Random Access

Tuesday – 28 February 2012
Ordinarily, today would mark the end of the month. But, thanks to leap year – or DC’s “New 52,” according to Thom Zahler – we get an extra day this month. And, at least here in the Land Behind the Zion Curtain, it’s snowy. Well, more like “flurry-y,” but you get the idea. (And, of course, by the time I got back to writing this, it’s stopped.)

Last night was fairly quiet around the homestead. We took a short family excursion to the local Babies ‘R’ Us after work — the girls now have a new activity bouncer/saucer/thingamabob. Then, back home for the girls’ bedtime. And then dinner and a little TV for SaraRules! and me. (Followed, naturally, by some MW3 time for me.)

Chew on This: Food for Thought – Black History Month
Today’s topic is: African Diaspora, the historic movement of Africans and their descendants to places throughout the world—predominantly to the Americas, and also to Europe, the Middle East, and other places around the globe.

The term has been historically applied in particular to the descendants of the Africans who were enslaved and shipped to the Americas by way of the Atlantic slave trade, with the largest population in Brazil (see Afro-Brazilian). In modern times, it is also applied to Africans who have emigrated from the continent in order to seek education, employment and better living for themselves and their children. People from Sub-Saharan Africa, including many Africans, number at least 800 million in Africa and over 140 million in the Western Hemisphere, representing around 14% of the world’s population. It is believed that this diaspora has the potential to revitalize Africa. Primarily, many academics, NGOs, and websites such as Social Entrepreneurs of the African Diaspora view social entrepreneurship as a tool to be used by the African diaspora to improve themselves and their ancestral continent.

Much of the African diaspora was dispersed throughout Europe, Asia, and the Americas during the Atlantic and Arab Slave Trades. Beginning in the 9th century, Arabs took African slaves from the central and eastern portions of the continent (where they were known as the Zanj) and sold them into markets in the Middle East and eastern Asia. Beginning in the 15th century, Europeans captured or bought African slaves from West Africa and brought them to Europe and later to the Americas. Both the Arab and Atlantic slave trades ended in the 19th century. The dispersal through slave trading represents one of the largest forced migrations in human history. The economic effect on the African continent was devastating. Some communities created by descendants of African slaves in Europe and Asia have survived to the modern day, but in other cases, blacks intermarried with non-blacks and their descendants blended into the local population.

In the Americas, the confluence of multiple ethnic groups from around the world created multi-ethnic societies. In Central and South America, most people are descended from European, American Indian, and African ancestry. In Brazil, where in 1888 nearly half the population was descended from African slaves, the variation of physical characteristics extends across a broad range. In the United States, there was historically a greater colonial population in relation to African slaves, especially in the northern tier. Racist Jim Crow and anti-miscegenation laws after the Civil War, plus waves of vastly increased immigration from Europe in the 19th and 20th centuries, maintained some distinction between racial groups. In the 20th century, to institutionalize racial segregation, most southern states adopted the “one drop rule“, which defined anyone with any discernible African ancestry as African.

From the very onset of Spanish activity in the Americas, black Africans were present both as voluntary expeditionaries and as involuntary laborers. Juan Garrido was one such black conquistador. He crossed the Atlantic as a freedman in the 1510s and participated in the siege of Tenochtitlan.

Emigration from Sub-equatorial Africa has been the primary reason for the modern diaspora. People have left the subcontinent because of warfare and social disruption in numerous countries over the years, and also to seek better economic opportunities. Scholars estimate the current population of recent African immigrants to the United States alone is over 600,000, some of whom are Black Africans from the Sub-equatorial region. Countries with the largest recorded numbers of immigrants to the U.S. are Nigeria, Ghana, Sierra Leone and mostly West African Countries. Some immigrants have come from Angola, Cape Verde, Mozambique (see Luso American), Equatorial Guinea, Kenya, and Cameroon. Immigrants typically congregate in major urban areas, moving to suburban areas over time.

There are significant populations of recent African immigrants in many other countries around the world, including the UK and France, both nations that had colonies in Africa.

Stray Toasters

• I like this hack. I may have to actually employ it.
• Straight Out of Flint: Girl Boxer Aims for Olympics
• I apparently didn’t read the full info on DC Universe Online‘s last update too carefully: I just found out today that Black Lightning and Static have been introduced in the game.
• The Pope Officially Has the Worst Twitter Name of All Time
• Department of Awareness Posters (as seen in Dresden Codak) are now available.
• 
• U.S. Rule Set for Cameras at Cars’ Rear
• Extreme coaster rips limbs off dummies; terrifies fighter pilots
• From the “Whiskey Tango Foxtrot…?!” file: Man charged after shooting at mouse, striking roommate in chest
• Japan Weighed Evacuating Tokyo in Nuclear Crisis
• A Nation Divided: Can We Agree on Anything?

Namaste.

Friday – 24 February 2012
It’s (finally) the end of the week. It’s my working Friday, but it’s also the quiet day in the office; this isn’t to say that the day hasn’t been productive.

Of even more importance: The twins slept through the night again! And… *drumroll* … for the second consecutive night! I’m not necessarily expecting them to do so again tonight, but I wouldn’t be averse to it.

SaraRules! and I postponed Wednesday’s Pasta & Movie Date Night until last night. It was SaraRules!’ night to choose a movie. She picked Spike Lee’s She’s Gotta Have It. We had long talked about watching all of Spike Lee’s movies, in order, but hadn’t done anything about it… until last night. And it was good, especially for his first outing.

Chew on This: Food for Thought – Black History Month
Today’s person of note is Llewellyn Xavier, artist.

Llewellyn Xavier OBE was born in Saint Lucia on October 12, 1945

Xavier left Saint Lucia for Barbados in 1961, working as an agricultural apprentice for a time. A friend gave him a box of watercolors, and he was soon drawn to art. His first exhibition was a great success, and soon his reputation was established. In 1968, Xavier moved to England, where he became a pioneer in the field of mail art. He enrolled in the school of the Museum of Fine Arts, Boston, in 1979, and for a time was a Cistercian monk in Montreal. After a time, he left the monastery, marrying and returning to Saint Lucia in 1987.

Probably Xavier’s most important work to date is a large cycle of collages. His intense concern for the environment led to his masterpiece, Global Council for Restoration of the Earth’s Environment; it was first shown at the Patrick Cramer Gallery in Geneva in May of 1993. The collages incorporate all manner of recycled materials, including naturalist prints from the eighteenth and nineteenth centuries and postage stamps from many countries. They also include signatures of various world leaders of environmentalism and of a number of conservationists.

Xavier received the OBE in 2004 in recognition of his contributions to the art of the Commonwealth. His most recent series to date, also of collages, is titled Environment Fragile, and is meant to call attention to the destruction of the environment; he has sent pieces from the series to various dignitaries around the world.

Xavier’s work is in the collection of the Metropolitan Museum of Art, the American Museum of Natural History, and the Smithsonian Institution as well as in various European museums.

Stray Toasters

• In a Gamble for Cash, Sears Plans to Sell Stores
• SkyDrive: Microsoft’s attempt to complete with iCloud
• Math seems to be a recurring theme in today’s toons:
  
  …and…
  
  
• I’ve missed building terrain from WorldWorksGames. I should build something.
• The myth of the eight-hour sleep
• Resolute Putin Faces a Russia That’s Changed
• After reading this, I’m renaming the hammer at my desk from “Mjolnir” to “Kinetic Transfer Administration Device”:
• Best Pictures for Men — Oscar-Winning Movies Men Would Like
• Photography’s Angel Provocateur

Wednesday – 22 February 2012
Odin’s Day is upon us once more. This also means that: The work week is half done and new comics are released today. Win-Win.

Today is also Ash Wednesday.

Last night, SaraRules! cousin, Sarah – and her son, Miles – were in town on their way to Denver.

As I recall, we haven’t seen them since last August, when they were here for Logan and Swiz’ wedding. They stopped in for a bit to visit and meet the girls.

After they left, and the girls were down for bed, SaraRules! suggested Five Guys burgers for dinner. Who was I to argue?! She also stopped at The Sweet Tooth Fairy to pick up cupcakes for dessert. We also cleared another episode of The Walking Dead off the DVR over dinner.

Chew on This: Food for Thought – Black History Month
Today’s person of note is Gustavus Vassa, a prominent African involved in the British movement towards the abolition of the slave trade.

According to his own account, Gustavus Vassa (born Olaudah Equiano) was born in an area called “Igbo” in what is now Nigeria, in 1745. (At the turn of the 21st century, newly discovered documents suggesting that Equiano may have been born in North America raised questions, still unresolved, about whether his accounts of Africa and the Middle Passage are based on memory, reading, or a combination of the two.) He lived with five brothers and a sister; he was the youngest son with one younger sister. At the age of eleven, he and his sister were kidnapped. At this time he endured the Middle Passage to the New World, where he was forced to work as a slave.

