Union Pacific's Great Excursion Adventure

::: Insert Witty Comment Here :::

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Tuesday – 29 March 2011
It’s (so far) a bright and sunny day in the valley. I’m good with that.

Last night, SaraRules! and I opted for a quiet evening in. We ordered pizza and caught up on episodes of  NCIS and NCIS: Los Angeles. After that, I played DC Universe Online ; I ran a couple of missions and felt super-heroic for an hour or so. I finally remembered to take a picture in front of the Bat-Signal, as well:

After that, we watched a bit of Top Gear, before calling it a night.

Tonight, I’m heading out with a few of the guys for a pre-moving send-off for Perry. It should be good.

Stray Toasters

Namaste.

“Easy like Sunday morning…”

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Sunday – 27 March 2011
Yesterday was a good day.

I went to visit with Perry and Kate for a bit. They were doing some pre-sale house work, so I didn’t stay terribly long. I next went to MRS Hobbies… from which I exited empty-handed.

Next, I took Defiant (my BlacBook) to Expercom — I’ve been having a bothersome problem with its PRAM battery and figured that I’d get it looked at and/or fixed while I had some free time. Mike, the tech on-duty, had never had to replace that battery in my model of MacBook, so it was something of a learning experience for both of us. While disassembling the laptop, he noticed that my case had cracks in the front of it. He said that he’d order a new top case and replace my old busted one with new Apple hotness. When we determined that there was A LOT more work involved in getting to the battery – and that they didn’t have one in stock – I decided to bring my MacBook back next week and kill two birds with one stone. Thus began the reassembly process. Everything was going hunky-dory, until Mike tried to replace my keyboard. It seemed that something in the pin connector was… off. So, he replaced it.

That’s right, my black MacBook has a white keyboard… at least for the next few days. There are a few not-so-minor differences in key-mappings (volume, built-in calculator keys, screen brightness, Spaces/Expose), but I’m getting used to them. Slowly.

I headed home and met SaraRules!, so we could decide what to do with the afternoon and evening. We decided to go see Sucker Punch.

I wasn’t exactly sure what to expect from the movie… but it wasn’t the movie I expected, if that makes sense. The movie’s tagline, “You Will Be Unprepared,” was spot on.  Let me rephrase that a bit: It was a good movie and we both enjoyed it. But it was more than just visually appealing; it told an interesting story… and it wasn’t the story that I expected. There were also a few surprising faces in the movie, as an added bonus. Also, I will be tracking down the soundtrack — it was eclectic and suited the different styles of the movie very well. I have to admit: As this movie gives yet another indication of just what Zach Snyder is capable of, I’m less leery and more curious to see next year’s take on the Man of Steel, under his direction.

After the movie, we stopped at the nearby Hobby Lobby. I picked up two more tank cars for my train. The only “problem” is that all three of my Norfolk Southern tank cars have the same road number. (I’m easily able to overlook this.) With their addition, I am now able to run three types of unit trains:

  • All boxcars,
  • All coal hoppers, and
  • All tank cars.

After we got back home, I headed to the train room, hooked everything up to the N&W Bantam J and ran a 23-car consist. It made me smile.

And, sometime overnight… it snowed.

Stray Toasters

Namaste.

“Join the Dark Side; we have cookies!”

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Thursday – 24 March 2011
It’s a grey, rainy No Bad News Thursday in the Land Behind the Zion Curtain. WHEEE!

Last night was the first D&D 4.0 game that I’ve been able to attend in the past… three, I think… weeks. And when I arrived, it was without my character. This was a fact that I didn’t recognize until I’d walked in the door and thought “Shouldn’t I have something else?

*grblsnrkx*

Yep. Genius move on my part. So, I got to play the part of one of the NPCs. An evil NPC, at that. I believe that it was the first time in all the years I’ve played D&D that I’ve actually played a character with an evil alignment. And, it was fun. I think that I caught a couple of my party member when I… kind of… started a fight with a bunch of guys because my character didn’t like his attitude. (We won the fight, though.) Partway through the game, I had an apostrophe epiphany: My character might actually be in my car, not at home… so I went and checked. Lo and behold, there it was.

::: facepalm :::

So, I went and got it. I played both characters for a few turns, until the NPC left the game. (His story arc was done, I didn’t get him killed.) It was a good game session.

Stray Toasters

Namaste.

