about 10 minutes, as the place was full of people – like us – who were unable to get into the other restaurants. We ordered and we sat down and waited.

6:50…

7:00…

7:05…

Around this time, SaraRules! went up “to have words” with the young lady at the counter. Granted, the place was full and the cook – the sole cook – was busy, but apparently the cashier had an “Oh, well…” attitude about the whole affair. And, at no point did anyone call in additional help to cover the rush.

7:15…

SaraRules! went back to the counter to get our order “to go.” Many other patrons had just decided to leave, without getting their orders AND without demanding refunds. (SaraRules! told me later that the cashiers were like “Hey… more money for us!” about those customers.) Contrast that attitude with this, taken from the back of the customer survey card:

We got our food about 7:25 PM. We hurried back to the car – we couldn’t exactly take our dinner into Kingsbury Hall – dropped off the boxes, took our gyros with us and ate them as we headed to the hall.

Fortunately, the performance started a few minutes late. I literally sat down a couple of seconds before the orchestra started playing.

It was a fantastic performance. One expects excellence when listening to Wynton Marsalis play. It was great to see… um, hear…  that he surrounded himself with phenomenal talent, as well. It was an amazing show. There was no band leader/conductor. In fact, Wynton Marsalis wasn’t even front and center; he played on the third row, with the rest of the trumpeters. Mr. Marsalis even explained, between a couple of the pieces, why we saw the band talking amongst themselves during the performance: It was to decide who was going to solo or be featured in some pieces. On the fly. They played for about an hour-and-a-half and came back for an amazing encore. It was a great way to cap off an evening that began less-than-auspiciously.

Chew on This: Food for Thought – Black History Month
Today, let’s take a look at the Harlem Renaissance.

The Harlem Renaissance was a cultural movement that spanned the 1920s and 1930s. At the time, it was known as the “New Negro Movement”, named after the 1925 anthology by Alain Locke. Though it was centered in the Harlem neighborhood of New York City, many French-speaking black writers from African and Caribbean colonies who lived in Paris were also influenced by the Harlem Renaissance.

The Harlem Renaissance is unofficially recognized to have spanned from about 1919 until the early or mid 1930s. Many of its ideas lived on much longer. The zenith of this “flowering of Negro literature”, as James Weldon Johnson preferred to call the Harlem Renaissance, was placed between 1924 (the year that Opportunity: A Journal of Negro Life hosted a party for black writers where many white publishers were in attendance) and 1929 (the year of the stock market crash and the beginning of the Great Depression).

The Harlem Renaissance grew out of the changes that had taken place in the African American community since the abolition of slavery. These accelerated as a consequence of World War I and the great social and cultural changes in early 20th century United States. Industrialization was attracting people to cities from rural areas and gave rise to a new mass culture. Contributing factors leading to the Harlem Renaissance were the Great Migration of African Americans to northern cities, which concentrated ambitious people in places where they could encourage each other, and the First World War, which had created new industrial work opportunities for tens of thousands of people. Factors leading to the decline of this era include the Great Depression.

Characterizing the Harlem Renaissance was an overt racial pride that came to be represented in the idea of the New Negro, who through intellect and production of literature, art, and music could challenge the pervading racism and stereotypes to promote progressive or socialist politics, and racial andsocial integration. The creation of art and literature would serve to “uplift” the race.

There would be no uniting form singularly characterizing the art that emerged out of the Harlem Renaissance. Rather, it encompassed a wide variety of cultural elements and styles, including a Pan-Africanist perspective, “high-culture” and “low-culture” or “low-life,” from the traditional form of music to the blues and jazz, traditional and new experimental forms in literature such as modernism and the new form of jazz poetry. This duality meant that numerous African-American artists came into conflict with conservatives in the black intelligentsia, who took issue with certain depictions of black life.

Some common themes represented during the Harlem Renaissance were the influence of the experience of slavery and emerging African-American folk traditions on black identity, the effects of institutional racism, the dilemmas inherent in performing and writing for elite white audiences, and the question of how to convey the experience of modern black life in the urban North.