When their parents were out, Equiano and his sister were kidnapped by two men and a woman, African kinsmen, and sold to native slaveholders. After changing hands several times, Equiano found himself on the coast, in the hands of European slave traders. He was transported with 244 other enslaved Africans across the Atlantic Ocean to Barbados in the West Indies, from where he and a few others were soon transferred to the British colony of Virginia. Soon after arrival, he was bought by Michael Pascal, a lieutenant in the Royal Navy. He decided to give him a more understandable name, a Latinised form of the name Gustavus Vassa, a Swedish noble who had become Gustav I of Sweden, king in the 16th century.

Pascal sold Equiano to Captain James Doran of the “Charming Sally” at Gravesend, where he was transported to Montserrat, in the Caribbean Leeward Islands. He was sold on to Robert King, a Quaker merchant from Philadelphia who traded in the Caribbean. King set Equiano to work on his shipping routes and in his stores. In 1765, King promised that for forty pounds, the price he had paid, Equiano could buy his freedom. King taught him to read and write more fluently, guided him along the path of religion, and allowed Equiano to engage in profitable trading on his own as well as on his master’s behalf. He enabled Equiano to earn his freedom, which he achieved by his early twenties.

King urged Equiano to stay on as a business partner, but Equiano found it dangerous and limiting to remain in the British colonies as a freedman. For instance, while loading a ship in Georgia, he was almost kidnapped back into slavery. He was released after proving his education. Equiano returned to Britain where, after Somersett’s Case of 1772, men believed they were free of the risk of enslavement.

In 1789, he published his autobiography, The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa the African, which had a strong abolitionist message. Equiano is often regarded as the originator of the slave narrative because of his firsthand literary testimony against the slave trade. Equiano wrote in his narrative that slaves working inside the slaveholders’ homes in Virginia were treated cruelly. They suffered punishments such as an “iron muzzle” (scold’s bridle), used around the mouths to keep house slaves quiet, leaving them barely able to speak or eat. Equiano conveyed the fear and amazement he experienced in his new environment. In fact, Equiano was so shocked by this culture that he tried washing his face in an attempt to change its color. Despite the controversy regarding his birth, The Interesting Narrative remains an essential work both for its picture of 18th-century Africa as a model of social harmony defiled by Western greed and for its eloquent argument against the barbarous slave trade.

In 1792, Equiano married Susanna Cullen; they had two daughters.

Although Equiano’s death is recorded in London, 1797, the location of his burial is unsubstantiated.

Quote of the Day
Today’s quote comes from my friend, Ashley:

Today is Ash Wednesday, the day we commemorate the battle between the Evil Dead and the common man. Remember to celebrate this, the grooviest of holidays, in the traditional manner: the viewing of Evil Dead, Evil Dead 2 and Army of Darkness.

Stray Toasters

• WONDER WOMEN: The Untold Story of American Superheroines
• Bill would give loose change found at airports to USO not TSA
• At 40, Former Olympic Champion Returns With a Different Focus
• 
• Places to Find Savings
• Fans Honor Dwayne McDuffie with ‘Static Shock’ Fan Film
• From the “Whiskey Tango Foxtrot…?!” file: Man Ordered to Apologize to Wife on Facebook
• Super-Earth exoplanet likely to be a waterworld  (Someone call Kevin Costner!)
• California’s struck down video game law saddles state with $2 million bill
• Justices Take Up Race as a Factor in College Entry

Namaste.

Tuesday – 21 February 2012
Ugh. That’s how I felt this morning when my alarm went off. Not because the girls woke up in the middle of the night. (Which was fine, as they woke up about 4:15 and were asleep again shortly thereafter.) No, last night’s broken sleep came courtesy of some rather disturbing dreams. Disturbing enough that it took me a while to want to go back to sleep. Yeah, it was that much fun.

The evening, however, was good. It was another bath night for the girls. After last week’s experience with Vanessa (a.k.a. “Splash-O-Matic 5000”), I decided to change into shorts before giving the girls their baths. And, of course, this week, both girls were fairly subdued. Still, bath time was good.

After the girls were down, SaraRules! made a fantastic chicken curry dish (with chickpeas and spinach) over rice. We ate and knocked a couple of episodes of NCIS: Los Angeles and Castle off the DVR. When those were done, we saw that Blade Runner was on AMC. We watched part of it and realized that neither of us had watched the whole film in a while. We plan on rectifying that in the not-too-distant future.

Chew on This: Food for Thought – Black History Month
Today’s person of note is: Leslie Uggams, an American actress and singer.

Leslie Uggams was born on May 25, 1943 in New York City, to Harold and Juanita Uggams. As a small child Uggams would sing along to records, exhibiting a remarkably mature voice. The fact that Uggams had vocal talent was not a total surprise. Her father was a member of the Hall Johnson Choir, and her mother was a chorus girl at the Cotton Club.

In 1949, at age six, Uggams sang in public for the first time at St. James Presbyterian Church in New York City. The following year, she made her acting debut with a small part on an episode of the television comedy Beulah, which starred the legendary Ethel Waters. Uggams played Beulah’s niece.

At 9-years-old Leslie, opened for such legends as Louis Armstrong, Ella Fitzgerald and Dinah Washington at the Apollo Theater. She also made appearances on Your Show of Shows, The Milton Berle Show, and The Arthur Godfrey Show. After completing the third grade, Uggams left her local public school to enroll at the Professional Children’s School, a private institution in Manhattan catering to children with show business connections.

At 15 , she appeared on the CBS-TV quiz show “Name That Tune,” winning $12,500 toward her college education. The appearance gave Uggams a chance to showcase her vocal skills. Her rendition of “He’s Got the Whole World in His Hands” was noticed by record producer Mitch Miller who, as director of artists and repertory at Columbia Records, was one of the most influential figures in popular music during the 1950s. Miller signed Uggams to a contract, and her first album was released in 1959. Despite increasing career demands, Uggams continued to excel at school. At the Professional Children’s School, from which she graduated in 1961, Uggams was editor of the yearbook and president of the student body.

When Miller got his own television show, Sing Along with Mitch, in 1961, Uggams was asked to appear on it, first as a guest vocalist, then as a regular member of the all-singer cast. She became the lone African American performer regularly appearing on network television. The presence of an African American singer on the Sing Along with Mitch show drew relatively little controversy, although some stations in the South refused to air the program. “Mitch was told either I go or the show goes. He said, ‘Either she stays or there’s no show.’ He loved that show, and he had been trying to sell it for so long that to turn around and do that was heroic,” Uggams told Nadine Brozan of the New York Times in 1994. Uggams sometimes found her position as television’s only African American performer difficult to bear. “It was a heavy load. I was responsible for having a clean image. I wanted people to have respect for black people.”

Monday – 20 February 2012
It’s a new work week. Yay (or something to that effect).

I am, however, rather excited as the girls – for the second time in three days – slept through the night!

Vanessa (l), Sara, and Diana

That’s right, seven-and-a-half hours of sleep. (If only I didn’t have such disconcerting dreams last night…)

The rest of the weekend was good, as well. Saturday afternoon, I judged a tournament for Dr. Volt’s Comic Connection. Saturday evening, I attended Utah Symphony‘s performance of Rachmaninoff’s Piano Concerto N0. 2 and Beethoven’s Symphony No. 4 with Melissa Sanders. It was a fantastic concert.

Sunday was a relaxing day, spent mostly at home. We did venture out for a bit to Black Water Coffee Company and Fashion Place Mall… where the girls went on a shopping spree. Seriously. They cleaned up. (Okay, okay… it helped that Carter’s was having a pretty big sale. Still…) Later in the day, we headed up to SaraRules!’ parents for dinner before heading home for little girls’ bedtime. And, we wound up the evening with The Walking Dead and with me playing a little Modern Warfare 3.

And today is Presidents Day.

Chew on This: Food for Thought – Black History Month
After taking the weekend off from blogging, let’s get back into the swing of things with an all-music selection of notables:

• Questlove (also known as ?uestlove), is an American drummer, DJ, music journalist and record producer.
  
  Ahmir Khalib Thompson (January 20, 1971) Thompson was born in Philadelphia. His father was Lee Andrews of Lee Andrews & the Hearts, one of the great 50s doo-wop groups. Ahmir, who started drumming at the age of 2, often accompanied his parents on tour. By the age of 8, he was well-versed in life on the road, learning how to “cut gels, place mics, place lights. Then I became the sound guy and tech guy. One night the drummer didn’t make it, and then I was [my father’s] drummer.”

