Union Pacific's Great Excursion Adventure

In like a lion…

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Thursday – 01 March 2012
March kicks off with an NBN Technical Friday.

And there’s snow; granted it’s from last night…

… but it’s still snow.

After getting Adventure Babies to bed last night, SaraRules! and I settled down to pizza and a movie. Yes, it was “Pasta and Movie Date Night,” but we decided to call an audible and have pizza instead. For our movie, we watched The Thing (2011), a prequel to the 1982 movie. It wasn’t awesome, but it was far from the worst movie that I’ve seen.

Stray Toasters

Quote of the Day
Today’s nugget of wisdom comes by way of Texts From Last Night:

A houseboat for a bachelor party is a terrible idea, we nearly die when on dry land, so how the hell are we supposed to survive a 3 day binge on a massive lake?

Namaste.

“Take the last train to Clarksville, and I’ll meet you at the station…”

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Wednesday – 29 February 2012
Midweek. Check.
New comics day. Check.
Pasta and Movie Date Night. Check.
Leap Day. Check.

That’s right. It’s that one day we get every four years to balance out the calendar vs. earth’s orbit of the sun.

It also happens to be the birthday of my Aunt Mary and my Uncle Marion.  Having a birthday once every four years? And I thought that having twins with different birthdays was awkward!

And, it’s apparently Superman’s birthday, too.

Last night, on the way home from work, I stopped at the local Best Buy to pick up a copy of Justice League: Doom, DC Animation’s latest release, based on the JLA: Tower of Babel story.  (And, this is the last movie worked on by the late Dwayne McDuffie.) And, they were out of them. Well… at least the blu-ray, which I wanted. *sigh* So, I headed back home to hang out with SaraRules! and the girls before heading off to Guys’ Night Out. The girls went to bed fairly easily, allowing me a few spare minutes to run all over Hell and half of Georgia to a not-quite-so-local Best Buy. They had it.

Guys’ Night Out was good. Along with the usual suspects, we had a couple of new faces. Good food. Good beer. Good conversation. All the earmarks of a great way to spend an evening.

Chew on This: Food for Thought – Black History Month
Today’s item is: The Emancipation Proclamation, an executive order issued by United States President Abraham Lincoln on January 1, 1863, during the American Civil War using his war powers. It proclaimed the freedom of slaves in the ten states then in rebellion, thus applying to 3.1 million of the 4 million slaves in the U.S. at that time.

On September 22, 1862, Lincoln announced that he would issue a formal emancipation of all slaves in any state of the Confederate States of America that did not return to Union control by January 1, 1863. None returned, and the order, signed and issued January 1, 1863, took effect except in locations where the Union had already mostly regained control. The Proclamation made abolition a central goal of the war (in addition to reunion), outraged white Southerners who envisioned a race war, angered some Northern Democrats, energized anti-slavery forces, and weakened forces in Europe that wanted to intervene to help the Confederacy.

Slavery was made illegal everywhere in the U.S. by the Thirteenth Amendment, which took effect in December 1865.

The Proclamation applied only in ten states that were still in rebellion in 1863, thus it did not cover the nearly 500,000 slaves in the slave-holding border states (Missouri, Kentucky, Maryland or Delaware) which were Union states — those slaves were freed by separate state and federal actions. The state of Tennessee had already mostly returned to Union control, so it was not named and was exempted. Virginia was named, but exemptions were specified for the 48 counties then in the process of forming the new state of West Virginia, and seven additional counties and two cities in the Union-controlled Tidewater region. Also specifically exempted were New Orleans and 13 named parishes of Louisiana, all of which were also already mostly under Federal control at the time of the Proclamation. These exemptions left unemancipated an additional 300,000 slaves.

The Emancipation Proclamation was incorrectly ridiculed for freeing only the slaves over which the Union had no power. In fact 20,000 to 50,000 were freed the day it went into effect in parts of nine of the ten states to which it applied (Texas being the exception). In every Confederate state (except Tennessee and Texas), the Proclamation went into immediate effect in Union-occupied areas and at least 20,000 slaves were freed at once on January 1, 1863.

Additionally, the Proclamation provided the legal framework for the emancipation of nearly all four million slaves as the Union armies advanced, and committed the Union to ending slavery, which was a controversial decision even in the North. Hearing of the Proclamation, more slaves quickly escaped to Union lines as the Army units moved South. As the Union armies advanced through the Confederacy, thousands of slaves were freed each day until nearly all (approximately 4 million, according to the 1860 census were freed by July 1865.

While the Proclamation had freed most slaves as a war measure, it had not made slavery illegal. Of the states that were exempted from the Proclamation, Maryland, Missouri, Tennessee, and West Virginia prohibited slavery before the war ended; however, in Delaware and Kentucky, slavery continued to be legal until December 18, 1865, when the Thirteenth Amendment went into effect.

The Proclamation was immediately denounced by Copperhead Democrats who opposed the war and advocated restoring the union by allowing slavery. Horatio Seymour, while running for the governorship of New York, cast the Emancipation Proclamation as a call for slaves to commit extreme acts of violence on all white southerners, saying it was “a proposal for the butchery of women and children, for scenes of lust and rapine, and of arson and murder, which would invoke the interference of civilized Europe.” The Copperheads also saw the Proclamation as an unconstitutional abuse of Presidential power. Editor Henry A. Reeves wrote in Greenport’s Republican Watchman that “In the name of freedom of Negroes, [the proclamation] imperils the liberty of white men; to test a utopian theory of equality of races which Nature, History and Experience alike condemn as monstrous, it overturns the Constitution and Civil Laws and sets up Military Usurpation in their Stead.”

Racism remained pervasive on both sides of the conflict and many in the North supported the war only as an effort to force the south back into the Union. The promises of many Republican politicians that the war was to restore the Union and not about black rights or ending slavery, were now declared lies by their opponents citing the Proclamation. Copperhead David Allen spoke to a rally in Columbiana, Ohio, stating “I have told you that this war is carried on for the Negro. There is the proclamation of the President of the United States. Now fellow Democrats I ask you if you are going to be forced into a war against your Brethren of the Southern States for the Negro. I answer No!” The Copperheads saw the Proclamation as irrefutable proof of their position and the beginning of a political rise for their members; in Connecticut H.B. Whiting wrote that the truth was now plain even to “those stupid thick-headed persons who persisted in thinking that the President was a conservative man and that the war was for the restoration of the Union under the Constitution.”

War Democrats who rejected the Copperhead position within their party, found themselves in a quandary. While throughout the war they had continued to espouse the racist positions of their party and their disdain of the concerns of slaves, they did see the Proclamation as a viable military tool against the South, and worried that opposing it might demoralize troops in the Union army. The question would continue to trouble them and eventually lead to a split within their party as the war progressed.

Lincoln’s Gettysburg Address in November 1863 made indirect reference to the Proclamation and the ending of slavery as a war goal with the phrase “new birth of freedom”. The Proclamation solidified Lincoln’s support among the rapidly growing abolitionist element of the Republican Party and ensured they would not block his re-nomination in 1864

In the years after Lincoln’s death, his action in the proclamation was lauded. The anniversary of the Emancipation Proclamation was celebrated as a black holiday for more than 50 years; the holiday of Juneteenth was created in some states to honor it.

Stray Toasters

Namaste.

“You can be the President, I’d rather be the Pope…”

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Tuesday – 28 February 2012
Ordinarily, today would mark the end of the month. But, thanks to leap year – or DC’s “New 52,” according to Thom Zahler – we get an extra day this month. And, at least here in the Land Behind the Zion Curtain, it’s snowy. Well, more like “flurry-y,” but you get the idea. (And, of course, by the time I got back to writing this, it’s stopped.)

Last night was fairly quiet around the homestead. We took a short family excursion to the local Babies ‘R’ Us after work — the girls now have a new activity bouncer/saucer/thingamabob. Then, back home for the girls’ bedtime. And then dinner and a little TV for SaraRules! and me. (Followed, naturally, by some MW3 time for me.)

Chew on This: Food for Thought – Black History Month
Today’s topic is: African Diaspora, the historic movement of Africans and their descendants to places throughout the world—predominantly to the Americas, and also to Europe, the Middle East, and other places around the globe.

The term has been historically applied in particular to the descendants of the Africans who were enslaved and shipped to the Americas by way of the Atlantic slave trade, with the largest population in Brazil (see Afro-Brazilian). In modern times, it is also applied to Africans who have emigrated from the continent in order to seek education, employment and better living for themselves and their children. People from Sub-Saharan Africa, including many Africans, number at least 800 million in Africa and over 140 million in the Western Hemisphere, representing around 14% of the world’s population. It is believed that this diaspora has the potential to revitalize Africa. Primarily, many academics, NGOs, and websites such as Social Entrepreneurs of the African Diaspora view social entrepreneurship as a tool to be used by the African diaspora to improve themselves and their ancestral continent.