The progress—both symbolic and real—during this period, became a point of reference from which the African-American community gained a spirit of self-determination that provided a growing sense of both Black urbanity and Black militancy as well as a foundation for the community to build upon for the Civil Rights struggles in the 1950s and 1960s.

Stray Toasters

Namaste.

“Do you have an opinion? A mind of your own? I thought you were special… I thought you should know.”

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Friday – 04 February 2011
It’s my 9/80 day off. Amen.

Today is also World Cancer Day.

Last night, Mary and Matt came over for dinner. SaraRules! made breaded pecan chicken strips, scalloped potatoes and a zucchini/squash mix for dinner. Mary and May brought a cake for dessert. Dinner, the company and the conversation were all very good. After our company left, I finished reading this week’s four-color haul and played a little (a very little) DCUO before calling it a day.

Chew on This: Food for Thought – Black History Month
Since it’s the weekend, and it’s going to be “a little” busy, you’re getting THREE entries:

  • Dorothy Jean Dandridge was an American actress and popular singer, and was the first African-American to be nominated for an Academy Award for Best Actress.

    She performed as a vocalist in venues such as the Cotton Club and the Apollo Theater. In 1954, she was nominated for an Academy Award for Best Actress and a BAFTA Award for Best Actress in a Leading Role for Carmen Jones. By 1956, still under contract to Fox, Dandridge hadn’t made any films since Carmen Jones. Fox still believed that Dorothy was a star, but just didn’t know how to promote her. One of the head chiefs at Fox once said “She’s a star, but we don’t have any films to put her in or leading men to cast her opposite.”

    In 1957 Dorothy’s luck came back when Darryl F. Zanuck cast Dandridge as Margot, a restless young Indian woman, in his controversial film version of, Island in the Sun, co-starring stars such as Joan Fontaine, James Mason, Harry Belafonte, Joan Collins, Michael Rennie, and Stephen Boyd. This film was a success which brought Dandridge back to the public eye. Determined to reinvent her career, she decided to wait on Fox to call for her to make a film.

    In 1959, Columbia Pictures cast Dorothy in the lead role of Bess in Porgy and Bess; Dorothy was again nominated for a award, this time for a Golden Globe Award for Best Actress – Motion Picture Musical or Comedy. Dorothy was again eager to see if she was to win the award, but she once again lost. A few weeks later Dorothy was released from her 20th Century Fox contract.

    Dandridge was married and divorced twice, first to dancer and entertainer Harold Nicholas (the father of her daughter, Harolyn Suzanne) and then to Jack Denison. Dandridge died of an accidental drug overdose, at the age of 42.

  • Ralph Waldo Ellison was a novelist, literary critic, scholar and writer.

    Ralph Ellison, named after Ralph Waldo Emerson, was born in Oklahoma City, Oklahoma to Lewis Alfred Ellison and Ida Millsap.In 1933, Ellison entered the Tuskegee Institute on a scholarship to study music. Tuskegee’s music department was perhaps the most renowned department at the school, headed by the conductor William L. Dawson. While he studied music primarily in his classes, he spent increasing amounts of time in the library, reading up on modernist classics.

    During World War II, Ellison joined the Merchant Marine, and in 1946 he married his second wife, Fanny McConnell. She worked as a photographer to help sustain Ellison. From 1947 to 1951 he earned some money writing book reviews, but spent most of his time working on Invisible Man. Fanny also helped type Ellison’s longhand text and assisted her husband in editing the typescript as it progressed.

    Published in 1952, Invisible Man explores the theme of man’s search for his identity and place in society, as seen from the perspective of an unnamed black man in the New York City of the 1930s. In contrast to his contemporaries such as Richard Wright and James Baldwin, Ellison created characters that are dispassionate, educated, articulate and self-aware. Through the protagonist, Ellison explores the contrasts between the Northern and Southern varieties of racism and their alienating effect. The narrator is “invisible” in a figurative sense, in that “people refuse to see” him, and also experiences a kind of dissociation. The novel, with its treatment of taboo issues such as incest, won the National Book Award in 1953.

    In 1964, Ellison published Shadow and Act, a collection of essays, and began to teach at Rutgers University and Yale University, while continuing to work on his novel. The following year, a survey of 200 prominent literary figures was released that proclaimed Invisible Man the most important novel since World War II.