  Thompson’s first gig came at the age of 13, during a performance at Radio City Music Hall. “My parents didn’t trust babysitters back in the early 70s,” Thompson told Mother Jones magazine in 2011. “So I had to play bongos on stage with them ’cause ‘No stranger’s gonna watch my son in Muncie, Indiana!’” That same year, Thompson was named the musical director for his father’s group, and he became determined to establish his own career in music.

  Questlove’s parents then enrolled him at the Philadelphia High School for the Creative and Performing Arts. By the time he graduated, he had founded a band called The Square Roots (later dropping the word “square”) with his friend Tariq Trotter (Black Thought). After high school, Thompson was offered a spot at the prestigious Juilliard School in New York, but the young musician couldn’t afford the tuition. Instead, Thompson devoted himself to making his unique style of music. The Roots’ roster was soon completed, with Questlove on percussion, Tariq Trotter and Malik B on vocals, Josh Abrams (Rubber Band) on bass (who was replaced by Leonard Hubbard in 1994), and Scott Storch on keyboards.

  Questlove currently performs with The Roots on Late Night with Jimmy Fallon, occasionally performing solos titled ‘re-mixing the clips’ where he draws on his production and DJ abilities to dub video clips, cue audio samples in rhythm, and play drum breaks simultaneously.

  Thompson, not one to rest on the heels of his success, has also been involved in a dizzying array of side projects. He appeared as a drummer for the instrumental jazz album, The Philadelphia Experiment in 2001, and in 2002 he released the compilation ?uestlove Presents: Babies Making Babies. He has also served as an executive producer for artists such as D’Angelo and Common; has written film scores; and drummed for artists like Christina Aguilera, Fiona Apple and Joss Stone.

• Otis Redding (September 9, 1941 – December 10, 1967) was an American soul singer-songwriter, record producer, arranger, and talent scout.
  
  Otis Ray Redding, Jr. (September 9, 1941 – December 10, 1967) was born in the small town of Dawson, Georgia to gospel singer Otis Redding, Sr., and housekeeper Fannie Redding. At an early age, he sang in the Vineville Baptist Church choir and learned guitar and piano. From the age of 10, he took drum and singing lessons. Later, at Ballard-Hudson High School, he sang in a school band. Every Sunday he earned $6 (USD) by performing songs for Macon radio station WIBB. His passion was singing and often cited Little Richard and Sam Cooke as major influences.

  At age fifteen, he abandoned school to help his family financially. His father had contracted tuberculosis and was often hospitalized, leaving his mother as the primary financial provider for the family, while Redding worked as a well digger, gas station attendant and guest musician in the following years. His breakthrough came when he played Little Richard’s “Heebie Jeebies”, winning a $5 contest fifteen weeks in a row, until being banned.Redding was soon hired by Little Richard’s band The Upsetters.

  Redding joined Johnny Jenkins’s Pinetoppers, a local Georgia band, and also served as the group’s driver. When the group traveled to Memphis, Tennessee, to record at the famed Stax studios, Redding sang two songs of his own at the end of the session. One of the two, “These Arms of Mine” (1962), launched his career, attracting both a record label executive (Jim Stewart) and a manager (Phil Walden) who passionately believed in his talent.Redding’s open-throated singing became the measure of the decade’s great soul artists. Unabashedly emotional, he sang with overwhelming power and irresistible sincerity. “Otis wore his heart on his sleeve,” said Jerry Wexler, whose Atlantic label handled Stax’s distribution, thus bringing Redding to a national market. Redding’s influence extended beyond his gritty vocals. As a composer, especially with his frequent partner Steve Cropper, he introduced a new sort of rhythm-and-blues line—lean, clean, and steely strong. He arranged his songs as he wrote them, singing horn and rhythm parts to the musicians and, in general, sculpting his total sound. That sound, the Stax signature, would resonate for decades to come.

  Redding developed polyps on his larynx, which he tried to treat with tea and lemon or honey. He was hospitalized in September 1967 at Mt. Sinai Hospital in New York to undergo surgery. In the winter of 1967, he again recorded at Stax. One new song was (Sittin’ On) The Dock of the Bay, written by Cropper and Redding. Redding was inspired by the Beatles album Sgt. Pepper’s Lonely Hearts Club Band, and tried to create a similar sound, against the label’s wishes, and his wife was dissatisfied with its atypical melody. Redding wanted to change his musical style to avoid boring his audience. The Stax crew were similarly dissatisfied; Stewart thought that it was not R&B, while bassist Donald “Duck” Dunn thought its sound would damage Stax’s reputation. However, Redding thought it was the best song he ever wrote and would top the charts. Redding died just three days later, when his chartered plane crashed into Lake Monona, Wisconsin. Redding was entombed at his ranch in Round Oak, about 20 miles (32 km) north of Macon. Jerry Wexler delivered the eulogy. Redding was survived by his wife and three children.

• Tupac Shakur (June 16, 1971 – September 13, 1996), was an American rapper and actor.
  
  Tupac Amaru Shakur was born on the East Harlem section of Manhattan in New York City. He was named after Túpac Amaru II, a Peruvian revolutionary who led an indigenous uprising against Spain and was subsequently executed. His mother, Afeni Shakur, and his father, Billy Garland, were active members of the Black Panther Party in New York in the late 1960s and early 1970s; he was born just one month after his mother’s acquittal on more than 150 charges of “Conspiracy against the United States government and New York landmarks” in the New York Panther 21 court case.

  At the age of twelve, Shakur enrolled in Harlem’s 127th Street Repertory Ensemble and was cast as the Travis Younger character in the play A Raisin in the Sun, which was performed at the Apollo Theater. In 1986, the family relocated to Baltimore, Maryland. After completing his second year at Paul Laurence Dunbar High School he transferred to the Baltimore School for the Arts, where he studied acting, poetry, jazz, and ballet. As a teenager, Shakur attended the Baltimore School for the Arts, where he took acting and dance classes, including ballet. While living in Baltimore, he discovered rap and began performing as MC New York.

  In June 1988, Shakur and his family moved to Marin City, California. He began attending the poetry classes of Leila Steinberg in 1989. That same year, Steinberg organized a concert with a former group of Shakur’s, Strictly Dope; the concert led to him being signed with Atron Gregory who set him up as a roadie and backup dancer with the young rap group Digital Underground in 1990.

  In 1991, Shakur emerged as a solo artist – using the name 2Pac – with his debut album 2Pacalypse Now. The track “Brenda’s Got a Baby” reached as high as number three on the Billboard Hot Rap Singles chart. His second album Strictly 4 My N. I. G. G. A. Z. crossed over to the pop charts, with singles “I Get Around” and “Keep Ya Head Up.” The album went platinum, selling more than a million copies. Around this time, Shakur also appeared in several films, including Poetic Justice (1993) opposite Janet Jackson.

  Tupac became quite a sensation, earning praise for his musical and acting talent as well as condemnation for his explicit, violent lyrics. Many of his songs told of fights, gangs, and sex. He appeared to be living up to his aggressive gangster rap persona with several arrests for violent offenses in the 1990s. In 1994, he spent several days in jail for assaulting director Allen Hughes and was later convicted of sexual assault in another case.

  Shakur himself fell victim to violence, getting shot five times in the lobby of a recording studio during a mugging. On the night of November 30, 1994, the day before the verdict in his sexual abuse trial was to be announced, Shakur was shot five times and robbed after entering the lobby of Quad Recording Studios in Manhattan by two armed men in army fatigues. He would later accuse Sean Combs, Andre Harrell, and Biggie Smalls—whom he saw after the shooting—of setting him up. According to the doctors at Bellevue Hospital, where he was admitted immediately following the incident, Shakur had received five bullet wounds; twice in the head, twice in the groin and once through the arm and thigh. He checked out of the hospital, against doctor’s orders, three hours after surgery. In the day that followed, Shakur entered the courthouse in a wheelchair and was found guilty of three counts of molestation, but innocent of six others, including sodomy. On February 6, 1995, he was sentenced to one-and-a-half to four-and-a-half years in prison on a sexual assault charge.

  After serving eight months in prison, Shakur returned to music with the album All Eyez on Me. He was reportedly released after Death Row Records CEO Marion “Suge” Knight paid a bond of more than $1 million as part of Shakur’s parole. In his latest project, Shakur as the defiant street thug was back in full force on this recording. The song “California Love” featured a guest appearance by famed rapper-producer Dr. Dre and made a strong showing on the pop charts. Besides his hit album, he tackled several film roles.

  On a trip to Las Vegas to attend a boxing match, Shakur was shot while riding in a car driven by Knight on September 7, 1996. He died six days later on September 13 from his injuries. His killer has never been caught. Since his death, numerous albums of his work have been released, selling millions of copies.