Much of the African diaspora was dispersed throughout Europe, Asia, and the Americas during the Atlantic and Arab Slave Trades. Beginning in the 9th century, Arabs took African slaves from the central and eastern portions of the continent (where they were known as the Zanj) and sold them into markets in the Middle East and eastern Asia. Beginning in the 15th century, Europeans captured or bought African slaves from West Africa and brought them to Europe and later to the Americas. Both the Arab and Atlantic slave trades ended in the 19th century. The dispersal through slave trading represents one of the largest forced migrations in human history. The economic effect on the African continent was devastating. Some communities created by descendants of African slaves in Europe and Asia have survived to the modern day, but in other cases, blacks intermarried with non-blacks and their descendants blended into the local population.

In the Americas, the confluence of multiple ethnic groups from around the world created multi-ethnic societies. In Central and South America, most people are descended from European, American Indian, and African ancestry. In Brazil, where in 1888 nearly half the population was descended from African slaves, the variation of physical characteristics extends across a broad range. In the United States, there was historically a greater colonial population in relation to African slaves, especially in the northern tier. Racist Jim Crow and anti-miscegenation laws after the Civil War, plus waves of vastly increased immigration from Europe in the 19th and 20th centuries, maintained some distinction between racial groups. In the 20th century, to institutionalize racial segregation, most southern states adopted the “one drop rule“, which defined anyone with any discernible African ancestry as African.

From the very onset of Spanish activity in the Americas, black Africans were present both as voluntary expeditionaries and as involuntary laborers. Juan Garrido was one such black conquistador. He crossed the Atlantic as a freedman in the 1510s and participated in the siege of Tenochtitlan.

Emigration from Sub-equatorial Africa has been the primary reason for the modern diaspora. People have left the subcontinent because of warfare and social disruption in numerous countries over the years, and also to seek better economic opportunities. Scholars estimate the current population of recent African immigrants to the United States alone is over 600,000, some of whom are Black Africans from the Sub-equatorial region. Countries with the largest recorded numbers of immigrants to the U.S. are Nigeria, Ghana, Sierra Leone and mostly West African Countries. Some immigrants have come from Angola, Cape Verde, Mozambique (see Luso American), Equatorial Guinea, Kenya, and Cameroon. Immigrants typically congregate in major urban areas, moving to suburban areas over time.

There are significant populations of recent African immigrants in many other countries around the world, including the UK and France, both nations that had colonies in Africa.

Stray Toasters

Namaste.

“Dragons, the policeman knew, were supposed to breathe fire and occasionally get themselves slaughtered…”

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Monday – 27 February 2012
It’s a grey day with the threat of a fairly major snow storm on the horizon. At least there’s coffee…

…and, unless my basic math skills are failing me, the girls slept through the night for the FOURTH NIGHT IN A ROW!

This past weekend, while very good, was also very busy. Saturday, I judged Dr. Volt’s Comic Connection’s second “Infinity Gauntlet” HeroClix tournament… which I left in the middle of to attend a surprise birthday lunch for lj user=”nox_aeternus”. It was held at Bohemian Brewery, a place I had not been in many, many rains. Good food, good company, and yes, good beer. Then, I dashed back to Dr. Volt’s to finish up the tourney. (Thanks to SaraRules! for watching the girls and allowing me some “time off for good behavior.”) I returned home to find SaraRules! and lj user=”suzie_lightning” hanging out with the girls.

Sunday, after the girls were fed and dressed, we headed to Millcreek Cafe and Eggworks for breakfast. While there, we saw Christy, one of our former Pin-up Girl Espresso baristas. Back at home, it was time for a little pre-Spring cleaning and housework. This included (but was not limited to) some child-proofing and installing a couple of wine racks in the kitchen. Later in the day, SaraRules!’ parents came over for dinner. Since we’ve been having pretty decent weather, I fired up the grill and did hamburgers, while the girls and their granddad watched Fantasia 2000:

Diana (l), Steve and Vanessa

After dinner, the in-laws helped get the girls prepped for bed. By the end of the evening, though, all SaraRules! and I wanted to do was plop down on the couch and veg. And we did. (And watched Resident Evil, to boot!)

 Chew on This: Food for Thought – Black History Month
Today’s profile is: Roger Arliner Young (1899 – November 9, 1964) was a scientist of zoology, biology, and marine biology.

Born in Clifton Forge, Virginia in 1899, Young soon moved with her family to Burgettstown, Pennsylvania. The family was poor and much time and resources were expended in the care of her disabled mother.In 1916, Young enrolled at Howard University in Washington, D.C. to study music. She did not take her first science course until 1921. Though her grades were poor at the beginning of her college career, some of her teachers saw promise in her. One of these was Ernest Everett Just, a prominent black biologist and head of the Zoology department at Howard. He started mentoring her, and Young graduated with a bachelor’s degree in 1923. In 1924 Young began studying for her master’s degree at the University of Chicago. While at Chicago, she was asked to join Sigma XI, a scientific research society, which was an unusual honor for a master’s student. She also began to publish her research, and in 1924 her first article, “On the excretory apparatus in Paramecium” was published in the journal Science, making her the first African American woman to research and professionally publish in this field. Young received her master’s degree in 1926.

Just invited Young to work with him during the summers at the Marine Biological Laboratory, Woods Hole, Massachusetts, starting in 1927. Young assisted him with research on the fertilization process in marine organisms. She also worked on the processes of hydration and dehydration in living cells. Her expertise grew, and Just called her a “real genius in zoology.”

Early in 1929, Young stood in for Just as head of the Howard zoology department while Just worked on a grant project in Europe. In the fall of that year, Young returned to Chicago to start a Ph.D. under the direction of Frank Lillie, the embryologist who had been Just’s mentor at Woods Hole. But she failed her qualifying exams in January 1930. She had given little indication of stress, but the failure to qualify was devastating. She was broke and still had to care for her mother. She left and told no one her whereabouts. Lillie, deeply concerned, wrote the president of Howard about her mental condition. She eventually returned to Howard to teach and continued working at Woods Hole in the summers.

In June 1937, she went to the University of Pennsylvania, studying with Lewis Victor Heilbrunn(another scientist she met at the Marine Biological Laboratory) and graduated with her doctorate in 1940.After obtaining her doctorate, Young became an assistant professor at the North Carolina College for Negroes (later North Carolina Central University). She later held teaching positions in Texas, Mississippi and Louisiana.

Young contributed a great deal of work to science. She studied the effects of direct and indirect radiation on sea urchin eggs, on the structures that control the salt concentration in paramecium, as well as hydration and dehydration of living cells. She published four papers between 1935 and 1938 and also wrote several books.

Young was never married. In the 1950s her mental health began to deteriorate and she was hospitalized. Roger Arliner Young died on November 9, 1964 in New Orleans, Louisiana.

Stray Toasters

Finally…

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Friday – 24 February 2012
It’s (finally) the end of the week. It’s my working Friday, but it’s also the quiet day in the office; this isn’t to say that the day hasn’t been productive.

Of even more importance: The twins slept through the night again! And… *drumroll* … for the second consecutive night! I’m not necessarily expecting them to do so again tonight, but I wouldn’t be averse to it.

SaraRules! and I postponed Wednesday’s Pasta & Movie Date Night until last night. It was SaraRules!’ night to choose a movie. She picked Spike Lee’s She’s Gotta Have It. We had long talked about watching all of Spike Lee’s movies, in order, but hadn’t done anything about it… until last night. And it was good, especially for his first outing.

Chew on This: Food for Thought – Black History Month
Today’s person of note is Llewellyn Xavier, artist.


Llewellyn Xavier OBE was born in Saint Lucia on October 12, 1945

Xavier left Saint Lucia for Barbados in 1961, working as an agricultural apprentice for a time. A friend gave him a box of watercolors, and he was soon drawn to art. His first exhibition was a great success, and soon his reputation was established. In 1968, Xavier moved to England, where he became a pioneer in the field of mail art. He enrolled in the school of the Museum of Fine Arts, Boston, in 1979, and for a time was a Cistercian monk in Montreal. After a time, he left the monastery, marrying and returning to Saint Lucia in 1987.

Probably Xavier’s most important work to date is a large cycle of collages. His intense concern for the environment led to his masterpiece, Global Council for Restoration of the Earth’s Environment; it was first shown at the Patrick Cramer Gallery in Geneva in May of 1993. The collages incorporate all manner of recycled materials, including naturalist prints from the eighteenth and nineteenth centuries and postage stamps from many countries. They also include signatures of various world leaders of environmentalism and of a number of conservationists.