    Ralph Ellison died on April 16, 1994 of pancreatic cancer, and was buried at Trinity Church Cemetery in the Washington Heights neighborhood of New York City.

  • Ella Jane Fitzgerald, also known as the “First Lady of Song” and “Lady Ella,” was an American jazz and song vocalist.

    Fitzgerald was born in Newport News, Virginia. In her youth Fitzgerald wanted to be a dancer, although she loved listening to jazz recordings by Louis Armstrong, Bing Crosby and The Boswell Sisters. She idolized the lead singer Connee Boswell, later saying, “My mother brought home one of her records, and I fell in love with it….I tried so hard to sound just like her.”

  • She made her singing debut at 17 on November 21, 1934 at the Apollo Theater in Harlem, New York. She pulled in a weekly audience at the Apollo and won the opportunity to compete in one of the earliest of its famous “Amateur Nights”. She had originally intended to go on stage and dance but, intimidated by the Edwards Sisters, a local dance duo, she opted to sing instead in the style of Connee Boswell. She sang Boswell’s “Judy” and “The Object of My Affection,” a song recorded by the Boswell Sisters, and won the first prize of $25.00.

    In January 1935, Fitzgerald won the chance to perform for a week with the Tiny Bradshaw band at the Harlem Opera House. She met drummer and bandleader Chick Webb here. Webb had already hired singer Charlie Linton to work with the band and was, The New York Times later wrote, “reluctant to sign her….because she was gawky and unkempt, a diamond in the rough.” Webb offered her the opportunity to test with his band when they played a dance at Yale University.

    She began singing regularly with Webb’s Orchestra through 1935 at Harlem’s Savoy Ballroom. Fitzgerald recorded several hit songs with them, including “Love and Kisses” and “(If You Can’t Sing It) You’ll Have to Swing It (Mr. Paganini)”. But it was her 1938 version of the nursery rhyme, “A-Tisket, A-Tasket”, a song she co-wrote, that brought her wide public acclaim.

    With Decca’s Milt Gabler as her manager, she began working regularly for the jazz impresario Norman Granz, and appeared regularly in his Jazz at the Philharmonic (JATP) concerts. Fitzgerald’s relationship with Granz was further cemented when he became her manager, although it would be nearly a decade before he could record her on one of his many record labels. Fitzgerald left Decca and Granz, now her manager, created Verve Records around her. Fitzgerald later described the period as strategically crucial, saying, “I had gotten to the point where I was only singing be-bop. I thought be-bop was ‘it,’ and that all I had to do was go some place and sing bop. But it finally got to the point where I had no place to sing. I realized then that there was more to music than bop. Norman….felt that I should do other things, so he produced The Cole Porter Songbook with me. It was a turning point in my life.” Ella Fitzgerald Sings the Cole Porter Songbook, released in 1956, was the first of eight multi-album Songbook sets Fitzgerald would record for Verve at irregular intervals from 1956 to 1964. The composers and lyricists spotlighted on each set, taken together, represent the greatest part of the cultural canon known as the Great American Songbook. Fitzgerald’s song selections ranged from standards to rarities and represented an attempt by Fitzgerald to cross over into a non-jazz audience.

    Plagued by health problems, Fitzgerald made her last recording in 1991 and her last public performances in 1993. Miss Fitzgerald was generous throughout her career, and in 1993, she established the Charitable Foundation that bears her name: The Ella Fitzgerald Charitable Foundation, which continues to help the disadvantaged through grants and donation of new books to at-risk children.

Stray Toasters

And, on to the day!

Namaste.

“You say you want a revolution? Well, you know, we all want to change the world.”

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Thursday – 03 February 2011
It’s my NBN Technical Friday. Amen.

Last night was D&D (4.0) game night with and company. We almost team-wiped twice. It wasn’t pretty. But, we finished two encounters… and everyone survived. Barely. One neat, but unrelated thing: Jack and I noticed a Justice League Chess Set for sale for $50 (USD). We were intrigued. We pondered it for a bit before realizing that we could just “build” a chess set, using ‘Clix figures for the pieces for a lot less, should we decide that we really couldn’t live without one.