• Tina Turner is an American singer and actress whose career has spanned more than 50 years
  
  Tina Turner (born Anna Mae Bullock; November 26, 1939) was born in Nutbush, Tennessee, the daughter of Zelma Bullock, a factory worker, and Floyd Richard Bullock, a Baptist deacon, farm overseer, and factory worker. Zelma Bullock later relocated to St. Louis, Missouri. Floyd Bullock moved to Detroit and later settled in California. Anna Mae and her sister relocated to Brownsville where they were raised by their grandmother.  She performed on several talent shows as a child and sang at her church choir. She later moved to St. Louis and, following her graduation from high school in 1958, took work as a nurse aide at Barnes-Jewish Hospital.

  In between the time Anna Bullock had moved to St. Louis, she was enthralled by the city’s thriving nightclub scene and her sister often took her to several of the clubs, much to their mother’s chagrin. Anna was introduced to Ike Turner and his Kings of Rhythm band after her sister took her to Club Manhattan where Alline served as a barmaid. Anna pursued Ike Turner for months asking him to let her sing with his band. When she was seventeen, she sang during a band intermission to a B. B. King song which impressed Turner. Eventually Turner allowed her to join the band as a background vocalist. Turner gave Bullock her first stage name, “Little Ann,” during this time and included her in his record, “Box Top”, which was a local hit in St. Louis.

  In November 1959, when a male vocalist failed to show up for a recording session, Anna was told to give a guide vocal to the song. Ike Turner then sent the song to New York where he met with Sue Records president Juggy Murray and played the song to him. Upon hearing it, Murray insisted Turner keep Anna’s vocals on the song, giving Turner a $25,000 advance, convinced the song would be a hit single. In response to this, Turner decided to form a duo around him and Bullock. In the process, he changed her stage name to “Tina Turner.” The two achieved considerable success as a rhythm-and-blues vocal duo and became known for their electrifying stage and television performances. However, after years of abuse, the marriage and professional partnership was officially dissolved in 1976.

  After a slow start, Turner’s solo career took off with a remake of Al Green’s Let’s Stay Together in 1983. Her much anticipated solo album, Private Dancer, won four Grammy Awards and sold well over 20 million copies worldwide. Subsequent albums include Break Every Rule (1986), Tina Live in Europe (1988, Grammy for Female Rock Vocal Performance) and Foreign Affair, which included the hit single “(Simply) The Best.” In the 1990s, she released Wildest Dreams and Twenty Four Seven.Turner also launched an acting career, appearing in the films Mad Max: Beyond Thunderdrome starring Mel Gibson and The Last Action Hero with Arnold Schwarzenegger. She has also made several recordings for soundtracks, including “We Don’t Need Another Hero,” “Goldeneye,” and “He Lives In You” for The Lion King II: Simba’s Pride.

  In 1993, Turner’s best-selling 1986 autobiography I, Tina was made into the motion picture What’s Love Got to Do with It? starring Angela Bassett. Her soundtrack for the movie went double platinum in the U.S.

  Though she is now semi-retired, Turner does make rare appearances and recordings. She returned to the stage in 2008 to embark on her “Tina!: 50th Anniversary Tour.” It became one of the highest-selling ticketed shows of 2008 and 2009.

Stray Toasters

• Spotlight: Princeless
  I picked up the first couple of issues of this title. It’s a great spin on the “princess needs rescuing” trope. I highly recommend it.
• New Museums to Shine a Spotlight on Civil Rights Era
• New Civil Rights Museums Emerge
• Girl in iconic March on Washington photo identified
• Afrocyberpunk: The future and science fiction in Africa
• States Try to Fix Quirks in Teacher Evaluations
• Frank Zappa explains the decline of the music business
• NASA salutes John Glenn, Mercury astronauts
• How Companies Learn Your Secrets
• Phone Booths Reincarnated as Bookshelves Finally Make Phone Booths Useful… for people other than Clark Kent

Namaste.

Thursday – 16 February 2012
It’s not only NBN Thursday, but it’s also “Technical Friday.”

Last night, SaraRules! and I had Pasta & Movie Date Night. We co-cooked dinner (grilled chicken and broccoli over spaghetti, with alfredo sauce) and watched Source Code. I enojyed it… for the most part. In fact, I think the thing that I disliked the most was that the blu-ray disc started skipping in the middle of Chapter 11, making us miss roughly five minutes of the film.

*shakes fist*

Aside from that, it was a good movie. It remined me of Seven Days, with a hint of Groundhog Day.

Chew on This: Food for Thought – Black History Month
Today’s person of note is: P.B.S. Pinchback, the first non-white and first person of African American descent to become governor of a U.S. state.

Pinckney Benton Stewart Pinchback (May 10, 1837  – December 21, 1921) was born in Macon, Georgia, to Eliza Stewart, a former slave, and William Pinchback, her former master, who were living together as husband and wife. Pinchback was brought up in relatively affluent surroundings. He was raised as white and his parents sent him north to Cincinnati, Ohio, to attend school. In 1848, however, Pinchback’s father died. William Pinchback’s relatives disinherited his mulatto wife and children and claimed his property in Mississippi. Fearful that the northern Pinchbacks might also try to claim her five children as slaves, Pinchback’s mother fled with them to Cincinnati.

In 1860 Pinchback married Nina Hawthorne of Memphis, Tennessee. The Civil War began the following year, and Pinchback decided to fight on the side of the Union. In 1862 he furtively made his way into New Orleans, which had just been captured by the Union Army. He raised several companies for the Union’s all black 1st Louisiana Native Guards Regiment. Commissioned a captain, he was one of the Union Army’s few commissioned officers of African American ancestry. He became Company Commander of Company A, 2nd Louisiana Regiment Native Guard Infantry (later reformed as the 74th US Colored Infantry Regiment). Passed over twice for promotion and tired of the prejudice he encountered from white officers, Pinchback resigned his commission in 1863.

At the war’s end, he and his wife moved to Alabama, to test their freedom as full citizens. Racial tensions there during Reconstruction were reaching shocking levels of violence, however, he brought his family back to New Orleans and became active in the Republican Party, participating in Reconstruction state conventions. In 1868, he organized the Fourth Ward Republican Club in New Orleans. That same year, he was elected as a State Senator, where he became senate president pro tempore of a Legislature that included 42 representatives of African American descent (half of the chamber, and seven of 36 seats in the Senate). In 1871 he became acting lieutenant governor upon the death of Oscar Dunn, the first elected African-American lieutenant governor of a U.S. state.

In 1872, the incumbent Republican governor, Henry Clay Warmoth, suffered impeachment charges near the end of his term. State law required that Warmoth step aside until convicted or cleared of the charges. Pinchback, as lieutenant governor, succeeded as governor on December 9 and served for 35 days until the end of Warmoth’s term. Warmoth was not convicted and the charges were eventually dropped.

In 1872 Pinchback was elected to Congress, but his Democratic opponent contested the election and won the seat. A year later he was elected to the U.S. Senate, but he was again refused the seat amid charges and countercharges of fraud and election irregularities—although some observers said it was the colour of his skin that counted against him. He was appointed to his last office in 1882 as surveyor of customs in New Orleans.

At the age of 50 he decided to take up a new profession and entered Straight College, New Orleans, to study law; he was subsequently admitted to the bar. Disillusioned with the outcome of Reconstruction and the return to power of the traditional white hierarchy, he moved to Washington, D.C., where he remained active in politics.

Pinchback died in Washington in 1921 and is interred in Metairie Cemetery in New Orleans. His service as governor helped him to be interred there although the cemetery was segregated and reserved for whites.

Stray Toasters

• Fighting Poverty, Armed with Violins
• Mr. Jones Watches
• Do We Need Even Tighter Controls on Sudafed?
• The 100 ‘Greatest Books for Kids’
• Audit Uncovers Extensive Flaws in Foreclosures
• Beating the Cheating: Five Ways to Combat the Plague
• 
• How NASA Brings Space Down to Earth
• Propaganda Posters of Soviet space program 1958-1963
• This Won’t Fly: RyanAir’s Sexist Ad Banned
• Street Fashion (From Close to the Pavement)
• A Place Called ‘Space Available’

Namaste.

Tuesday – 14 February 2012
Happy Valentine’s Day to all!

And here’s a little Valentine’s Day cuteness for you:

Vanessa (l) and Diana

Last night, my mother-in-law came over to help get the girls situated for bed while SaraRules! was at a Justice League meeting. Diana has recently started skipping her late-afternoon nap… so she was “a little” tired and cranky before bed. Nothing insurmountable, though.

After the girls were down, I started getting things ready for SaraRules!’ Valentine’s Day:

• I made chocolate and vanilla candy hearts.
• I made a CD for her morning commute.  (That’s right. CD. Old school.)
• And, I hid her gifts and cards, so that I could wrap them after she went to bed.