Halfway there…

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Wednesday – 23 March 2011
New comics day + D&D (4.0) game night = A good combination.

Last night, Chris came over and – after a lot of shooting the bull – we played dolls. We did a Teen Titans (Chris) vs. the X-Men game. And he cleaned my clock. Six ways from Sunday. It started off as a good game, but my dice decided to play jokes early on. That wasn’t insurmountable. The problems began when Chris moved a couple of his pieces into positions I wasn’t expecting and then made like LL Cool J and knocked a couple of my key pieces out… and then picked apart the rest of my team. One bright spot in the game: Having my Wolverine eviscerate Robin. All-in-all, it was a good game. But, I need to plan some revenge for the game where I run the Titans.

Stray Toasters

Quote of the Day
Something that I enjoy (and look forward to) is the occasional instant message from my brother-in-law, recounting something – usually highly entertaining – that either my niece or my sister has said or done. This morning, I found this gem, which he sent last night:

your niece.
today two verbal gaffes that made Rana inform me i’m doing harm to my children
playing Mario Kart
she [Bit] first asks to play the character “honky kong”
then when we unlock a new character, “funky kong”
of course…now she’s informing Rana she wants to play “fucky kong”
i give up.

That made me laugh. A lot.

Namaste.

 

“Commencing countdown, engines on…”

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Monday – 21 March 2011
It’s the second day of Spring. Here behind the Zion Curtain, it’s grey and drab… although the sun appears to be making some efforts at breaking through the clouds.

This past weekend was rather low-key, which wasn’t a bad thing. Saturday, I had breakfast with Chris before heading over to Dr. Volt’s, where I judged a HeroClix tournament. There was a good turnout, with nine players. As there was overlap between the last DC 75th event and the new Giant-Size X-Men release, I just combined the prize support for the winners. That seemed to go over fairly well. Saturday evening, SaraRules!’ parents and grandmother came over to visit for a bit. We capped off the evening watching Demolition Man; it had been many years since I had last seen it.

Sunday was another quiet day… or, at least, it started that way. Perry called in the late morning to elicit my help in moving some of his martial arts practice equipment. We headed over and chatted with Kate and him for a bit; then he and I set about the heavy lifting. After that, SaraRules! and I caught a matinee of Battle: Los Angeles. This movie’s been getting knocked around in the reviews, but it wasn’t all bad. In fact, it was decent.  About halfway through the movie, I realized what it reminded me of: Independence Day. The only things missing were The Fresh Prince, The Fly and a virus-uploading MacBook. It was still a decent popcorn flick.

After the movie, we headed over to the in-laws’ for a belated St. Patrick’s Day dinner of corned beef and cabbage. SaraRules’ grandmother was in town, so we hung out with the family for a bit after dinner. Then it was back home for relaxing with DC Universe Online and a couple of episodes of Mad Men.

Stray Toasters

And that, I think, is a wrap.

“The future is coming on…”

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Wednesday – 16 March 2011
Apparently, it’s going to be a grey and rainy day. So be it. It’s midweek, it’s new comics day, and the new HeroClix set – Giant-Size X-Men – releases today. So there’s my ray of sunshine. In a bag.

Yesterday was The Ides of March… and it felt like it. I had an 11.5 hour day at work, thanks to a network traffic issue. I got so fed up at one point, that I went out for lunch and wound up going home, heading to the basement and running my train for a little bit of mid-day serenity. It helped. Fortunately, loonybin88 was still in town and helped sort through most of the issue. I still need to track down another (hopefully small) part of the puzzle.

When I got home, and after a late dinner and a little TV, I settled in for a hot soak and some light reading, Fables Vol. 14: Witches. That made for a perfect end to the day.

Stray Toasters

Namaste.

Thursday: The day before the day before the weekend starts

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Thursday – 10 March 2011
It’s a sunny and bright NBN Thursday, which is a very nice change of pace from the past few grey days.

Last night, I didn’t do a whole lot… and it was pretty damned nice. I think that the highlights of the evening were: A) sitting down to read yesterday’s comics haul and B) bidding on a new (read: “yet another”) van for my layout.

Stray Toasters

Namaste.

“Ashes, ashes, all fall down…”

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Wednesday – 09 March 2011
Midweek.
New comics day.
Not D&D 4.0 night… because ‘s little Thunder turns one-year-old today. (And, quite frankly, celebrating your kid’s birthday is a good reason to cancel your gaming session.)