I also played a little DCUO last night. I’m still having a lot of fun with it. Last night, I was sent to a new (to me) part of Metropolis, Chinatown, to meet Zatanna for my next set of missions. Let me just say that this part of the city looks simply amazing.  The DCUO team also released another teaser video that portends ill things…

AND… new information has been released about new content being added to the game, including their Valentine’s Day event content, as well.

Chew on This: Food for Thought – Black History Month
Today’s personality is: Stokely Carmichael

Kwame Ture, also known as Stokely Carmichael, was a Trinidadian-American black activist active in the 1960s American Civil Rights Movement. He rose to prominence first as a leader of the Student Nonviolent Coordinating Committee (SNCC, pronounced “snick”) and later as the “Honorary Prime Minister” of the Black Panther Party. Initially an integrationist, Carmichael later became affiliated with black nationalist and Pan-Africanist movements. He popularized the term “Black Power”.

In 1960, Carmichael went on to attend Howard University, a historically-black school in Washington, D.C., rejecting scholarship offers from several white universities. His apartment on Euclid Street was a gathering place for his activist classmates. He graduated with a degree in philosophy in 1964.

He joined the Nonviolent Action Group (NAG), the Howard campus affiliate of SNCC. He was inspired by the sit-ins to become more active in the Civil Rights Movement. In his first year at the university, he participated in the Freedom Rides of the Congress of Racial Equality (CORE) and was frequently arrested, spending time in jail. In 1961, he served 49 days at the infamous Parchman Farm in Sunflower County, Mississippi. He was arrested many times for his activism. He lost count of his many arrests, sometimes giving the estimate of at least 29 or 32, and telling the Washington Post in 1998 he believed the total number was fewer than 36.

Carmichael saw nonviolence as a tactic as opposed to a principle, which separated him from moderate civil rights leaders like Martin Luther King, Jr.. Carmichael became critical of civil rights leaders who simply called for the integration of African Americans into existing institutions of the middle class mainstream.

The Black Panthers and Carmichael disagreed on whether white activists should be allowed to help the Panthers. The Panthers believed that white activists could help the movement, while Carmichael thought as Malcolm X, saying that the white activists needed to organize their own communities first. In 1969, he and his then-wife, the South African singer Miriam Makeba, moved to Guinea-Conakry where he became an aide to Guinean prime minister Ahmed Sékou Touré and the student of exiled Ghanaian President Kwame Nkrumah. Makeba was appointed Guinea’s official delegate to theUnited Nations. Three months after his arrival in Africa, in July 1969, he published a formal rejection of the Black Panthers, condemning the Panthers for not beingseparatist enough and their “dogmatic party line favoring alliances with white radicals”.

It was at this stage in his life that Carmichael changed his name to Kwame Ture to honor the African leaders Nkrumah and Touré who had become his patrons. At the end of his life, friends still referred to him interchangeably by both names, “and he doesn’t seem to mind.”

Carmichael remained in Guinea after separation from the Black Panther Party. He continued to travel, write, and speak out in support of international leftist movements and in 1971 collected his work in a second book Stokely Speaks: Black Power Back to Pan-Africanism. This book expounds an explicitly socialist, Pan-African vision, which he seemingly retained for the rest of his life. From the late 1970s until the day he died, he answered his phone by announcing “Ready for the revolution!”

Stray Toasters

Namaste.

“Me and my shadow…”

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Tuesday – 02 February 2011
It’s Groundhog Day; be on the lookout for Bill Murray.

It’s also new comics day and D&D (4e) night, to boot.

Last night was D&D (3.5) night with and company. When we weren’t behaving like twelve-year-olds – and derailing the game – we managed to come up with a course of action… most of which we won’t get to until next gaming session. But, it was still fun. (A good corollary is found in Wil Wheaton’s blog entry: In which we play Cal & D).

After I got home, I played DCUO for an hour or so. One of the missions repeatedly kicked my trash. Nothing like getting swarmed – and defeated – by higher-level H.I.V.E. Troopers…repeatedly. *sigh* After what felt like eleventy-kajillion times, I finally got through it. I did a couple of Brainiac-related missions, as well.  Those weren’t quite as painful, though.