Xavier received the OBE in 2004 in recognition of his contributions to the art of the Commonwealth. His most recent series to date, also of collages, is titled Environment Fragile, and is meant to call attention to the destruction of the environment; he has sent pieces from the series to various dignitaries around the world.

Xavier’s work is in the collection of the Metropolitan Museum of Art, the American Museum of Natural History, and the Smithsonian Institution as well as in various European museums.

Stray Toasters

“Show, Don’t Tell…”

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Thursday – 23 February 2012
Another No Bad News Thursday is upon us. Something that makes this day just a little bit better: The girls slept through the night again!

Vanessa (l) and Diana, in new headbands… rocking out with their Sophies and some tissue paper

This more than made up for the atrocious nights’ sleep that I had. More unpleasant dreams and great case of heartburn. YAY!

SaraRules! had another Justice League meeting last night, so her father came over to dote over his granddaughters help me get the girls fed and to bed. And, to be honest, dote a bit. He and the girls played a bit. They took pictures. They told stories about the war.  (Okay, that was just to make sure that you were really paying attention.) Then it was dinner (carrots) time and before too long… time for bed and a story.

SaraRules!, on her way home from saving the world, stopped and got me Chinese food take-out. As it was a bit late for Pasta & Movie Date Night, we opted to finish off the first half of this season’s The Walking Dead. Wow. Some things wound up the way I expected, while I didn’t see a couple of things coming. (Yay for avoiding spoilers for the past two months!)

Chew on This: Food for Thought – Black History Month
Today’s profile is: Madam C.J. Walker, an African-American businesswoman, entrepreneur and philanthropist.

Madam C.J. Walker (December 23, 1867 – May 25, 1919) was born Sarah Breedlove in Delta, Louisiana to Owen and Minerva Breedlove. She was one of six children. Her parents and elder siblings were slaves on Madison Parish plantation owned by Robert W. Burney . She was the first child in her family born into freedom after the Emancipation Proclamation was signed.

Orphaned at the age of seven, Madam C. J. Walker moved in with her older sister, and brother-in-law, Willie Powell. At the age of 14, she married Moses McWilliams to escape Powell’s abuse. Three years later her daughter, Lelia McWilliams (A’Lelia Walker) was born. When Sarah was 20, her husband died. Shortly afterward she moved to St. Louis where three of her brothers lived. Her second marriage to John Davis ended in 1903.

Driven by her own struggles with hair loss during 1890s, Madam C. J. Walker began experimenting with different hair care treatments and products. In 1905 she invented a method for straightening African-Americans’ “kinky” hair: her method involved her own formula for a pomade, much brushing, and the use of heated combs. Encouraged by her success, she moved to Denver, Colorado, where she married Charles J. Walker. She promoted her method and products by traveling about the country giving lecture-demonstrations. Soon Sarah, now known as “Madam C. J. Walker,” was selling her products throughout the United States. While her daughter Lelia (later known as A’Lelia Walker) ran a mail order business from Denver, Madam Walker and her husband traveled throughout the southern and eastern states. They settled in Pittsburgh in 1908 and opened Lelia College to train “hair culturists.” In 1910 Walker moved to Indianapolis, Indiana where she established her headquarters and built a factory.

She began to teach and train other black women in order to help them build their own businesses. She also gave other lectures on political, economic and social issues at conventions sponsored by powerful black institutions. After the East St. Louis Race Riot, she joined leaders of the National Association for the Advancement of Colored People (NAACP) in their efforts to support legislation to make lynching a federal crime. In 1918 at the biennial convention of the National Association Of Colored Woman (NACW) she was acknowledged for making the largest contribution to save the Anacostia (Washington, DC) house of abolitionist Frederick Douglass. She continued to donate money throughout her career to the NAACP, the YMCA, and to black schools, organizations, individuals, orphanages, and retirement homes.

In 1917, she moved to her Irvington-on-Hudson, New York estate, Villa Lewaro, which had been designed by Vertner Tandy, the first licensed black architect in New York State and a founding member of Alpha Phi Alpha fraternity. Madam C.J. Walker died at Villa Lewaro on Sunday, May 25, 1919 from complications of hypertension. She was 51.

At the time of her death, Madam C. J. Walker was sole owner of her business, which was valued at more than $1 million. Her personal fortune was around $600,000 to $700,000. She left one-third of her estate went to her daughter—who herself became well known as a supporter of the Harlem Renaissance—the remainder to various philanthropies.

Stray Toasters

Namaste.

Midweek and all’s well…

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Wednesday – 22 February 2012
Odin’s Day is upon us once more. This also means that: The work week is half done and new comics are released today. Win-Win.

Today is also Ash Wednesday.

Last night, SaraRules! cousin, Sarah – and her son, Miles – were in town on their way to Denver.

As I recall, we haven’t seen them since last August, when they were here for Logan and Swiz’ wedding. They stopped in for a bit to visit and meet the girls.

After they left, and the girls were down for bed, SaraRules! suggested Five Guys burgers for dinner. Who was I to argue?! She also stopped at The Sweet Tooth Fairy to pick up cupcakes for dessert. We also cleared another episode of The Walking Dead off the DVR over dinner.

Chew on This: Food for Thought – Black History Month
Today’s person of note is Gustavus Vassa, a prominent African involved in the British movement towards the abolition of the slave trade.

According to his own account, Gustavus Vassa (born Olaudah Equiano) was born in an area called “Igbo” in what is now Nigeria, in 1745. (At the turn of the 21st century, newly discovered documents suggesting that Equiano may have been born in North America raised questions, still unresolved, about whether his accounts of Africa and the Middle Passage are based on memory, reading, or a combination of the two.) He lived with five brothers and a sister; he was the youngest son with one younger sister. At the age of eleven, he and his sister were kidnapped. At this time he endured the Middle Passage to the New World, where he was forced to work as a slave.

When their parents were out, Equiano and his sister were kidnapped by two men and a woman, African kinsmen, and sold to native slaveholders. After changing hands several times, Equiano found himself on the coast, in the hands of European slave traders. He was transported with 244 other enslaved Africans across the Atlantic Ocean to Barbados in the West Indies, from where he and a few others were soon transferred to the British colony of Virginia. Soon after arrival, he was bought by Michael Pascal, a lieutenant in the Royal Navy. He decided to give him a more understandable name, a Latinised form of the name Gustavus Vassa, a Swedish noble who had become Gustav I of Sweden, king in the 16th century.

Pascal sold Equiano to Captain James Doran of the “Charming Sally” at Gravesend, where he was transported to Montserrat, in the Caribbean Leeward Islands. He was sold on to Robert King, a Quaker merchant from Philadelphia who traded in the Caribbean. King set Equiano to work on his shipping routes and in his stores. In 1765, King promised that for forty pounds, the price he had paid, Equiano could buy his freedom. King taught him to read and write more fluently, guided him along the path of religion, and allowed Equiano to engage in profitable trading on his own as well as on his master’s behalf. He enabled Equiano to earn his freedom, which he achieved by his early twenties.

King urged Equiano to stay on as a business partner, but Equiano found it dangerous and limiting to remain in the British colonies as a freedman. For instance, while loading a ship in Georgia, he was almost kidnapped back into slavery. He was released after proving his education. Equiano returned to Britain where, after Somersett’s Case of 1772, men believed they were free of the risk of enslavement.

In 1789, he published his autobiography, The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa the African, which had a strong abolitionist message. Equiano is often regarded as the originator of the slave narrative because of his firsthand literary testimony against the slave trade. Equiano wrote in his narrative that slaves working inside the slaveholders’ homes in Virginia were treated cruelly. They suffered punishments such as an “iron muzzle” (scold’s bridle), used around the mouths to keep house slaves quiet, leaving them barely able to speak or eat. Equiano conveyed the fear and amazement he experienced in his new environment. In fact, Equiano was so shocked by this culture that he tried washing his face in an attempt to change its color. Despite the controversy regarding his birth, The Interesting Narrative remains an essential work both for its picture of 18th-century Africa as a model of social harmony defiled by Western greed and for its eloquent argument against the barbarous slave trade.

In 1792, Equiano married Susanna Cullen; they had two daughters.

Although Equiano’s death is recorded in London, 1797, the location of his burial is unsubstantiated.

Quote of the Day
Today’s quote comes from my friend, Ashley:

Today is Ash Wednesday, the day we commemorate the battle between the Evil Dead and the common man. Remember to celebrate this, the grooviest of holidays, in the traditional manner: the viewing of Evil Dead, Evil Dead 2 and Army of Darkness.

Stray Toasters

Namaste.