Today is also Ash Wednesday (1, 2, 3, 4) the first day of the Lent.

Last night, SaraRules! had mentioned having pancakes for dinner, as it was Shrove Tuesday. By the time I got home, she had changed her mind. But, she still kept a bit of the Mardi Gras spirit alive with her selection: Jambalaya. We also finished off the last two episodes of last season’s Burn Notice. Shortly after that, I went to spend a little time in LEGO Universe. My minifig now has pets. That’s right, pets: A dog, a cat and two rabbits.

Stray Toasters

Ollie ollie oxen free!

Namaste.

Monday (or something quite like it)

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Monday – 07 March 2011
Today was one of those “Do I really have to get up and go to work today…?” days. Not that there was anything overly ominous waiting at the office. It was more of a “Monday…blah,” kind of thing.

The weekend was good. On Friday, I had brunch with at Gourmandise. The food and the company were both excellent. Later in the day, and I made our way to the Hostler’s Train Festival, in Ogden. It was a good show; it may have even had a better turnout than last year’s show. While wandering, I saw something that I have been pondering for a while – an MTH gas station. This one was a Shell station and the seller had a really good price on it. So… I bought it:

The only difference is that mine has a VW minibus, rather than a Beetle. I also bought a/another USPS rail car:

Friday night, after work, I changed the layout again, as I mentioned in Saturday’s quick post. I like it. I may take a spur or two out of the long end… and run some SuperStreets track up there, giving me the possibility of having road traffic moving alongside rail traffic. We’ll see.

Saturday, I judged another HeroClix event at Dr. Volt’s Comic Connection. It was a themed event – “Science vs. Magic” – and had a good turnout. After the game, I headed back home for a quiet evening in.

Yesterday was also rather low-key. I woke up to a grey day, which didn’t do much for motivation. I spent the morning watching TV for a couple of hours, before moving on to Call of Duty. After brunch with SaraRules, I played DCUO until it was time to do some errand-running. We had dinner-and-a-movie night with the in-laws. Last night’s fare was Unstoppable, which the in-laws hadn’t seen. Back at home, we watched a little television and then I met a coworker online for more CoD action. I wrapped up the night/early morning with a Skype call to the Vancouver branch of the family. I didn’t get to talk with Bit or Pixel, as it was well past their bedtimes… but I might do that this evening.

Stray Toasters

Namaste.

“It’s 5 o’clock somewhere…”

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Thursday – 03 March 2011
TGINBNTF!

It started off as a grey and rainy day, but the clouds have moved on and it’s sunny (with some blue sky) outside. Bonus: It’s the end of my work week and the forecast for the next couple of days looks decent.

Last night, SaraRules! and I attended the Guinness Brew Dinner at MacCool’s Public House:

We were seated at a table with a younger couple, Audrey and Garret, with whom we chatted over dinner. As usual, the food and beer pairings were fantastic. I was skeptical about both the Oyster and Leek Soup (I’m not a big fan of oysters) and the Cheese Cristini (cooked apples… not a favorite), but they were both very good. We’d had the coffee-rubbed steak at the last Guinness dinner; this time, the steak was drizzled with a reduction that made a great dish even better. I just ate the filling out of the lettuce wrap, trying to save room for the brownie. My mistake. The brownie was HUGE. And rich. And oh-so-filling. I had to revise my plan from “save room for the brownie” to “try to finish your Guinness and just take the brownie home.”

After we got home, we changed into comfy clothes and started watching some TV. I was so stuffed with good food and beer that, shortly thereafter, the TV started watching me. That was a sign that it was time to call it an early night. And I did. And it was good.

Chew on This: Food for Thought – Super Powers
Today’s Question: What super power do you NOT need?
(More specifically: What power would it be in others’ best for you not to have?) For example: A lot of people might say “invisibility” or “x-ray vision,” for somewhat obvious reasons.

My answer: Telepathy.
Reason: The ability to read minds and/or impose my will on others might not be a… “good” thing… for others.

Stray Toasters

Namaste.

Another quiet and lazy Sunday…

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Sunday – 27 February 2011
This morning started off as a grey, drab-looking day… but the sun has  put in an appearance. I’m good with that. After a quiet start to the day, we’ve done a little errand-running and shopping.