I managed to get everything but the wrapping taken care of before she got back home. Barely. But, I did. Making the candy became something of a race against time, as the meeting – which I expected to last until at least 9 PM – was over at 8:00. I was more than slightly anxious when SaraRules! called to say that she was on her way home. Fortunately, the Lords of Confection smiled upon me and allowed me to finish (and hide) the candy before she made it home.

Whew.

Chew on This: Food for Thought – Black History Month
Today’s person of note is: Jessye Norman, an American opera singer.

Jessye Mae Norman was born on September 15, 1945 in Augusta, Georgia to Silas Norman, an insurance salesman, and Janie King-Norman, a school teacher. She was one of five children in a family of amateur musicians; her mother and grandmother were both pianists, her father a singer in a local choir. Norman’s mother insisted that she start piano lessons at an early age.

At the age of nine, Norman heard opera for the first time on the radio and was immediately an opera fan. She started listening to recordings of Marian Anderson and Leontyne Price whom Norman credits as being inspiring figures in her career. At the age of 16, Norman entered the Marian Anderson Vocal Competition in Philadelphia which, although she did not win, led to an offer of a full scholarship at Howard University, in Washington, D.C. In 1966, she won the National Society of Arts and Letters singing competition. After graduating in 1967 with a degree in music, she began graduate-level studies at the Peabody Conservatory in Baltimore and later at the University of Michigan in Ann Arbor, Michigan, from which she earned a Masters Degree in 1968.

After winning the Bavarian Radio Corp. International Music Competition in 1968, Norman made her operatic debut as Elisabeth in Richard Wagner’s Tannhuser in 1969 in Berlin. Norman also enjoyed success as a recitalist with her thorough scholarship and her ability to project drama through her voice. She toured throughout the 1970s, giving recitals of works by Franz Schubert, Gustav Mahler, Wagner, Johannes Brahms, Erik Satie, Olivier Messiaen, and several contemporary American composers. She made her American debut in 1982 as Jocasta in Oedipus Rex and her Metropolitan Opera debut the following year as Cassandra in Les Troyens. By the mid-1980s she was one of the most popular and highly regarded dramatic soprano singers in the world.

In 1990, Norman performed at Tchaikovsky’s 150th Birthday Gala in Leningrad and she made her Lyric Opera of Chicago début in the title role of Gluck’s Alceste. In 1994, Norman sang at the funeral of former first lady Jacqueline Kennedy Onassis. In September 1995, she was again the featured soloist with the New York Philharmonic Orchestra, this time under Kurt Masur’s direction, in a gala concert telecast live to the nation by PBS making the opening of the orchestra’s 153rd season.

On March 11, 2002, Norman performed “America the Beautiful” at a memorial service unveiling two monumental columns of light at the site of the former World Trade Center, as a memorial for the victims of the September 11, 2001, terrorist attacks on New York City.

After more than thirty years on stage, Norman no longer performs ensemble opera, concentrating instead on recitals and concerts. In addition to her busy performance schedule, Jessye Norman serves on the Boards of Directors for Carnegie Hall, the New York Public Library, the New York Botanical Garden, City-Meals-on-Wheels in New York City, Dance Theatre of Harlem, National Music Foundation, and Elton John AIDS Foundation.

Stray Toasters

• I think that this is my second-favorite drawing that SaraRules! has ever made for me:
  This one, however, is  my absolute favorite.
• Scenes From a Marriage That Segregationists Tried to Break Up
• Despite how its title sounds, this is actually a lovely story: A Brother And Sister Get Married (And Later, Their Son Tweets It)
• Las Vegas Embraces Bad Guys of Its Past

• 
• What Happens When a 911 Emergency Call Goes Silent?
  
• How to avoid being tagged as a terrorist: Don’t pay cash for coffee
• Apple Asks Outside Group to Inspect Factories

Namaste.

Friday – 10 February 2012
It’s my working Friday. As usual, it’s the “quiet” day in the office.

Last night, Melissa came over to help me square the girls away for the night, while SaraRules! attended a Justice League function. The girls were fine… until right before bedtime, when Diana decided she’d had “enough.” She was tired and thus whiny/crying. Amusingly, when it was time for sweet potatoes, she would cry, then eat a spoonful, wait a moment then… whimper/almost cry (or, her new favorite: grunt) before taking another spoonful. Not-so-miraculously, all problems were solved when she got her bottle. And, the girls were awake, post-feeding, just long enough for a bedtime story from Auntie M: Pajama Time! After the girls were down – which didn’t take long at all – Melissa ran over to Greek City Grill to get us dinner.

Chew on This: Food for Thought – Black History Month
You’re getting another two-for-one today:

• Jamaica Kincaid, is a Caribbean novelist, gardener, and gardening writer.
  
  Jamaica Kincaid was born on May 25, 1949, as Elaine Cynthia Potter Richardson in the city of St. John’s on the island of Antigua in the nation of Antigua and Barbuda. She immigrated to the United States at 16 and later became a U.S. citizen. Changing her name (1973), she became a New Yorkerstaff writer in 1976, working there until 1996.Kincaid first became known for her lush tales of Caribbean life—in her first short-story collection, At the Bottom of the River (1983), and in Annie John(1985), a semiautobiographical series of related stories that explore the complexity of mother-daughter connections. Her later fiction continues the style and themes of these works. Dark and personal, they often feature clear-eyed yet lyrical portraits of everyday reality in the post-colonial West Indies.Her novels are loosely autobiographical, though Kincaid has warned against interpreting their autobiographical elements too literally: “Everything I say is true, and everything I say is not true. You couldn’t admit any of it to a court of law. It would not be good evidence.” Her work often prioritizes “impressions and feelings over plot development” and often features conflict with both a strong maternal figure and colonial and neocolonial influences.

  Her novels include Lucy (1990), The Autobiography of My Mother (1996), and Mr. Potter (2002). Kincaid has also written nonfiction, notably A Small Place (1988), a long and angry essay on Antigua, and My Brother (1997), an incantatory memoir of her brother’s death from AIDS. An enthusiastic and knowledgeable gardener, she is also the author of many essays on the subject and of My Garden (Book)(1999).

  She lives with her family in North Bennington, Vermont, during the summers and teaches at Claremont McKenna College in Claremont, California, during the academic year.

• Eartha Kitt was an American singer, actress, and cabaret star.
  
  Eartha Mae Kitt (January 17, 1927 – December 25, 2008) was bornon a cotton plantation in North, a small town in Orangeburg County near Columbia, South Carolina. Kitt’s mother was of Cherokee and African-American descent and her father of German or Dutch descent.Kitt was raised by Anna Mae Riley, a woman whom she believed to be her mother. Upon Riley’s death, she was sent to live in New York City with Mamie Kitt, who she learned was her biological mother. She had no knowledge of her father, except that his surname was Kitt and that he was supposedly a son of the owner of the farm where she had been born.

  At 16 she joined Katherine Dunham‘s dance troupe, touring the United States, Mexico, South America, and Europe. When the Dunham company returned to the United States, the multilingual Kitt – she spoke four languages and sang in seven – stayed in Paris, where she won immediate popularity as a nightclub singer.

  In 1950, Orson Welles gave Kitt her first starring role, as Helen of Troy in his staging of Dr. Faustus. A few years later, she was cast in the revue New Faces of 1952, introducing “Monotonous” and “Bal, Petit Bal”, two songs with which she is still identified. Throughout the rest of the 1950s and early 1960s, Kitt recorded; worked in film, television, and nightclubs; and returned to the Broadway stage. In 1964, Kitt helped open the Circle Star Theater in San Carlos, California. In the late 1960s, the television series Batmanfeatured her as Catwoman after Julie Newmar left the role.

  After she publicly criticized the Vietnam War at a 1968 White House luncheon in the presence of the first lady, Lady Bird (Claudia) Johnson, Kitt’s career went into a severe decline; in the 1970s it began to recover after news surfaced that she had been subjected to U.S. Secret Service surveillance. She returned to New York in a triumphant turn in the Broadway spectacle Timbuktu! (a version of the perennial Kismetset in Africa) in 1978.n 1984, she returned to the music charts with a disco song, Where Is My Man, the first certified gold record of her career. “Where Is My Man” reached the Top 40 on the UK Singles Chart, where it peaked at #36; The song also made the Top 10 on the US Billboard dance chart, where it reached #7. Kitt found new audiences in nightclubs across the UK and the US, including a whole new generation of gay male fans, and she responded by frequently giving benefit performances in support of HIV/AIDS organizations.