“No, I have not been to Oxford town…”

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Tuesday – 21 February 2012
Ugh. That’s how I felt this morning when my alarm went off. Not because the girls woke up in the middle of the night. (Which was fine, as they woke up about 4:15 and were asleep again shortly thereafter.) No, last night’s broken sleep came courtesy of some rather disturbing dreams. Disturbing enough that it took me a while to want to go back to sleep. Yeah, it was that much fun.

The evening, however, was good. It was another bath night for the girls. After last week’s experience with Vanessa (a.k.a. “Splash-O-Matic 5000”), I decided to change into shorts before giving the girls their baths. And, of course, this week, both girls were fairly subdued. Still, bath time was good.

After the girls were down, SaraRules! made a fantastic chicken curry dish (with chickpeas and spinach) over rice. We ate and knocked a couple of episodes of NCIS: Los Angeles and Castle off the DVR. When those were done, we saw that Blade Runner was on AMC. We watched part of it and realized that neither of us had watched the whole film in a while. We plan on rectifying that in the not-too-distant future.

Chew on This: Food for Thought – Black History Month
Today’s person of note is: Leslie Uggams, an American actress and singer.

Leslie Uggams was born on May 25, 1943 in New York City, to Harold and Juanita Uggams. As a small child Uggams would sing along to records, exhibiting a remarkably mature voice. The fact that Uggams had vocal talent was not a total surprise. Her father was a member of the Hall Johnson Choir, and her mother was a chorus girl at the Cotton Club.

In 1949, at age six, Uggams sang in public for the first time at St. James Presbyterian Church in New York City. The following year, she made her acting debut with a small part on an episode of the television comedy Beulah, which starred the legendary Ethel Waters. Uggams played Beulah’s niece.

At 9-years-old Leslie, opened for such legends as Louis Armstrong, Ella Fitzgerald and Dinah Washington at the Apollo Theater. She also made appearances on Your Show of Shows, The Milton Berle Show, and The Arthur Godfrey Show. After completing the third grade, Uggams left her local public school to enroll at the Professional Children’s School, a private institution in Manhattan catering to children with show business connections.

At 15 , she appeared on the CBS-TV quiz show “Name That Tune,” winning $12,500 toward her college education. The appearance gave Uggams a chance to showcase her vocal skills. Her rendition of “He’s Got the Whole World in His Hands” was noticed by record producer Mitch Miller who, as director of artists and repertory at Columbia Records, was one of the most influential figures in popular music during the 1950s. Miller signed Uggams to a contract, and her first album was released in 1959. Despite increasing career demands, Uggams continued to excel at school. At the Professional Children’s School, from which she graduated in 1961, Uggams was editor of the yearbook and president of the student body.

When Miller got his own television show, Sing Along with Mitch, in 1961, Uggams was asked to appear on it, first as a guest vocalist, then as a regular member of the all-singer cast. She became the lone African American performer regularly appearing on network television. The presence of an African American singer on the Sing Along with Mitch show drew relatively little controversy, although some stations in the South refused to air the program. “Mitch was told either I go or the show goes. He said, ‘Either she stays or there’s no show.’ He loved that show, and he had been trying to sell it for so long that to turn around and do that was heroic,” Uggams told Nadine Brozan of the New York Times in 1994. Uggams sometimes found her position as television’s only African American performer difficult to bear. “It was a heavy load. I was responsible for having a clean image. I wanted people to have respect for black people.”

Uggams later attended the prestigious Juilliard School of Music, where she studied every subject offered except singing. “They said they wouldn’t touch her voice,” Uggams’ mother told Newsweek. In 1963, Uggams left Juilliard a few credits short of a degree.

In the late ’60s and early ’70s, Uggams acted in television shows like The Girl from U.N.C.L.E., I Spy, The Mod Squad, Marcus Welby, M.D., while continuing to appear as herself on variety shows. In 1970, she had her own musical variety television series on CBS-TV, The Leslie Uggams Show, and signed a new recording contract with Atlantic Records. In 1972, she made her dramatic film debut opposite Charlton Heston in the MGM film Skyjacked.  However, it was Leslie’s portrayal of Kizzy in the most watched dramatic show in TV history, Alex Haley’s Roots, that won her worldwide recognition as a dramatic actress – including the Critics Choice Award for Best Supporting Actress in 1978, an Emmy nomination for Best Leading Actress and coveted Golden Globe Nomination from the Hollywood Foreign Press Association.

In 1983, Uggams won a Daytime Emmy as “Outstanding Host or Hostess of a Variety Series” for Fantasy.

In 1987, she toured with Peter Nero and Mel Torme in “The Great Gershwin Concert,” for which she received rave reviews. In 1988, she starred as Reno Sweeney in the National Company of the Lincoln Center Production of “Anything Goes” and later reprised the role at Lincoln Center’s Vivian Beaumont Theater on Broadway.

Uggams entered the world of daytime drama in 1996 when she played Rose Keefer, a woman with a checkered past, on All My Children. Her portrayal of Rose Keefer earned Uggams a nomination for the NAACP Image Award.

Singing continues to be the mainstay of Uggams’ career, and acting assignments are fit into a busy concert schedule. Uggams would like to do more acting but,”You can’t just sit around waiting for a good script. You can wait forever.”
Information courtesy of Answers.com, IMDb.com, LeslieUggams.com, MasterworksBroadway.com, NPR and Wikipedia.
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Friday… finally.

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Friday – 10 February 2012
It’s my working Friday. As usual, it’s the “quiet” day in the office.

Last night, Melissa came over to help me square the girls away for the night, while SaraRules! attended a Justice League function. The girls were fine… until right before bedtime, when Diana decided she’d had “enough.” She was tired and thus whiny/crying. Amusingly, when it was time for sweet potatoes, she would cry, then eat a spoonful, wait a moment then… whimper/almost cry (or, her new favorite: grunt) before taking another spoonful. Not-so-miraculously, all problems were solved when she got her bottle. And, the girls were awake, post-feeding, just long enough for a bedtime story from Auntie M: Pajama Time! After the girls were down – which didn’t take long at all – Melissa ran over to Greek City Grill to get us dinner.

Chew on This: Food for Thought – Black History Month
You’re getting another two-for-one today:

  • Jamaica Kincaid, is a Caribbean novelist, gardener, and gardening writer.

    Jamaica Kincaid was born on May 25, 1949, as Elaine Cynthia Potter Richardson in the city of St. John’s on the island of Antigua in the nation of Antigua and Barbuda. She immigrated to the United States at 16 and later became a U.S. citizen. Changing her name (1973), she became a New Yorkerstaff writer in 1976, working there until 1996.Kincaid first became known for her lush tales of Caribbean life—in her first short-story collection, At the Bottom of the River (1983), and in Annie John(1985), a semiautobiographical series of related stories that explore the complexity of mother-daughter connections. Her later fiction continues the style and themes of these works. Dark and personal, they often feature clear-eyed yet lyrical portraits of everyday reality in the post-colonial West Indies.Her novels are loosely autobiographical, though Kincaid has warned against interpreting their autobiographical elements too literally: “Everything I say is true, and everything I say is not true. You couldn’t admit any of it to a court of law. It would not be good evidence.” Her work often prioritizes “impressions and feelings over plot development” and often features conflict with both a strong maternal figure and colonial and neocolonial influences.

    Her novels include Lucy (1990), The Autobiography of My Mother (1996), and Mr. Potter (2002). Kincaid has also written nonfiction, notably A Small Place (1988), a long and angry essay on Antigua, and My Brother (1997), an incantatory memoir of her brother’s death from AIDS. An enthusiastic and knowledgeable gardener, she is also the author of many essays on the subject and of My Garden (Book)(1999).

    She lives with her family in North Bennington, Vermont, during the summers and teaches at Claremont McKenna College in Claremont, California, during the academic year.

  • Eartha Kitt was an American singer, actress, and cabaret star.

    Eartha Mae Kitt (January 17, 1927 – December 25, 2008) was bornon a cotton plantation in North, a small town in Orangeburg County near Columbia, South Carolina. Kitt’s mother was of Cherokee and African-American descent and her father of German or Dutch descent.Kitt was raised by Anna Mae Riley, a woman whom she believed to be her mother. Upon Riley’s death, she was sent to live in New York City with Mamie Kitt, who she learned was her biological mother. She had no knowledge of her father, except that his surname was Kitt and that he was supposedly a son of the owner of the farm where she had been born.

    At 16 she joined Katherine Dunham‘s dance troupe, touring the United States, Mexico, South America, and Europe. When the Dunham company returned to the United States, the multilingual Kitt – she spoke four languages and sang in seven – stayed in Paris, where she won immediate popularity as a nightclub singer.