Yesterday was a low-key and fairly quiet day. We did a little errand-running in the late afternoon/early evening. I also put in a stop at The Train Shoppe; I picked up some more Superstreets. I have no idea where I’m going to use all of it, at this point, but I have it. I also fixed dinner last night: Baked teriyaki-marinated chicken and homemade macaroni-and-cheese, with a side salad. After that, we watched some shows on DIY and Food Networks and cleared a few more things off the DVR.

Chew on This: Food for Thought – Black History Month
Today’s item is The Apollo Theater (1, 2, 3)

The world famous Apollo Theater is so much more than a historic landmark – it is a source of pride and a symbol of the brilliance of American artistic accomplishment. With its rich history and continued significance, the Apollo Theater, considered the bastion of African-American culture and achievement, is one of the most fascinating chronicles in American history. It is one of the most famous music halls in the United States, and the most famous club associated almost exclusively with Negro performers. It is listed on the National Register of Historic Places, and was the home of Showtime at the Apollo, a nationally syndicated television variety show consisting of new talent.

An Apollo Hall was founded in the mid-19th century by former Civil War General Edward Ferrero as a dance hall and ballroom. Upon the expiration of his lease in 1872, the building was converted to a theater, which closed shortly before the turn of the 20th century.

However, the name “Apollo Theater” lived on. In 1913 or 1914, a new building, designed by the architect George Keister, opened at 253 West 125th Street as Hurtig and Seamon’s New (Burlesque) Theater. In 1933 Fiorello La Guardia, who would later become New York City’s Mayor, began a campaign against burlesque.  Hurtig & Seamon’s was one of many theaters that would close down. Sidney Cohen reopened the building as the 125th Street Apollo Theatre in 1934 with his partner, Morris Sussman serving as manager. Cohen and Sussman changed the format of the shows from burlesque to variety revues and redirected their marketing attention to the growing African-American community in Harlem.

Ella Fitzgerald made her singing debut at 17 at the Apollo, on November 21, 1934. Fitzgerald’s performances pulled in a weekly audience at the Apollo and she won the opportunity to compete in one of the earliest of its “Amateur Nights”. She had originally intended to go on stage and dance, but intimidated by the Edwards Sisters, a local dance duo, she opted to sing instead.

The Apollo grew to prominence during the Harlem Renaissance of the pre-World War II years. In 1934, it introduced its regular Amateur Night shows hosted by Ralph Cooper. Billing itself as a place “where stars are born and legends are made,” the Apollo became famous for launching the careers of artists such as Ella Fitzgerald, Billie Holiday, James Brown, Diana Ross & The Supremes, Gladys Knight & the Pips, The Jackson 5, Patti LaBelle, Marvin Gaye, Luther Vandross, Stevie Wonder, Aretha Franklin, Ben E. King, Mariah Carey, The Isley Brothers, Lauryn Hill, and Sarah Vaughan. The Apollo also featured the performances of old-time vaudeville favorites like Tim Moore, Stepin Fetchit, Dewey “Pigmeat” Markham, Clinton “Dusty” Fletcher, John “Spider Bruce” Mason, and Johnny Lee, as well as younger comics like Godfrey Cambridge. One unique feature of the Apollo was “the executioner” a man with a broom who would sweep performers off the stage if the highly vocal and opinionated audiences began to call for their removal. Jimi Hendrix won the first place prize in an amateur musician contest at the Apollo in 1964. The Jazz Foundation of America has celebrated its annual benefit concert, “A Great Night in Harlem”, at the Apollo Theater every year since 2001.

The club fell into decline in the 1960s and 1970s, and was converted into a movie theater in 1975. The Apollo was revived in 1983, when Inner City Broadcasting, a firm owned by former Manhattan borough president Percy E. Sutton purchased the building. It obtained federal, state, and city landmark status, and fully reopened in 1985. In 1991, the Apollo was purchased by the State of New York.

On December 15, 2005, the Apollo Theater launched the first phase of its refurbishment, costing an estimated $65 million. The first phase included the facade and the new light-emitting diode (LED) marquee. Attendees and speakers at the launch event included President Bill Clinton, New York Mayor Michael Bloomberg and Time Warner CEO Richard Parsons.

As of 2009 it is run by the nonprofit Apollo Theater Foundation Inc., and draws an estimated 1.3 million visitors annually.

Stray Toasters

Namaste.

“Tongue-tied and twisted, just an earthbound misfit, I…”

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Friday – 25 February 2011
It’s Friday. Amen. Aside from the whole “end of the work week” thing, it also means that it’s only a week until the Hostler’s Train Show in Ogden.