Chew on This: Food for Thought – Black History Month
Today’s person of note is… actually going to be TWO people:

  • James Baldwin

    Baldwin was an American novelist, writer, playwright, poet,essayist and civil rights activist.

    Most of Baldwin’s work deals with racial and sexual issues in the mid-20th century in the United States. His novels are notable for the personal way in which they explore questions of identity as well as the way in which they mine complex social and psychological pressures related to being black and  homosexual well before the social, cultural or political equality of these groups was improved.

    During his teenage years in Harlem and Greenwich Village, Baldwin began to recognize his own homosexuality. In 1948, disillusioned by American prejudice against blacks and homosexuals, Baldwin left the United States and departed to Paris, France. His flight was not just a desire to distance himself from American prejudice. He fled in order to see himself and his writing beyond an African American context and to be read as not “merely a Negro; or, even, merely a Negro writer”. Also, he left the United States desiring to come to terms with his sexual ambivalence and flee the hopelessness that many young African American men like himself succumbed to in New York.

    In 1953, Baldwin’s first novel, Go Tell It on the Mountain, an autobiographical bildungsroman, was published. Baldwin’s first collection of essays, Notes of a Native Son appeared two years later. Baldwin continued to experiment with literary forms throughout his career, publishing poetry and plays as well as the fiction and essays for which he was known.

    Baldwin’s second novel, Giovanni’s Room, stirred controversy when it was first published in 1956 due to its explicit homoerotic content. Baldwin was again resisting labels with the publication of this work: despite the reading public’s expectations that he would publish works dealing with the African American experience, Giovanni’s Room is exclusively about white characters. Baldwin’s next two novels, Another Country and Tell Me How Long the Train’s Been Gone, are sprawling, experimental works dealing with black and white characters and with heterosexual, homosexual, and bisexual characters. These novels struggle to contain the turbulence of the 1960s: they are saturated with a sense of violent unrest and outrage.

  • Gwendolyn Brooks

    Gwendolyn Elizabeth Brooks was an American writer. She was appointed Poet Laureate Consultant in Poetry to the Library of Congress in 1985.

    Brooks published her first poem in a children’s magazine at the age of thirteen. When Brooks was sixteen years old, she had compiled a portfolio of around seventy-five published poems. Aged 17, Brooks stuck to her roots and began submitting her work to “Lights and Shadows”, the poetry column of the Chicago Defender, an African-American newspaper. Although her poems range in style from traditional ballads and sonnets to using blues rhythms in free verse, her characters are often drawn from the poor inner city.

    Her first book of poetry, A Street in Bronzeville, published in 1945 by Harper and Row, brought her instant critical acclaim. She received her first Guggenheim Fellowship and was one of the “Ten Young Women of the Year” in Mademoiselle magazine. In 1950, she published her second book of poetry, Annie Allen, which won her Poetry magazine’s Eunice Tietjens Prize and the Pulitzer Prize for poetry, the first given to an African-American.

    After John F. Kennedy invited her to read at a Library of Congress poetry festival in 1962, she began her career teaching creative writing. She taught at Columbia College Chicago, Northeastern Illinois University, Elmhurst College, Columbia University, Clay College of New York, and the University of Wisconsin–Madison. In 1967, she attended a writer’s conference at Fisk University where, she said, she rediscovered her blackness. This rediscovery is reflected in her work In The Mecca, a book length poem about a mother searching for her lost child in a Chicago housing project. In The Mecca was nominated for the National Book Award for poetry.

    In addition to the National Book Award nomination and the Pulitzer Prize, Brooks was made Poet Laureate of Illinois in 1968. In 1985, Brooks became the Library of Congress’s Consultant in Poetry, a one year position whose title changed the next year to Poet Laureate. In 1988, she was inducted into the National Women’s Hall of Fame. In 1994, she was chosen as the National Endowment for the Humanities’ Jefferson Lecturer, one of the highest honors for American literature and the highest award in the humanities given by the federal government. In 1995, she was presented with the National Medal of Arts.

Stray Toasters

Namaste.