    In 1950, Orson Welles gave Kitt her first starring role, as Helen of Troy in his staging of Dr. Faustus. A few years later, she was cast in the revue New Faces of 1952, introducing “Monotonous” and “Bal, Petit Bal”, two songs with which she is still identified. Throughout the rest of the 1950s and early 1960s, Kitt recorded; worked in film, television, and nightclubs; and returned to the Broadway stage. In 1964, Kitt helped open the Circle Star Theater in San Carlos, California. In the late 1960s, the television series Batmanfeatured her as Catwoman after Julie Newmar left the role.

    After she publicly criticized the Vietnam War at a 1968 White House luncheon in the presence of the first lady, Lady Bird (Claudia) Johnson, Kitt’s career went into a severe decline; in the 1970s it began to recover after news surfaced that she had been subjected to U.S. Secret Service surveillance. She returned to New York in a triumphant turn in the Broadway spectacle Timbuktu! (a version of the perennial Kismetset in Africa) in 1978.n 1984, she returned to the music charts with a disco song, Where Is My Man, the first certified gold record of her career. “Where Is My Man” reached the Top 40 on the UK Singles Chart, where it peaked at #36; The song also made the Top 10 on the US Billboard dance chart, where it reached #7. Kitt found new audiences in nightclubs across the UK and the US, including a whole new generation of gay male fans, and she responded by frequently giving benefit performances in support of HIV/AIDS organizations.

    In 1991, Eartha returned to the screen. In the late 1990s, she appeared as the Wicked Witch of the West in the North American national touring company of The Wizard of Oz. In 2000, Kitt again returned to Broadway. Beginning in late 2000, she starred as the Fairy Godmother in the US national tour of Cinderella alongside Deborah Gibson and then Jamie-Lynn Sigler. One of her more unusual roles was as Kaa the python in a 1994 BBC Radio adaptation of The Jungle Book. Kitt lent her distinctive voice to the role of Yzma in Disney’s The Emperor’s New Groove, for which she won her first Annie Award, and returned to the role in the straight-to-video sequel Kronk’s New Groove and the spin-off TV series The Emperor’s New School, for which she won two Emmy Awards and two more Annie Awards (both in 2007–08) for Voice Acting in an Animated Television Production.

    Kitt was the spokesperson for MAC Cosmetics’ Smoke Signals collection in August 2007. She re-recorded Smoke Gets In Your Eyes for the occasion, was showcased on the MAC website, and the song was played at all MAC locations carrying the collection for the month.

    Kitt became a vocal advocate for homosexual rights and publicly supported same-sex marriage, which she believed to be a civil right. She had been quoted as saying, “I support it [gay marriage] because we’re asking for the same thing. If I have a partner and something happens to me, I want that partner to enjoy the benefits of what we have reaped together. It’s a civil-rights thing, isn’t it?”

    Kitt died from colon cancer on Christmas Day 2008 at her Weston, Connecticut, home.

Information courtesy of Biography.com, FactMonster.com, and Wikipedia.

Stray Toasters

Namaste.

Tilting, but not at windmills…

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Thursday – 09 February 2012
This NBN Thursday is a bit grey and hazy.  But, I started the morning with SaraRules! and the girls, so it was a good kick-off to the day.

Last night, we watched Killer Elite (not to be confused with the movie with almost the same title from 1975) for Movie Date Night. Robert DeNiro. Clive Owen. Jason Statham. All kicking ass and, in some cases, taking names. The premise was a little different than I expected, but not in a bad way. There were a couple of plot holes, but what movie doesn’t have those these days? In the end, it made for a decent night’s viewing.

Also, I tried out something different with my bike trainer: Disengaging the tension wheel, so that the back wheel spun freely. Works, but without any resistance, I was pedaling as easily in the higher gears (15 and up) as I was in the first three gears. Still, it’s an option.

Chew on This: Food for This – Black History Month
Today, you’re getting a double d0es of Black History Month goodness.

  • The first person of note is James Weldon Johnson, author, politician, poet, songwriter, and educator, and early civil rights activist.James Weldon Johnson (June 17, 1871 – June 26, 1938)  was born in Jacksonville, Florida, the son of Helen Louise Dillet and James Johnson. His brother was the composer J. Rosamond Johnson. Johnson was first educated by his mother (the first female, black teacher in Florida at a grammar school) and then at Edwin M. Stanton School. At the age of 16 he enrolled at Atlanta University, from which he graduated in 1894. In addition to his bachelor’s degree, he also completed some graduate coursework there.

    After graduation he returned to Stanton, a school for African American students in Jacksonville, until 1906, where, at the young age of 23, he became principal. As principal Johnson found himself the head of the largest public school in Jacksonville regardless of race. Johnson improved education by adding the ninth and tenth grades. During his tenure at Stanton, Johnson wrote Lift Every Voice and Sing — often called “The Negro National Hymn”, “The Negro National Anthem”, “The Black National Anthem”, or “The African-American National Anthem” — set to music by his brother John Rosamond Johnson (1873–1954) in 1900.

    In 1897, Johnson was the first African American admitted to the Florida Bar Exam since Reconstruction. He was also the first black in Duval County to seek admission to the state bar. In order to receive entry, Johnson underwent a two-hour examination before three attorneys and a judge. He later recalled that one of the examiners, not wanting to see a black man admitted, left the room.

    In 1906 President Theodore Roosevelt appointed him U.S. consul to Puerto Cabello, Venezuela, and in 1909 he became consul in Corinto, Nicaragua, where he served until 1914. He later taught at Fisk University. Meanwhile, he began writing a novel, The Autobiography of an Ex-Colored Man (published anonymously, 1912), which attracted little attention until it was reissued under his own name in 1927.

    In 1920 Johnson was elected to manage the NAACP, the first African American to hold this position. While serving the NAACP from 1914 through 1930 Johnson started as an organizer and eventually became the first black male secretary in the organization’s history. In 1920, he was sent by the NAACP to investigate conditions in Haiti, which had been occupied by U.S. Marines since 1915. Johnson published a series of articles in The Nation, in which he described the American occupation as being brutal and offered suggestions for the economic and social development of Haiti. These articles were reprinted under the title Self-Determining Haiti. Throughout the 1920s he was one of the major inspirations and promoters of the Harlem Renaissance trying to refute condescending white criticism and helping young black authors to get published.

    Johnson died while vacationing in 1939, when the car he was driving was hit by a train.

  • The second person of note is Mat Johnson (no relation), an American writer of literary fiction.Johnson (born August 19, 1970) grew up in “racially stratified” Philadelphia. His mother is African American; his father, Irish American. After his parents’ divorce, he was raised by his social worker mother in a largely black section of the city, Germantown, where he often felt like a standout. “When I was a little kid, I looked reallywhite—I was this little Irish boy in a dashiki.”In his teens, he transferred to a private school, Abingdon Friends, in a more affluent neighborhood. “It was the first time I was around a lot of white people. I suddenly realized I had an ethnic identity, and started to think about race.” He listened to Public Enemy and devoured The Autobiography of Malcolm X and books by W.E.B. DuBois and Toni Morrison. “African-American literature felt like an intellectual home, this place where I fit and belonged,” he says gratefully.

    Like the late playwright August Wilson, Johnson seems to identify almost exclusively with the African roots of his biracial family tree. “African-American is a Creole culture. It embraces the mix,” he asserts.

    Mat Johnson attended West Chester University, University of Wales-Swansea, and ultimately received his BA from Earlham College, and in 1993, he was awarded a Thomas J. Watson Fellowship. Johnson received his MFA from Columbia University School of the Arts in 1999. Johnson has taught at Rutgers University, Columbia University, Bard College, The Callaloo Journal Writers Retreat, and is now a permanent faculty member at The University of Houston Creative Writing Program.

    Mat Johnson’s first novel, Drop (Bloomsbury USA in 2000), was a coming of age novel about a self-hating Philadelphian who thinks he’s found his escape when he takes a job at a Brixton-based advertising agency in London, UK.  Drop was listed among Progressive Magazine’s “Best Novels of the Year.” In 2003, Johnson published Hunting in Harlem (Bloomsbury USA 2003), a satire about gentrification in Harlem and an exploration of belief versus fanaticism. Hunting in Harlem won the Zora Neale Hurston/Richard Wright Legacy Award for Novel of the Year.

    Johnson made his first move into the comics form with the publication of the five-issue limited series Hellblazer Special: Papa Midnite (Vertigo 2005), where he took an existing character of the Hellblazer franchise and created an origin story that strove to offer depth and dignity to a character that was arguably a racial stereotype of the noble savage. The work was set in 18th Century Manhattan, and was based around the research that Johnson was conducting for his first historical effort, The Great Negro Plot, a creative non-fiction that tells the story of the New York Slave Insurrection of 1741 and the resultant trial and hysteria.