Last night, I made dinner: Teriyaki chicken stir-fry over rice. It turned out pretty well. SaraRules and I caught up on NCIS over dinner; now, we just need to do the same for NCIS: Los Angeles. We also caught a bit of Dawn of the Dead, by Zach Snyder. I am very curious as to how his new vision for Superman shapes up.

After that, I spent a little time in Gotham City, chasing down Harley Quinn – saving Robin in the process – and beating on some of Bane’s thugs.

Chew on This: Food for Thought – Black History Month
Today’s person of note is Bessie Coleman (1, 2, 3)

Elizabeth Coleman was an American civil aviator. She was the first female pilot of African American descent and the first person of African American descent to hold an international pilot license.

Coleman was born on January 26, 1892 in Atlanta, Texas, the tenth of thirteen children to sharecroppers George and Susan Coleman. Coleman began school at age six and had to walk four miles each day to her all-black, one-room school. Despite sometimes lacking such materials as chalk and pencils, Coleman was an excellent student. She loved to read and established herself as an outstanding math student.

When she turned eighteen, Coleman took all of her savings and enrolled in the Oklahoma Colored Agricultural and Normal University (now called Langston University) in Langston, Oklahoma. She completed only one term before she ran out of money and was forced to return home. Coleman knew there was no future for her in her home town, so she went to live with two of her brothers in Chicago while she looked for a job.

In 1915, Coleman moved to Chicago, Illinois, where she lived with her brothers and worked at the White Sox Barber Shop as a manicurist. There she heard tales of the world from pilots who were returning home from World War I. They told stories about flying in the war, and Coleman started to fantasize about being a pilot. She could not gain admission to American flight schools because she was black and a woman. No black U.S. aviator would train her either. Robert S. Abbott, founder and publisher of the Chicago Defender, encouraged her to study abroad. Coleman received financial backing from Jesse Binga (a banker) and the Defender, which capitalized on her flamboyant personality and her beauty to promote the newspaper, and to promote her cause.

Coleman attended the well-known Caudron Brothers’ School of Aviation in Le Crotoy, France. There she learned to fly using French Nieuport airplanes. On June 15, 1921, Coleman obtained her pilot’s license from Federation Aeronautique Internationale after only seven months. She was the first black woman in the world to earn an aviator’s license. After some additional training in Paris, Coleman returned to the United States in September 1921.

Coleman’s main goals when she returned to America were to make a living flying and to establish the first African American flight school. Because of her color and gender, however, she was somewhat limited in her first goal. Barnstorming seemed to be the only way for her to make money, but to become an aerial daredevil, Coleman needed more training. Once again, Bessie applied to American flight schools, and once again they rejected her. So in February 1922, she returned to Europe. After learning most of the standard barnstorming tricks, Coleman returned to the United States.

When Bessie returned to the United States to pursue her new flying career, she knew she must have publicity to attract paying audiences. She created an exciting image of herself with a military style uniform and an eloquence that belied her background. Her first appearance was in an air show on September 3, 1922 at Curtiss Field near New York City. The show, sponsored by Robert Abbott and the Chicago Defender, billed Bessie as “the world’s greatest woman flyer.” More shows followed around the country including Memphis and Chicago. On June 19, 1925, Bessie made her flying debut in Texas at a Houston auto racetrack renamed Houston Aerial Transport Field in honor of the occasion.

In the time between her 1922 flying debut in New York and her 1925 Texas debut, Bessie never lost sight of her goal of opening a school for aviators. She flirted briefly with a movie career, traveled to California to earn money for a plane of her own, crashed that plane once she bought it and then returned to Chicago to formulate a new plan. It was another two years before she finally succeeded in lining up a series of lectures and exhibition flights in Texas. Once there, she defied not only racial barriers but gender barriers as well. She appeared in San Antonio, Richmond, Waxahachie, Wharton,Dallas and numerous unreported small towns and fields. At Love Field in Dallas, she made a down payment on a plane from the Curtiss Southwestern Airplane and Motor Company.