  In 1991, Eartha returned to the screen. In the late 1990s, she appeared as the Wicked Witch of the West in the North American national touring company of The Wizard of Oz. In 2000, Kitt again returned to Broadway. Beginning in late 2000, she starred as the Fairy Godmother in the US national tour of Cinderella alongside Deborah Gibson and then Jamie-Lynn Sigler. One of her more unusual roles was as Kaa the python in a 1994 BBC Radio adaptation of The Jungle Book. Kitt lent her distinctive voice to the role of Yzma in Disney’s The Emperor’s New Groove, for which she won her first Annie Award, and returned to the role in the straight-to-video sequel Kronk’s New Groove and the spin-off TV series The Emperor’s New School, for which she won two Emmy Awards and two more Annie Awards (both in 2007–08) for Voice Acting in an Animated Television Production.

  Kitt was the spokesperson for MAC Cosmetics’ Smoke Signals collection in August 2007. She re-recorded Smoke Gets In Your Eyes for the occasion, was showcased on the MAC website, and the song was played at all MAC locations carrying the collection for the month.

  Kitt became a vocal advocate for homosexual rights and publicly supported same-sex marriage, which she believed to be a civil right. She had been quoted as saying, “I support it [gay marriage] because we’re asking for the same thing. If I have a partner and something happens to me, I want that partner to enjoy the benefits of what we have reaped together. It’s a civil-rights thing, isn’t it?”

  Kitt died from colon cancer on Christmas Day 2008 at her Weston, Connecticut, home.

Information courtesy of Biography.com, FactMonster.com, and Wikipedia.

Stray Toasters

• Utah Symphony: Falling in love with Beethoven’s Fourth
  I believe that tickets are still available for these performances.
• 20 Common Grammar Mistakes That (Almost) Every Makes
• Gunslingers Convene for Rootin’ Tootin’ Period Fun
• 
• Education Gap Grows Between Rich and Poor, Studies Say
• Surviving a Hack
• Agreed! Doubly so in our case!
  
• Serial killer John Wayne Gacy had accomplices, lawyers say
• How Your Cat Is Making You Crazy
• 
• Google’s First Employee Departs

Namaste.

Thursday – 09 February 2012
This NBN Thursday is a bit grey and hazy.  But, I started the morning with SaraRules! and the girls, so it was a good kick-off to the day.

Last night, we watched Killer Elite (not to be confused with the movie with almost the same title from 1975) for Movie Date Night. Robert DeNiro. Clive Owen. Jason Statham. All kicking ass and, in some cases, taking names. The premise was a little different than I expected, but not in a bad way. There were a couple of plot holes, but what movie doesn’t have those these days? In the end, it made for a decent night’s viewing.

Also, I tried out something different with my bike trainer: Disengaging the tension wheel, so that the back wheel spun freely. Works, but without any resistance, I was pedaling as easily in the higher gears (15 and up) as I was in the first three gears. Still, it’s an option.

Chew on This: Food for This – Black History Month
Today, you’re getting a double d0es of Black History Month goodness.

• The first person of note is James Weldon Johnson, author, politician, poet, songwriter, and educator, and early civil rights activist.James Weldon Johnson (June 17, 1871 – June 26, 1938)  was born in Jacksonville, Florida, the son of Helen Louise Dillet and James Johnson. His brother was the composer J. Rosamond Johnson. Johnson was first educated by his mother (the first female, black teacher in Florida at a grammar school) and then at Edwin M. Stanton School. At the age of 16 he enrolled at Atlanta University, from which he graduated in 1894. In addition to his bachelor’s degree, he also completed some graduate coursework there.

  After graduation he returned to Stanton, a school for African American students in Jacksonville, until 1906, where, at the young age of 23, he became principal. As principal Johnson found himself the head of the largest public school in Jacksonville regardless of race. Johnson improved education by adding the ninth and tenth grades. During his tenure at Stanton, Johnson wrote Lift Every Voice and Sing — often called “The Negro National Hymn”, “The Negro National Anthem”, “The Black National Anthem”, or “The African-American National Anthem” — set to music by his brother John Rosamond Johnson (1873–1954) in 1900.

  In 1897, Johnson was the first African American admitted to the Florida Bar Exam since Reconstruction. He was also the first black in Duval County to seek admission to the state bar. In order to receive entry, Johnson underwent a two-hour examination before three attorneys and a judge. He later recalled that one of the examiners, not wanting to see a black man admitted, left the room.

  In 1906 President Theodore Roosevelt appointed him U.S. consul to Puerto Cabello, Venezuela, and in 1909 he became consul in Corinto, Nicaragua, where he served until 1914. He later taught at Fisk University. Meanwhile, he began writing a novel, The Autobiography of an Ex-Colored Man (published anonymously, 1912), which attracted little attention until it was reissued under his own name in 1927.

  In 1920 Johnson was elected to manage the NAACP, the first African American to hold this position. While serving the NAACP from 1914 through 1930 Johnson started as an organizer and eventually became the first black male secretary in the organization’s history. In 1920, he was sent by the NAACP to investigate conditions in Haiti, which had been occupied by U.S. Marines since 1915. Johnson published a series of articles in The Nation, in which he described the American occupation as being brutal and offered suggestions for the economic and social development of Haiti. These articles were reprinted under the title Self-Determining Haiti. Throughout the 1920s he was one of the major inspirations and promoters of the Harlem Renaissance trying to refute condescending white criticism and helping young black authors to get published.

  Johnson died while vacationing in 1939, when the car he was driving was hit by a train.

• The second person of note is Mat Johnson (no relation), an American writer of literary fiction.Johnson (born August 19, 1970) grew up in “racially stratified” Philadelphia. His mother is African American; his father, Irish American. After his parents’ divorce, he was raised by his social worker mother in a largely black section of the city, Germantown, where he often felt like a standout. “When I was a little kid, I looked reallywhite—I was this little Irish boy in a dashiki.”In his teens, he transferred to a private school, Abingdon Friends, in a more affluent neighborhood. “It was the first time I was around a lot of white people. I suddenly realized I had an ethnic identity, and started to think about race.” He listened to Public Enemy and devoured The Autobiography of Malcolm X and books by W.E.B. DuBois and Toni Morrison. “African-American literature felt like an intellectual home, this place where I fit and belonged,” he says gratefully.

  Like the late playwright August Wilson, Johnson seems to identify almost exclusively with the African roots of his biracial family tree. “African-American is a Creole culture. It embraces the mix,” he asserts.

  Mat Johnson attended West Chester University, University of Wales-Swansea, and ultimately received his BA from Earlham College, and in 1993, he was awarded a Thomas J. Watson Fellowship. Johnson received his MFA from Columbia University School of the Arts in 1999. Johnson has taught at Rutgers University, Columbia University, Bard College, The Callaloo Journal Writers Retreat, and is now a permanent faculty member at The University of Houston Creative Writing Program.

  Mat Johnson’s first novel, Drop (Bloomsbury USA in 2000), was a coming of age novel about a self-hating Philadelphian who thinks he’s found his escape when he takes a job at a Brixton-based advertising agency in London, UK.  Drop was listed among Progressive Magazine’s “Best Novels of the Year.” In 2003, Johnson published Hunting in Harlem (Bloomsbury USA 2003), a satire about gentrification in Harlem and an exploration of belief versus fanaticism. Hunting in Harlem won the Zora Neale Hurston/Richard Wright Legacy Award for Novel of the Year.

  Johnson made his first move into the comics form with the publication of the five-issue limited series Hellblazer Special: Papa Midnite (Vertigo 2005), where he took an existing character of the Hellblazer franchise and created an origin story that strove to offer depth and dignity to a character that was arguably a racial stereotype of the noble savage. The work was set in 18th Century Manhattan, and was based around the research that Johnson was conducting for his first historical effort, The Great Negro Plot, a creative non-fiction that tells the story of the New York Slave Insurrection of 1741 and the resultant trial and hysteria.

  In February 2008, Vertigo Comics published Johnson’s graphic novel Incognegro, a noir mystery that deals with the issue of passing (racial identity) and the lynching past of the American south.

  He was named a 2007 USA James Baldwin Fellow and awarded a $50,000 grant by United States Artists, a public charity that supports and promotes the work of American artists. On September 21, 2011, Mat Johnson was awarded the Dos Passos Prize for Literature.

Information courtesy of Chronogram.com, DCComics.com, matjohnson.info and Wikipedia

Stray Toasters

• I’d like to add this to The Covet List.
• …and an order of these, too.
• Retro Fitted
• I drew some tweets, by The Oatmeal
• Try Medieval Hot Pants? Surely, You Joust
  Well, I don’t… but it is my home state’s official state sport.
• 
• States Negotiate $26 Billion Agreement for Homeowners
• I like this Project: Rooftop redesign of the X-Men’s White Queen’s outfit.
• Steampunk Magazine is back!
• China police chief may seek U.S. asylum
• MINE!
  