    In February 2008, Vertigo Comics published Johnson’s graphic novel Incognegro, a noir mystery that deals with the issue of passing (racial identity) and the lynching past of the American south.

    He was named a 2007 USA James Baldwin Fellow and awarded a $50,000 grant by United States Artists, a public charity that supports and promotes the work of American artists. On September 21, 2011, Mat Johnson was awarded the Dos Passos Prize for Literature.

Information courtesy of Chronogram.com, DCComics.com, matjohnson.info and Wikipedia

Stray Toasters

Namaste.

Five Months (Part II)

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Wednesday – 08 February 2010
Vanessa turned 5-months-old today:

Last night, the girls took another foray into “New Food Adventures” with sweet potatoes. Their primary reflex is still to somewhat spit out whatever they’re fed, if it’s not in a bottle. This can be mitigated by simply re-spooning the food back in. After trying rice cereal last week, we were curious to see how they’d respond to a new food. We got our answer: They seemed to like it.  It was a messy – but successful – test.

As the night wore on, I finally decided to bring my bike in and set up the bike trainer that SaraRules! got me for Christmas. I got everything assembled and decided to try it out. It was a bit noisier than I expected, which may prevent me from using it after the girls go to bed at night… unless I move it into the unfinished part of the basement.

Chew on This: Food for Thought – Black History Month
Today’s person of note is: Elmer Samuel Imes, the second African-American to earn a Ph. D. in Physics and among the first African American scientists to make important contributions to Modern physics.

Elmer Samuel Imes (October 12, 1883 – September 11, 1941) was born in Memphis, Tennessee, attended grammar school in Oberlin, Ohio and completed his high school education at the Agricultural and Mechanical High School in Norman, Alabama. Imes graduated from Fisk University in 1903 with a degree in science.

Upon graduating from Fisk, Imes taught mathematics and physics at Georgia Normal and Agricultural Institute in Albany, Georgia (presently Albany State University) and the Emerson Institute in Mobile, Alabama. Imes returned to Fisk in 1913 as an instructor of science and mathematics. During his tenure there, Imes earned a Master’s degree in science from Fisk University.

In 1918, Imes earned a Ph. D. in Physics at the University of Michigan where he studied under Harrison McAllister Randall becoming the second African American to receive a Ph. D. in Physics since Edward Bouchet, did so from Yale University in 1876. Imes’ research and doctoral thesis led to the publication of Measurements on the Near-Infrared Absorption of Some Diamotic Gases in November 1919 in the Astrophysical Journal. This work was followed by a paper co-authored and presented jointly with Dr. Randall: The Fine Structure of the Near Infra-Red Absorption Bands of HCI,HBr, and HF at the American Physical Society and published in the Physical Review in 1920. His work demonstrated for the first time that Quantum Theory could be applied to radiation in all regions of the electromagnetic spectrum, to the rotational energy states of molecules as well as the vibration and electronic levels. His work provided an early verification of Quantum Theory.

Around 1919, Imes became married to Harlem Renaissance writer, Nella Larsen. The couple lived in Harlem becoming part of the Harlem intellectual society which included intellectuals such as Langston Hughes and W.E.B. Du Bois.

During the period Imes spent in the scientific and materials industry, his work resulted in four patents for instruments which were used for measuring magnetic and electric properties.

In 1939, he conducted research in magnetic materials at the Physics Department at New York University and continued as chair of the physics department at Fisk until his death in 1941.

Stray Toasters

Namaste.

Five months (Part I)

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Tuesday – 07 February 2012
Today, Diana turned 5-months-old:

Today also finds me in the south 40. So far, it hasn’t been too painful an experience. And, it’s even been somewhat productive. I consider that combination a good thing. (The doughnuts and the frozen mocha didn’t hurt things, either…)

Last night, and Mr. and Mrs. came over for a visit. As it was the first time any of them had met the girls, there was a bit of surprise of just how big they are — granted, it is kind of hard to tell from just pictures. There were also a few questions about parenthood and life changes, too.  I must admit that I was a little surprised – pleasantly so – at how well the girls took to hanging out with and at how comfortable he seemed with them.  (MENTAL NOTE: Keep this in mind for future babysitting needs!)

Chew on This: Food for Thought – Black History Month
Today’s person of note is Benjamin Hooks, an American civil rights leader, who also served as executive director of the National Association for the Advancement of Colored People (NAACP) from 1977 to 1992.

Benjamin Lawson Hooks (January 31, 1925 – April 15, 2010) was born in Memphis, Tennessee. He was the fifth of seven children of Robert B. Hooks and Bessie White Hooks. Young Benjamin’s paternal grandmother, Julia Britton Hooks (1852–1942), graduated from Berea College in Kentucky in 1874 and was only the second American black woman to graduate from college.

In his youth, he had felt called to the Christian ministry. His father, however, did not approve and discouraged Benjamin from such a calling. Hooks enrolled in LeMoyne-Owen College, in Memphis, Tennessee. There he undertook a pre-law course of study 1941–43. In his college years he became more acutely aware that he was one of a large number of Americans who were required to use segregated lunch counters, water fountains, and restrooms. After graduating in 1944 from Howard University, he joined the Army and had the job of guarding Italian prisoners of war. He found it humiliating that the prisoners were allowed to eat in restaurants from which he was barred. He was discharged from the Army after the end of the war with the rank of staff sergeant. After the war he enrolled at the DePaul University College of Law in Chicago to study law. No law school in his native Tennessee would admit him. He graduated from DePaul in 1948 with his Juris Doctor (J.D.) degree.

From 1949 until 1965 he practiced law in Memphis. He participated in restaurant sit-ins of the late 1950s and early ’60s and joined the Board of Directors of Martin Luther King’s Southern Christian Leadership Conference, among many other civil-rights and public-service organizations. He was ordained as a Baptist minister in 1956 and began to preach regularly at the Greater Middle Baptist Church in Memphis, while continuing his busy law practice. He joined the Southern Christian Leadership Conference (then known as Southern Negro Leaders Conference on Transportation and Nonviolent Integration) along with Dr. Martin Luther King, Jr.

In July 1972 Hooks was appointed to the U.S. Federal Communications Commission and became the first black FCC commissioner. As a member of the FCC, Hooks addressed the lack of minority ownership of television and radio stations, the minority employment statistics for the broadcasting industry, and the image of blacks in the mass media. Hooks completed his five-year term on the board of commissioners in 1978, but he continued to work for black involvement in the entertainment industry.

He resigned to become executive director of the NAACP on Aug. 1, 1977, succeeding Roy Wilkins. Hooks also served as the chairman of the board of directors of the National Civil Rights Museum in Memphis and helped to found the Benjamin L. Hooks Institute for Social Change at the University of Memphis in 1996. Hooks stressed the need for affirmative action and pressed for increased minority voter registration.

Hooks received the Presidential Medal of Freedom from President George W. Bush in November 2007.

Information courtesy of biography.com, FactMonster.com and Wikipedia.

Stray Toasters

Wow… just ran into a wee bit of monkeydom. It’s lovely when the answers you get don’t quite fulfill the questions you ask.

Namaste.

Where’d the weekend go…?!

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Monday – 06 February 2012
Not only is today the start of a new work week, but – more importantly – it’s my niece, Grace’s, birthday:

This past weekend has been good. It has included, but not been limited to:

  • Hanging out with the twins.

    Diana (l) and Vanessa

  • Playing HeroClix: Star Trek Tactics with the guys.
  • Judging a tournament for Dr. Volt’s Comic Connection.
  • Tracking down (after THREE attempts!) and watching Contagion.
  • Taking the girls to their third train show!
  • Watching the Super Bowl.

Chew on This: Food for Thought – Black History Month
It’s catch-up time for our Black History Month items:

  • Paul Laurence Dunbar (June 27, 1872 – February 9, 1906) was a poet, novelist, and playwright of the late 19th and early 20th centuries, born in Dayton, Ohio.

    Both of Dunbar’s parents were former slaves; his father escaped to freedom in Canada and then returned to the U.S. to fight in the Civil War. The young Dunbar was the only black student in his Dayton high school, where he was both the editor of the school newspaper and class president, as well as the president of the school literary society. Also of note: He was a classmate of aviation pioneer Orville Wright.Dunbar wrote a dozen books of poetry, four books of short stories, five novels, and a play. He also wrote lyrics for In Dahomey – the first musical written and performed entirely by African-Americans to appear on Broadway in 1903; the musical comedy successfully toured England and America over a period of four years – one of the more successful theatrical productions of its time.[12] His essays and poems were published widely in the leading journals of the day. His work appeared in Harper’s Weekly, the Saturday Evening Post, the Denver Post, Current Literature and a number of other publications. During his life, considerable emphasis was laid on the fact that Dunbar was of pure black descent.