Coleman’s aviation career ended tragically in 1926. On April 30, she died while preparing for a show in Jacksonville, Florida. Coleman was riding in the passenger seat of her “Jenny” airplane while her mechanic William Wills was piloting the aircraft. Bessie was not wearing her seat belt at the time so that she could lean over the edge of the cockpit and scout potential parachute landing spots (she had recently added parachute-jumping to her repetorie and was planning to perform the feat the next day). But while Bessie was scouting from the back seat, the plane suddenly dropped into a steep nosedive and then flipped over and catapulted her to her death. Wills, who was still strapped into his seat, struggled to regain control of the aircraft, but died when he crashed in a nearby field. After the accident, investigators discovered that Wills, who was Coleman’s mechanic, had lost control of the aircraft because a loose wrench had jammed the plane’s instruments.

Over the years, recognition of Coleman’s accomplishments has grown. Coleman’s impact on aviation history, and particularly African Americans in aviation, quickly became apparent following her death. In 1927, Bessie Coleman Aero Clubs sprang up throughout the country. In 1989, First Flight Society inducted Coleman into their shrine that honors those individuals and groups that have achieved significant “firsts” in aviation’s development. A second-floor conference room at the Federal Aviation Administration, Washington, DC, is named after Coleman. In 1990, Chicago Mayor Richard M. Daley renamed Old Mannheim Road at O’Hare International Airport “Bessie Coleman Drive.” In 1992, he proclaimed May 2 “Bessie Coleman Day in Chicago.”

Mae Jemison, physician and former NASA astronaut, wrote in the book, Queen Bess: Daredevil Aviator (1993): “I point to Bessie Coleman and say without hesitation that here is a woman, a being, who exemplifies and serves as a model to all humanity: the very definition of strength, dignity, courage, integrity, and beauty. It looks like a good day for flying.”

Stray Toasters

Namaste.

“Superman and Green Lantern ain’t got nothin’ on me…”

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Wednesday – 23 February 2011
It’s midweek, once again.

Last night was SaraRules!’ night to host her book club. This meant that my evening had a roughly two-hour “free pass” section in it. I took advantage of this and did a little gallivanting. I went to West Valley Hobbies and Best Buy. I was mostly just window shopping at WVH, but I went to Best Buy with a purpose: To pick up the just-released All-Star Superman. (I also picked up the first two seasons of Moonlighting, as a boxed set.)

When I got back home, I played DCUO for a bit. This time, I ventured to Gotham City. As bright and shiny as Metropolis was, Gotham was equally dark and menacing. I met Commissioner Gordon and Robin (voiced by Wil Wheaton) before heading off to my first mission. On the way to that mission, I noticed that I flew over Crime Alley. I’d heard that there was a Feat available for finding the Wayne Memorial – the place where Bruce Wayne’s parents were gunned down. So, I detoured to see if I could locate it. I did. Not only was there, in fact, a Feat awarded for finding it, but the designers actually put a couple of roses on the ground there. Nice touch.

After her book club was finished, SaraRules! and I watched All-Star Superman. The movie was an adaptation of the award-winning mini-series of the same name (1, 2), by Grant Morrison and Frank Quitely. It did a good job of condensing the story into 76 minutes, without losing much of the tone and flavor that Morrison brought to the story.

Chew on This: Food for Thought – Black History Month
I’m going to go out of my standard semi-alphabetical order for today’s entry.  Today’s person of note is: Dwayne McDuffie (1, 2).

Dwayne McDuffie was an American writer of comic books and television. His notable works included creating the animated series Static Shock, writing and producing the animated series Justice League Unlimited, and co-founding the comic book company Milestone Media.

McDuffie was born and raised in Detroit, Michigan and attended The Roeper School. He attended the University of Michigan studying physics, graduating with an undergraduate degree in English, and a graduate degree in physics. He then moved to New York to attend film school at New York University’s Tisch School of the Arts.

While working as a copy-editor for a financial magazine, a friend got him an interview for an assistant editor position at Marvel Comics. While on staff at Marvel as Bob Budiansky’s assistant on special projects, McDuffie also scripted stories for the company. His first major work was Damage Control, a series about the company that shows up between issues and tidies up the mess left by the latest round of superhero/supervillain battles. While an editor at Marvel, he submitted a spoof proposal for a comic entitled Teenage Negro Ninja Thrasher in response to Marvel’s treatment of its black characters. Becoming a freelancer in early 1990, McDuffie followed that with dozens of various comics titles for Marvel comics, DC Comics, and Archie Comics.