  I had to order this. Compelled to, I say! It’s the location of Beth Steel that my father used to work for.
• US Approves Two New Nuclear Reactors
• The science-fiction effect
• Tai Chi May Help Parkinson’s Patients Regain Balance

Namaste.

Wednesday – 08 February 2010
Vanessa turned 5-months-old today:

Last night, the girls took another foray into “New Food Adventures” with sweet potatoes. Their primary reflex is still to somewhat spit out whatever they’re fed, if it’s not in a bottle. This can be mitigated by simply re-spooning the food back in. After trying rice cereal last week, we were curious to see how they’d respond to a new food. We got our answer: They seemed to like it.  It was a messy – but successful – test.

As the night wore on, I finally decided to bring my bike in and set up the bike trainer that SaraRules! got me for Christmas. I got everything assembled and decided to try it out. It was a bit noisier than I expected, which may prevent me from using it after the girls go to bed at night… unless I move it into the unfinished part of the basement.

Chew on This: Food for Thought – Black History Month
Today’s person of note is: Elmer Samuel Imes, the second African-American to earn a Ph. D. in Physics and among the first African American scientists to make important contributions to Modern physics.

Elmer Samuel Imes (October 12, 1883 – September 11, 1941) was born in Memphis, Tennessee, attended grammar school in Oberlin, Ohio and completed his high school education at the Agricultural and Mechanical High School in Norman, Alabama. Imes graduated from Fisk University in 1903 with a degree in science.

Upon graduating from Fisk, Imes taught mathematics and physics at Georgia Normal and Agricultural Institute in Albany, Georgia (presently Albany State University) and the Emerson Institute in Mobile, Alabama. Imes returned to Fisk in 1913 as an instructor of science and mathematics. During his tenure there, Imes earned a Master’s degree in science from Fisk University.

In 1918, Imes earned a Ph. D. in Physics at the University of Michigan where he studied under Harrison McAllister Randall becoming the second African American to receive a Ph. D. in Physics since Edward Bouchet, did so from Yale University in 1876. Imes’ research and doctoral thesis led to the publication of Measurements on the Near-Infrared Absorption of Some Diamotic Gases in November 1919 in the Astrophysical Journal. This work was followed by a paper co-authored and presented jointly with Dr. Randall: The Fine Structure of the Near Infra-Red Absorption Bands of HCI,HBr, and HF at the American Physical Society and published in the Physical Review in 1920. His work demonstrated for the first time that Quantum Theory could be applied to radiation in all regions of the electromagnetic spectrum, to the rotational energy states of molecules as well as the vibration and electronic levels. His work provided an early verification of Quantum Theory.

Around 1919, Imes became married to Harlem Renaissance writer, Nella Larsen. The couple lived in Harlem becoming part of the Harlem intellectual society which included intellectuals such as Langston Hughes and W.E.B. Du Bois.

During the period Imes spent in the scientific and materials industry, his work resulted in four patents for instruments which were used for measuring magnetic and electric properties.

In 1939, he conducted research in magnetic materials at the Physics Department at New York University and continued as chair of the physics department at Fisk until his death in 1941.

Stray Toasters

• Court Strikes Down Ban on Gay Marriage in California
• 101 Valentine’s Gifts for Every Woman Imaginable
• Thom Zahler, the writer and artist of Love and Capes, is putting out an art book. Check out his Kickstarter page for more information.
• 
• The Miraculous NASA Breakthrough That Could Save Millions of Lives
• In Data Deluge, Multitaskers Go to Multiscreens
  Yep. I use two screens at home… and a total of five at work.
• The Well-Dressed Rebel
• MasterCard announces product future around EMV
• Sadly, this is what part of our conversation during last Friday night’s Star Trek Tactics game sounded like…
  
• 79 Things We Can All Agree On
• This is why an octopus is more awesome than your mom
• 8,000 Butterfingers dropped in Boston to jab at Pats’ receivers
• Could the Death Star destroy a planet?

Namaste.

Friday – 03 February 2012
It’s my 9/80 day off with the girls.

Diana (l) and Vanessa

I’m trying to decide what we should do. There’s an offer on the table for a short road – and hobby shop – trip that’s sounding more and more appealing. On the other hand, we’re already planning to hit the World’s Greatest Hobby train show on Sunday, so I’m (somewhat) less inclined to buy something today.

Chew on This: Food for Thought – Black History Month
Today’s person of note is: Don Cornelius

Donald Cortez “Don” Cornelius (September 27, 1936 – February 1, 2012) was an American television show host and producer who was best known as the creator of the nationally syndicated dance/music franchise Soul Train, which he hosted from 1971 to 1993.

Originally a journalist inspired by the civil rights movement, Cornelius recognized that in the late 1960s there was no television venue in the United States for soul music, and introduced many African-American musicians to a larger audience as a result of their appearances on Soul Train, a program that was both influential among African-Americans and popular with a wider audience. As writer, producer, and host of Soul Train, Cornelius was instrumental in offering wider exposure to black musicians such as James Brown, Aretha Franklin, and Michael Jackson, as well as creating opportunities for talented dancers that would presage subsequent television dance programs. Cornelius said “We had a show that kids gravitated to,” and Spike Lee described the program as an “urban music time capsule.”

By way of NPR’s Dan Charnas:

Don Cornelius proved a truism about America and race that so few people, even today, understand: Black culture, expressed in undiluted form and unapologetically, will by virtue become accepted by the American mainstream. It’s something that future rap moguls like Russell Simmons and Jay-Z understood instinctively. So it’s a tragic irony that Soul Train‘s decline came with the dawn of the hip-hop era.  Last year, the set and memorabilia of Soul Train landed at the Smithsonian’s Museum of African-American History and Culture.

In the early-morning hours of February 1, 2012, officers responded to a report of a shooting and found Cornelius with an apparent self-inflicted gunshot wound to the head. He was taken to Cedars-Sinai Medical Center, where he was pronounced dead by the Los Angeles County Assistant Chief Coroner. According to former Soul Train host, Shemar Moore, Cornelius may have been suffering from early onset of dementia or Alzheimer’s disease and his health had been on the decline.

Information courtesy of NPR, The New York Times and Wikipedia

Stray Toasters

• Baratunde Thurston Explains ‘How To Be Black’
• I Love Ya But You’re Strange – That Time Batgirl and Wonder Woman Both Fell in Love with Batman
• Jailbreaking Is Not a Crime: An Interview with Bunnie Huang
• 
• Congratulations, University of North Carolina – Charlotte, you now have your very own SWAT team

And tonight, I’m playing HeroClix: Star Trek Tactics with the guys…

…just before the HeroClix: ‘Dungeons & Dragons’ event that I came up with and am judging tomorrow.

Weekend full of tabletop gaming goodness. Aw, yeah…

Namaste.

Thursday – 02 February 2012
It’s not just another NBN Thursday, it’s also Groundhog Day.

Yep. It’s just like that. And, apparently, the groundhog predicts six more weeks of winter. (Apparently, Utah never gets that memo.)

Last night was Movie Date Night around the household. The movie I chose was Drive, as SaraRules! and I both have an affinity for car chase movies. It was good… and far from what I expected, which was a pleasant surprise. I can’t really say “how” or “why”, but I will say this: The movie is not for the squeamish.

After the movie, I played a little CoD: Modern Warfare 3. There was one round that was horrid. Seriously abominable. The team we faced locked my team down on a map and just ate us up. We’d respawn. We’d die. Lather. Rinse. Repeat. Fortunately (or “mercifully”), the round was over fairly quickly.

Chew on This: Food for Thought – Black History Month
Today’s person of note is Benjamin Banneker.

Benjamin Banneker (November 9, 1731 – October 9, 1806) was a free African American astronomer, mathematician, surveyor, almanac author and farmer.

It is difficult to verify much of Benjamin Banneker’s family history. Some writers have stated that he was a grandson of a European American named Molly Welsh, who came to colonial America as an indentured servant.Researchers have questioned this, as Banneker described himself only as having an African ancestry. None of Banneker’s surviving papers describe a white ancestor or identify the name of his grandmother.

Born on November 9, 1731 near Elliott City, Maryland, Benjamin Banneker was educated by Quakers, however, most of his education was self-taught. He quickly revealed to the world his inventive nature and first achieved national acclaim for his scientific work in the 1791 survey of the Federal Territory (now Washington, D.C.).

Benjamin Banneker has been called the first African American intellectual; because of his dark skin and great intellect he was called the “sable genius.” Benjamin Banneker was a self-taught mathematician and astronomer. In 1753, after studying the inner workings of a friend’s watch, he made a wooden pocket watch – one of the first watches made in America – that accurately kept time for more than 40 years. Twenty years later, Banneker began making astronomical calculations that enabled him to successfully forecast a 1789 solar eclipse.