    Dunbar became the first African-American poet to earn nation-wide distinction and acceptance. The New York Times called him “a true singer of the people — white or black.” Much of Dunbar’s work was authored in conventional English, while some was rendered in African-American dialect. Dunbar remained always suspicious that there was something demeaning about the marketability of dialect poems. One interviewer reported that Dunbar told him, “I am tired, so tired of dialect”, though he is also quoted as saying, “my natural speech is dialect” and “my love is for the Negro pieces”.

    In 1900, he was diagnosed with tuberculosis and his doctors recommended drinking whisky to alleviate his symptoms. He moved to Colorado with his wife on the advice of his doctors. Dunbar and his wife separated in 1902, but they never divorced. Depression and declining health drove him to a dependence on alcohol, which further damaged his health. He moved back to Dayton to be with his mother in 1904. Dunbar died from tuberculosis on February 9, 1906, at age thirty-three.

  • Edward Kennedy “Duke” Ellington (April 29, 1899 – May 24, 1974), composer, pianist, and big band leader,  was born in Washington, D.C.

    Ellington grew up in a secure middle-class family in Washington, D.C. Daisy, his mother, surrounded her son with dignified women to reinforce his manners and teach him to live elegantly. Ellington’s childhood friends noticed that “his casual, offhand manner, his easy grace, and his dapper dress gave him the bearing of a young nobleman”, and began calling him “Duke.”His family encouraged his interests in the fine arts, and he began studying piano at age seven, but his first piano lessons came appeared not to have had that much lasting effect upon him. As Duke’s piano lessons faded into the past, Duke began to show a flare for the artistic. Duke attended Armstrong Manual Training School to study commercial art instead of going to an academics-oriented school.

    Duke began to seek out and listen to ragtime pianists in Washington and, during the summers, in Philadelphia or Atlantic City, where he and his mother vacationed. While vacationing in Asbury Park, Duke heard of a hot pianist named Harvey Brooks. At the end of his vacation, Duke sought Harvey out in Philadelphia where Harvey showed Duke some pianistic tricks and shortcuts. Duke later recounted that, “When I got home I had a real yearning to play. I hadn’t been able to get off the ground before, but after hearing him I said to myself, ‘Man you’re going to have to do it.’” Thus the music career of Duke Ellington was born. Duke was taken under the wings of Oliver “Doc” Perry and Louis Brown, who taught Duke how to read music and helped improve his overall piano playing skills. Duke found piano playing jobs at clubs and cafes throughout the Washington area. Three months shy of graduation, Duke dropped out of school and began his professional music career.

    Ellington made his first professional appearance as a jazz pianist in 1916. By 1918 he had formed a band, and after appearances in nightclubs in Harlem he became one of the most famous figures in American jazz. Ellington first played in New York City in 1923. Later that year he moved there and, in Broadway nightclubs, led a sextet that grew in time into a 10-piece ensemble. Extended residencies at the Cotton Club in Harlem (1927–32, 1937–38) stimulated Ellington to enlarge his band to 14 musicians and to expand his compositional scope. He selected his musicians for their expressive individuality, and several members of his ensemble were themselves important jazz artists. Ellington’s orchestra, playing his own and Billy Strayhorn’s compositions and arrangements, achieved a fine unity of style and made many innovations in the jazz idiom.

    He wrote nearly two thousand compositions before his death in 1974 – among his best-known short works are “Mood Indigo,” “Solitude,” and “Sophisticated Lady.” He also wrote jazz works of complex orchestration and ambitious scope for concert presentation, notably Creole Rhapsody (1932), Black, Brown and Beige (1943), Liberian Suite (1947), Harlem (1951), and Night Creatures (1955), and composed religious music, including three sacred concerts (1965, 1968, and 1973). Ellington made many tours of Europe, appeared in numerous jazz festivals and several films, and made hundreds of recordings. In 1969 he received the Presidential Medal of Freedom.

    Ellington died of lung cancer and pneumonia on May 24, 1974, a month after his 75th birthday

  • James Leonard Farmer, Jr. (January 12, 1920 – July 9, 1999) was a civil rights activist and leader in the American Civil Rights Movement.

    Farmer was a child prodigy; at the age of 14, he enrolled at Wiley College, where he was the captain of the debate team. While there, a professor of English, Melvin Tolson, became his mentor. Farmer earned a Bachelor of Science at Wiley College in 1938, and a Bachelor of Divinity from Howard University School of Religion in 1941. Inspired by Howard Thurman, a professor of theology at Howard University, Farmer became interested in Gandhi-style pacifism. During the 1950s, Farmer served as national secretary of the Student League for Industrial Democracy (SLID), the youth branch of the socialist League for Industrial Democracy. SLID later became Students for a Democratic Society. Farmer talked to A. J. Muste, the executive director of the Fellowship of Reconciliation(FOR), about an idea to combat racial inequality. Muste found the idea promising but wanted to see it in writing. Farmer spent months writing the memorandum making sure it was perfect. A. J. Muste wrote him back asking him about money to fund it and how they would get members. Finally, Farmer was asked to propose his idea in front of the FOR National Council. In the end, FOR chose not to sponsor the group, but gave Farmer permission to start the group in Chicago. When Farmer got back to Chicago, the group began setting up the organization. The name decided upon was CORE, the Committee of Racial Equality. The name was changed about a year later to the Congress of Racial Equality.In 1961 Farmer, who was working for the NAACP, was reelected as the national director of CORE, at a time when the civil rights movement was gaining power. Despite the Irene Morgan Supreme Court decision and the Boynton decision, interstate buses were still segregated. Gordon Carey proposed the idea of a second Journey of Reconciliation. Farmer jumped at the idea. This time, however, the group planned to journey through the Deep South. Farmer coined a new name for the trip: the Freedom Ride. The plan was for a mixed race and gender group to test segregation on interstate buses. The group would spend time in Washington D.C. for intensive training. They would embark on May 4, 1961 half by Greyhound and half by Trailways. They would go through Virginia, the Carolinas, Georgia, Alabama, Mississippi, and finish in New Orleans on May 17. For overnight stops there were planned rallies and support from the black community. There were usually talks at local churches or colleges.

    Growing disenchanted with emerging militancy and black nationalist sentiments in CORE, Farmer resigned as director in 1966. He took a teaching position at Lincoln University, a historically black college (HBCU), and continued to lecture. In 1968 Farmer ran for U.S. Congress as a Liberal Party candidate backed by the Republican Party, but lost to Shirley Chisholm. His defeat was not total; in 1969 the newly elected President Richard Nixon offered him the position of Assistant Secretary of the Department of Health, Education, and Welfare (now Health and Human Services). The next year, frustrated by the Washington bureaucracy, Farmer resigned from the position.

    Farmer retired from politics in 1971 but remained active, lecturing and serving on various boards and committees. In 1975 he co-founded Fund for an Open Society. Its vision is a nation in which people live in stably integrated communities, where political and civic power is shared by people of different races and ethnicities. He led this organization until 1999. From 1984 through 1998, Farmer taught at Mary Washington College (now The University of Mary Washington) in Fredericksburg, Virginia, where a bust of him now stands on campus and the multicultural center is named after him. They also named a program after him that encouraged minority students to enroll and enter college. It is the James Farmer Scholars program.

    In 1998 President Bill Clinton awarded him the Presidential Medal of Freedom.

    Farmer died in 1999 in Fredericksburg, Virginia of complications from diabetes.

  • Grambling State Universityis a historically black, public, coeducational university, located in Grambling, Louisiana, United States.
    Grambling State University opened on November 1, 1901 as the Colored Industrial and Agricultural School. It was founded by the North Louisiana Colored Agriculture Relief Association, organized in 1896 by a group of African-American farmers who wanted to organize and operate a school for African Americans in their region of the state.

    In response to the Association’s request for assistance, Tuskegee Institute’s Booker T. Washington sent Charles P. Adams to help the group organize an industrial school. Adams became its founding president.

    In 1905, the school moved to its present location and was renamed the North Louisiana Agricultural and Industrial School. By 1928, after becoming a state junior college and being renamed the Louisiana Negro Normal and Industrial Institute, the school began to award two-year professional certificates and diplomas. In 1936, and the curriculum emphasis shifted to rural teacher education; students were able to receive professional teaching certificates after completing a third academic year. The first baccalaureate degree was awarded in 1944, in elementary education.

    In 1946, the school became Grambling College, named after P.G. Grambling, the white sawmill owner who had donated the parcel of land where the school was constructed. In addition to elementary educators, Grambling prepared secondary teachers and added curricula in sciences, liberal arts and business, transforming the college from a single purpose institution of teacher education into a multipurpose college. In 1949, the college earned its first accreditation by the Southern Association of Colleges and Schools (SACS).