In 1992, wanting to express a multi-cultural sensibility that he felt was missing in comic books, McDuffie co-founded Milestone Media, a comic book company owned by African-Americans. McDuffie explained:

If you do a black character or a female character or an Asian character, then they aren’t just that character. They represent that race or that sex, and they can’t be interesting because everything they do has to represent an entire block of people. You know, Superman isn’t all white people and neither is Lex Luthor. We knew we had to present a range of characters within each ethnic group, which means that we couldn’t do just one book. We had to do a series of books and we had to present a view of the world that’s wider than the world we’ve seen before.

Milestone debuted its titles in 1993 through a publishing deal with DC Comics. Serving as editor-in-chief, McDuffie created or co-created many characters, including Static. After Milestone had ceased publishing new comics, Static was developed into an animated series Static Shock. McDuffie was hired to write and story-edit on the series, writing 11 episodes. McDuffie was hired as a staff writer for the animated series Justice League and was promoted to story editor and producer as the series became Justice League Unlimited. During the entire run of the animated series, McDuffie wrote, produced, or story-edited 69 out of the 91 episodes.

On February 21, 2011, McDuffie died from complications due to a surgical procedure performed the previous evening.

And, the/another reason that I chose McDuffie for today’s personality: He wrote the adaptation for All-Star Superman, which was released yesterday.

Stray Toasters

Namaste.

Sunday afternoon ruminations

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Sunday – 20 February 2011
Today is my friend, Perry’s, birthday:

This morning, I was up before 0800. That in itself wasn’t so bad. I made my way to the living room, to see what the world outside the windows looked like. Opening the blinds, I discovered the world was grey and white: Snow was falling. (Why can’t it be Spring now…?)

Yesterday’s main excitement, so to speak, was the HeroClix tournament at Dr. Volt’s Comic Connection. I was curious as to how it would go, as the store layout had changed last week, and I didn’t know how it would affect gamers’ ability to move about. Turns out that it wasn’t bad at all. We had a decent turnout – 10 players – which provided a good litmus test. We’ve had a number of close tournaments over the past few months, many of them decided by less than five (5) points. Yesterday’s event was not of that mold: The winner came in over 300 points above his nearest competitor.

On the way home from the game, I stopped to pick up late lunch/early dinner for SaraRules! and myself. (Guess who had Chinese food.) We wound down the evening with Machete. Somehow, I never got around to seeing it last year. Pity. It was a fun flick that, in many places, tossed “suspension of disbelief” right out the window… and that was just fine.

Chew on This: Food for Thought – Black History Month
Today’s person of note is Dr. DeNorval Unthank.

Unthank was born in Allentown, Pennsylvania. His mother died when he was nine, leaving eight children. Unthank’s father, a cook unable to support him, sent him to live with his aunt and uncle in Kansas City. After completing high school, Unthank attended the University of Michigan where he received his B.A. He received his medical degree in 1926 from Howard University in Washington, D.C. Unthank returned to Kansas City to complete advanced medical training before moving to Portland in 1929 to start his own practice.

Dr. Unthank was recruited to Portland in 1929 because the city needed a black doctor.  He was quickly tested as his white neighbors greeted his first attempt to move into a previously all white residential area with broken windows, threatening phone calls, and general harassment.  Unthank had to move his family four times before finding a place to settle down peacefully.

Throughout the 1930s, Dr. Unthank was Portland’s only black medical practitioner.  He was a dedicated doctor and a friend to any minority group in the city as well.  Black families could not receive treatment in hospitals – house calls were necessary, and Dr. Unthank made himself available day and night.  He served African Americans, Asians and many whites as well.

Dr. Unthank was politically active and was outspoken in his support of civil rights and equal opportunity.  In 1940, Dr. Unthank was elected head of the Advisory Council, an organization that hoped to pressure local leaders into providing equal access to economic opportunities related to WWII jobs.  The Council documented incidents of discrimination in the workplace around Portland despite raised expectations following President Franklin Roosevelt’s signing of Executive Order 8802.  On Dec. 5, 1941, the Council organized a mass meeting to promote an official letter of protest to federal authorities about Portland’s situation.

During and after World War II, Dr. Unthank worked tirelessly to build his medical practice and promote civil rights.  He became the first black member of Portland’s City Club in 1943.  He encouraged the club to publish a significant 1945 study called “The Negro in Portland,” which opened the eyes of many citizens to ongoing discriminatory practices.  Dr. Unthank also served as president of the local chapter of the NAACP, and was a cofounder of the Portland Urban League.  He played a strong role in the passing of Oregon’s 1953 Civil Rights Bill, which among many issues, overturned a law banning interracial marriages in the state.