From 1791 to 1802, he published the Pennsylvania, Delaware, Maryland, and Virginia Almanac and Ephemeris, which contained tide tables, future eclipses, and medicinal formulas. It is believed to be the first scientific book published by an African American. Also a surveyor, Banneker was appointed by President George Washington to the District of Columbia Commission, which was responsible for the survey work that established the city’s original boundaries. When the chairman of the committee, Pierre Charles L’Enfant, suddenly resigned and left, taking the plans with him, Banneker reproduced the plans from memory, saving valuable time. A staunch opponent of slavery, Banneker sent a copy of his first almanac to then-Secretary of State Thomas Jefferson to counter Jefferson’s belief in the intellectual inferiority of blacks.

On August 19 1791, Banneker sent a copy of his first almanac to secretary of state Thomas Jefferson. In an enclosed letter, he questioned the slaveholder’s sincerity as a “friend to liberty.” He urged Jefferson to help get rid of “absurd and false ideas” that one race is superior to another. He wished Jefferson’s sentiments to be the same as his, that “one Universal Father . . . afforded us all the same sensations and endowed us all with the same faculties.” Jefferson responded with praise for Banneker’s accomplishments.

Banneker never married. Because of declining sales, his last almanac was published in 1797. After selling much of his farm to the Ellicotts and others, he died in his log cabin nine years later on October 9, 1806, exactly one month before his 75th birthday. A commemorative obelisk that the Maryland Bicentennial Commission and the State Commission on Afro American History and Culture erected in 1977 stands near his unmarked grave in an Oella, Maryland, churchyard.

Wednesday – 01 February 2012
It’s not only midweek and new comics day, it’s also 2-1-12… which means it’s also Rush Day!

Today is also the day that HeroClix: Star Trek Tactics hits the shelves. (Think Star Fleet Battles… but updated. And in ‘Clix form.)

After the girls were asleep last night, I headed out to meet the guys for Guys’ Night Out. It was a good crowd. And, when mixed with good food, drink and conversation, made for a great way to spend a Tuesday night.

Today, to quote Al Jarreau: “I got my certain and my sure ‘nough on…” In other words: It’s a suit day. Grey herringbone suit, white and purple striped shirt, purple tie, white pocket square, grey socks, black loafers AND… purple LEGO cufflinks. BAM!

And tonight is movie night. (And I still have NO idea what we’re going to watch…)

Chew on This: Food For Thought – Black History Month
Today also marks the start of Black History Month.

Today’s person of note is: Marian Anderson

Marian Anderson (February 27, 1897 – April 8, 1993) was an African-American contralto and one of the most celebrated singers of the twentieth century. Most of her singing career was spent performing in concert and recital in major music venues and with major orchestras throughout the United States and Europe between 1925 and 1965. Although she was offered contracts to perform roles with many important European opera companies, Anderson declined all of these, preferring to perform in concert and recital only. She did, however, perform opera arias within her concerts and recitals.

Anderson displayed vocal talent as a child, but her family could not afford to pay for formal training. From the age of six, she was tutored in the choir of the Union Baptist Church, where she sang parts written for bass, alto, tenor, and soprano voices. Members of the congregation raised funds for her to attend a music school for a year. At 19 she became a pupil of Giuseppe Boghetti, who was so impressed by her talent that he gave her free lessons for a year. In 1925 she entered a contest with 300 competitors and won first prize, a recital at Lewisohn Stadium in New York City with the New York Philharmonic Orchestra.

Anderson became an important figure in the struggle for black artists to overcome racial prejudice in the United States during the mid twentieth century. In 1939, when the Daughters of the American Revolution (DAR) refused to allow her to perform at Constitution Hall in Washington, D.C., Eleanor Roosevelt resigned her DAR membership in protest and sponsored Anderson’s concert at the Lincoln Memorial, before a crowd of more than 75,000 people and a radio audience in the millions.

Anderson continued to break barriers for black artists in the United States, becoming the first black person, American or otherwise, to perform at the Metropolitan Opera in New York City on January 7, 1955. Her performance as Ulrica in Giuseppe Verdi’s Un ballo in maschera at the Met was the only time she sang an opera role on stage.

She also worked for several years as a delegate to the United Nations Human Rights Committee and as a “goodwill ambassadress” for the United States Department of State. The recipient of numerous awards and honors, Anderson was awarded the Presidential Medal of Freedom in 1963, the Kennedy Center Honors in 1978, the National Medal of Arts in 1986, and a Grammy Lifetime Achievement Award in 1991.

In 2001, the 1939 documentary film, Marian Anderson: the Lincoln Memorial Concert was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”.

On January 27, 2005, a commemorative U.S. postage stamp honored Marian Anderson as part of the Black Heritage series. Anderson is also pictured on the US$5,000 Series I United States Savings Bond.

The Marian Anderson Award was originally established in 1943 by Anderson after she was awarded the $10,000 Bok Prize that year by the city of Philadelphia. Anderson used the award money to establish a singing competition to help support young singers. Eventually the prize fund ran out of money and it was disbanded in 1976. In 1990 the award was re-established and has dispensed $25,000 annually. In 1998 the prize was restructured with the “Marian Anderson Award” going to an established artist, not necessarily a singer, who exhibits leadership in a humanitarian area. A separate prize, the “Marian Anderson Prize for Emerging Classical Artists” is given to promising young classical singers.

(Information courtesy of biography.com, FactMonster.com and Wikipedia)

Stray Toasters

• Early filers may have to wait longer for their tax refund
• You Bought It, but Do You Own It?
• A couple of sad bits of news:
  • Authorities: ‘Soul Train’ founder, Don Cornelius, dead of gunshot wound
  • Comic Book Artist Al Rio Reported Dead
• Breast Cancer Surgery Rules Are Called Unclear
• From the “Whiskey Tango Foxtrot…?!” file: Twitter jokes ruin U.S. vacation for two British tourists
• 
• Al Jarreau will be in concert in Las Vegas in April. Hmm…
• This is what women in superhero comics should be
• Why Komen defunded Planned Parenthood
• Home ownership rates fall to 66% as downturn nears a bottom
• Google won’t pull Android apps deemed malicious

Namaste.

Monday – 30 January 2012
Wow. Looks like it’s been almost a week since I posted. Long time, that. So let’s get to it…

It’s been a good week. In a nutshell, it’s included:

• Spending time with SaraRules! and the girls:
  

  Vanessa (l) and Diana… with Tigger and Pooh

• Watching Real Steel with SaraRules! (It wasn’t bad; think “Rocky Meets Rock ‘Em Sock ‘Em Robots”)
• Kicking off a new multi-month ‘Clix event series for Dr. Volt’s… (in addition to the regular tourneys)
• Playing a fair bit of Modern Warfare 3… and a little Gears of War 3
• Picking up a Butterfinger-dipped caramel apple (!!!)
• Seeing Utah Opera’s performance of Rigoletto.

Yeah, It was a good week.

This week has the possibility of being quite nice, as well.

Stray Toasters

• My mother-in-law made a fantastic chicken tortilla soup for dinner last night. I feel sorry for those of you who didn’t get a chance to sample it.
• Superheroines, and Their Better Halves
• Airline Fees
• This is a great article about my friend, Jake Black: Super story: Father, husband, comic book writer and cancer survivor enjoys the simple life
• The Avengers Shouldn’t Text
• 
• The Bookstore’s Last Stand
• From the “Whiskey Tango Foxtrot…?!” file: Report: Body in storage unit for 17 years
• It’s Time to Rethink Steampunk
• It’s Illegal to Talk About the Super Bowl?
• Ruling on Contraception Draws Battle Lines at Catholic Colleges

Namaste.

Wednesday – 25 January 2012
It’s the middle of the week. So far, so good.

Last night was a fairly low-key night around the household. The girls wound down a little early, but we managed to keep them awake until their normal bedtime. Even so, we managed to get a couple of pre-bedtime pics of the little ladies:

Me with Diana:

Sara with Vanessa

Groove. Boogie. Sway.
Today’s musical theme: “Songs from the Ghetto”

• Hard Knock Life (Ghetto Anthem) – Jay-Z
• Ghetto Superstar – Pras (ft. Mya and Ol’ Dirty Bastard)
• Ghetto Gospel – 2Pac (ft. Elton John)
• Ghetto Heaven – The Family Stand

Stray Toasters

• In Address, Obama Makes Pitch for Economic Fairness
• President Obama’s Fourth State of the Union Speech
• While I don’t regret taking down my layout – in the name of getting the basement finished – I’m missing the ability to run my trains.
• The 5 New Trends to Emerge From Fashion Week
• 
• Twitter acquires web malware fighter Dasient
• The Next Xbox Could Be Six Times as Powerful
  But, will it be backwards compatible!?
• Space Adventures planning for lunar tourism
• What goes on in the mind of a sniper?

Namaste.