    In 1974, the addition of graduate programs in early childhood and elementary education gave the school a new status and a new name – Grambling State University. The university expanded and prospered between 1977 and 2000. Several new academic programs were incorporated and new facilities were added to the 384-acre campus, including a business and computer science building, school of nursing, student services building, stadium, stadium support facility and an intramural sports center.

    Alumni of Grambling State include: Willie Brown (Green Bay Packers), eight-time Mr. Olympia winner Ronnie Coleman, Grammy-winner Erykah Badu (although she began concentrating on music full-time and left the university before graduating); former NFL quarterback and Super Bowl XXII MVP Doug Williams, who currently serves as the Tigers head football coach. Award winning and world renowned jazz artist Michael Thomas is a Grambling alumnus and he was a member of the Tiger Marching Band along with jazz artists Lovett Hines and Bob French. The writer Judi-Ann Mason was a double major graduate of Grambling.

Information courtesy of AllAboutJazz.com, Biography.com, FactMonster.com, the Grambling State University website (www.gram.edu), PBS.org and Wikipedia

Stray Toasters

Namaste.

“Tell me, Doctor, where are we going this time? Is this the 50’s… or 1999?”

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Thursday – 02 February 2012
It’s not just another NBN Thursday, it’s also Groundhog Day.

Yep. It’s just like that. And, apparently, the groundhog predicts six more weeks of winter. (Apparently, Utah never gets that memo.)

Last night was Movie Date Night around the household. The movie I chose was Drive, as SaraRules! and I both have an affinity for car chase movies. It was good… and far from what I expected, which was a pleasant surprise. I can’t really say “how” or “why”, but I will say this: The movie is not for the squeamish.

After the movie, I played a little CoD: Modern Warfare 3. There was one round that was horrid. Seriously abominable. The team we faced locked my team down on a map and just ate us up. We’d respawn. We’d die. Lather. Rinse. Repeat. Fortunately (or “mercifully”), the round was over fairly quickly.

Chew on This: Food for Thought – Black History Month
Today’s person of note is Benjamin Banneker.

Benjamin Banneker (November 9, 1731 – October 9, 1806) was a free African American astronomer, mathematician, surveyor, almanac author and farmer.

It is difficult to verify much of Benjamin Banneker’s family history. Some writers have stated that he was a grandson of a European American named Molly Welsh, who came to colonial America as an indentured servant.Researchers have questioned this, as Banneker described himself only as having an African ancestry. None of Banneker’s surviving papers describe a white ancestor or identify the name of his grandmother.

Born on November 9, 1731 near Elliott City, Maryland, Benjamin Banneker was educated by Quakers, however, most of his education was self-taught. He quickly revealed to the world his inventive nature and first achieved national acclaim for his scientific work in the 1791 survey of the Federal Territory (now Washington, D.C.).

Benjamin Banneker has been called the first African American intellectual; because of his dark skin and great intellect he was called the “sable genius.” Benjamin Banneker was a self-taught mathematician and astronomer. In 1753, after studying the inner workings of a friend’s watch, he made a wooden pocket watch – one of the first watches made in America – that accurately kept time for more than 40 years. Twenty years later, Banneker began making astronomical calculations that enabled him to successfully forecast a 1789 solar eclipse.

From 1791 to 1802, he published the Pennsylvania, Delaware, Maryland, and Virginia Almanac and Ephemeris, which contained tide tables, future eclipses, and medicinal formulas. It is believed to be the first scientific book published by an African American. Also a surveyor, Banneker was appointed by President George Washington to the District of Columbia Commission, which was responsible for the survey work that established the city’s original boundaries. When the chairman of the committee, Pierre Charles L’Enfant, suddenly resigned and left, taking the plans with him, Banneker reproduced the plans from memory, saving valuable time. A staunch opponent of slavery, Banneker sent a copy of his first almanac to then-Secretary of State Thomas Jefferson to counter Jefferson’s belief in the intellectual inferiority of blacks.

On August 19 1791, Banneker sent a copy of his first almanac to secretary of state Thomas Jefferson. In an enclosed letter, he questioned the slaveholder’s sincerity as a “friend to liberty.” He urged Jefferson to help get rid of “absurd and false ideas” that one race is superior to another. He wished Jefferson’s sentiments to be the same as his, that “one Universal Father . . . afforded us all the same sensations and endowed us all with the same faculties.” Jefferson responded with praise for Banneker’s accomplishments.

Banneker never married. Because of declining sales, his last almanac was published in 1797. After selling much of his farm to the Ellicotts and others, he died in his log cabin nine years later on October 9, 1806, exactly one month before his 75th birthday. A commemorative obelisk that the Maryland Bicentennial Commission and the State Commission on Afro American History and Culture erected in 1977 stands near his unmarked grave in an Oella, Maryland, churchyard.

Stray Toasters

“Hold the red star proudly high in hand!”

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Wednesday – 01 February 2012
It’s not only midweek and new comics day, it’s also 2-1-12… which means it’s also Rush Day!

Today is also the day that HeroClix: Star Trek Tactics hits the shelves. (Think Star Fleet Battles… but updated. And in ‘Clix form.)

After the girls were asleep last night, I headed out to meet the guys for Guys’ Night Out. It was a good crowd. And, when mixed with good food, drink and conversation, made for a great way to spend a Tuesday night.

Today, to quote Al Jarreau: “I got my certain and my sure ‘nough on…” In other words: It’s a suit day. Grey herringbone suit, white and purple striped shirt, purple tie, white pocket square, grey socks, black loafers AND… purple LEGO cufflinks. BAM!

And tonight is movie night. (And I still have NO idea what we’re going to watch…)

Chew on This: Food For Thought – Black History Month
Today also marks the start of Black History Month.

Today’s person of note is: Marian Anderson

Marian Anderson (February 27, 1897 – April 8, 1993) was an African-American contralto and one of the most celebrated singers of the twentieth century. Most of her singing career was spent performing in concert and recital in major music venues and with major orchestras throughout the United States and Europe between 1925 and 1965. Although she was offered contracts to perform roles with many important European opera companies, Anderson declined all of these, preferring to perform in concert and recital only. She did, however, perform opera arias within her concerts and recitals.

Anderson displayed vocal talent as a child, but her family could not afford to pay for formal training. From the age of six, she was tutored in the choir of the Union Baptist Church, where she sang parts written for bass, alto, tenor, and soprano voices. Members of the congregation raised funds for her to attend a music school for a year. At 19 she became a pupil of Giuseppe Boghetti, who was so impressed by her talent that he gave her free lessons for a year. In 1925 she entered a contest with 300 competitors and won first prize, a recital at Lewisohn Stadium in New York City with the New York Philharmonic Orchestra.

Anderson became an important figure in the struggle for black artists to overcome racial prejudice in the United States during the mid twentieth century. In 1939, when the Daughters of the American Revolution (DAR) refused to allow her to perform at Constitution Hall in Washington, D.C., Eleanor Roosevelt resigned her DAR membership in protest and sponsored Anderson’s concert at the Lincoln Memorial, before a crowd of more than 75,000 people and a radio audience in the millions.

Anderson continued to break barriers for black artists in the United States, becoming the first black person, American or otherwise, to perform at the Metropolitan Opera in New York City on January 7, 1955. Her performance as Ulrica in Giuseppe Verdi’s Un ballo in maschera at the Met was the only time she sang an opera role on stage.

She also worked for several years as a delegate to the United Nations Human Rights Committee and as a “goodwill ambassadress” for the United States Department of State. The recipient of numerous awards and honors, Anderson was awarded the Presidential Medal of Freedom in 1963, the Kennedy Center Honors in 1978, the National Medal of Arts in 1986, and a Grammy Lifetime Achievement Award in 1991.

In 2001, the 1939 documentary film, Marian Anderson: the Lincoln Memorial Concert was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”.

On January 27, 2005, a commemorative U.S. postage stamp honored Marian Anderson as part of the Black Heritage series. Anderson is also pictured on the US$5,000 Series I United States Savings Bond.

The Marian Anderson Award was originally established in 1943 by Anderson after she was awarded the $10,000 Bok Prize that year by the city of Philadelphia. Anderson used the award money to establish a singing competition to help support young singers. Eventually the prize fund ran out of money and it was disbanded in 1976. In 1990 the award was re-established and has dispensed $25,000 annually. In 1998 the prize was restructured with the “Marian Anderson Award” going to an established artist, not necessarily a singer, who exhibits leadership in a humanitarian area. A separate prize, the “Marian Anderson Prize for Emerging Classical Artists” is given to promising young classical singers.

(Information courtesy of biography.com, FactMonster.com and Wikipedia)

Stray Toasters

Namaste.