Dr. Unthank died on September 20, 1977. His impact on racial integration and institutional recognition of minority groups was eulogized in many newspaper articles and obituaries by people from both the medical profession and the civic organizations he helped form and influence.

Stray Toasters

That’s good enough for me.

Namaste.

“My baby just cares for me…”

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Friday – 18 February 2011
It’s my day off. Unfortunately, it’s not a four-day weekend for me, as our robot overlords protectors don’t give us President’s Day as a holiday. Oh, well.

Last night, SaraRules! and I attended Ballet West‘s performance of

It was very enjoyable. The dancers for Aurora, Prince Desire (“Prince Philip” for the Disney-ites out there), the Lilac Fairy and the Male Bluebird were all excellent. My only real complain about the performance came in Act III, with the court dances of the fairy-tale characters in attendance — It seemed to be a never-ending cavalcade of dance. Granted, the performers were all talented and acquitted themselves nicely, but it just seemed to make the production drag on and on. (NOTE: The dances were written into the original production by Tchaikovsky, so it’s the way the ballet is supposed to be performed.)

After we returned home, I played a little CoD: Black Ops before calling it a night.

Chew on This: Food for Thought – Black History Month
Today’s personality of note is: Nina Simone (1, 2)

Eunice Kathleen Waymon, also known by her stage name Nina Simone, was an American singer, songwriter, pianist, arranger, and civil rights activist widely associated with jazz music. Simone aspired to become a classical pianist while working in a broad range of styles including classical, jazz, blues, soul, folk, R&B, gospel, and pop.

She took to music at an early age, learning to play piano at the age of 4, and singing in her church’s choir. The sixth of seven children, Simone grew up poor. Her music teacher helped establish a special fund to pay for Simone’s education and, after finishing high school, Simone won a scholarship to New York City’s famed Julliard School of Music to train as a classical pianist, but she eventually had to leave school after she ran out of funds. Moving to Philadelphia, Simone lived with her family there in order to save money and go to a more affordable music program. Her career took an unexpected turn, however, when she was rejected from the Curtis Institute of Music in Philadelphia; she later claimed the school denied her admittance because she was African-American. Turning away from classical music, she started playing American standards, jazz and blues in clubs in the 1950s. Her original style arose from a fusion of gospel and pop songs with classical music, in particular her first inspiration, classical composer Bach, and accompanied with her expressive jazz-like singing in characteristic low tenor. She injected as much of her classical background into her music as possible to give it more depth and quality, and as she felt that pop music was inferior. She took the stage name Nina Simone—”Nina” came from a nickname meaning “little one” and “Simone” after the actress Simone Signoret.

Simone had always included songs in her repertoire that hinted about her African-American origins (such as “Brown Baby” and “Zungo” on Nina at the Village Gate during 1962). But on her debut album for Philips, Nina Simone In Concert (live recording, 1964), Simone for the first time openly addresses the racial inequality that was prevalent in the United States with the song “Mississippi Goddam”. It was her response to the murder of Medgar Evers and the bombing of a church in Birmingham, Alabama that killed four black children. The song was released as a single, being boycotted in certain southern states. With “Old Jim Crow” on the same album she reacts to the Jim Crow Laws. From then on, a civil rights message was standard in Simone’s recording repertoire, where it had already become a part of her live performances. Simone performed and spoke at many civil rights meetings, such as at the Selma to Montgomery marches. Simone advocated violent revolution during the civil rights period as opposed to Martin Luther King’s non-violent approach, and hoped that African Americans could, by armed combat, form a separate state.

In 1987, the original 1958 recording of “My Baby Just Cares For Me” was used in an advert for Chanel No. 5 perfume in the UK. This led to a re-release which stormed to number 5 in the UK singles chart giving her a brief surge in popularity in the UK. Her autobiography, I Put a Spell on You, was published during 1992 and she recorded her last album, A Single Woman, in 1993.

In 1993, Simone settled near Aix-en-Provence in Southern France. She had been ill with breast cancer for several years before she died in her sleep at her home in Carry-le-Rouet, Bouches-du-Rhône on April 21, 2003. Simone’s ashes were scattered in several African countries.

Stray Toasters

That’s it for now.
Time to find some trouble to get into…

Namaste.