Union Pacific's Great Excursion Adventure

Things from a Tuesday morning

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Tuesday – 22 March 2011
March winds
And April showers
Bring forth May flowers.

That’s the way I was taught.

I’m good with the “March winds.”
“April showers” are good too.
And, “May flowers?” Yep, I’m fine with them, as well.
It’s the whole “March intermittent rain and snow showers” thing that I’m taking issue with today.

On the other hand, today is William Shatner‘s 80th birthday, so it can’t be all bad.

Last night was quiet and uneventful. I think that the highlights were sorting ‘Clix, making hamantaschen and watching Top Gear with SaraRules! and having a bowl of ice cream for an evening snack… not necessarily in that order.

Tonight, Chris is supposed to come over to play dolls. We’re doing an updated match of the X-Men vs. the Teen Titans. I should probably start considering who I’m going to use…

Stray Toasters

Namaste.

Friday Fastball Special

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Friday – 18 March 2011
It’s my 9/80 “off” Friday. So far, I’ve celebrated by sleeping in, having coffee with Perry and saying “Hi” to and . That’s not a bad way to start a day off.

I’ve also painted the last “new” piece of foamboard that I have for my railroad; I might just extend the city section a little this afternoon/evening.  Also, the newest addition to my fleet o’ vans showed up today… so I might have to look at reworking the roadways through my layout.  Just saying.

Stray Toasters

  • For those of you who (still, for whatever reason) don’t know what a “Fastball Special” is, here’s a graphic representation:

  • sent me this link: Satellite Photos of Japan, Before and After the Quake and Tsunami
    Use the slider to see an amazing “before and after” view of the Fukushimi Daiichi reactor destruction.
  • What it’s like to be a black comics writer, a video interview with the late Dwayne McDuffie
  • DC Comics’ “The Source” blog has posted the first picture of Adrianne Palicki in her costume for the upcoming Wonder Woman television series:

    It appears to be a melding of the traditional costume with the new comics version, as designed by Jim Lee. On the whole, I’m okay with it. I will agree with some commenters that the color palette for the pants may be a little “bright.”  But, it’s also a studio shot; it could look entirely different by the time the show hits the air.

  • Thanks to MarknTyme for sending me the link to Marble Machine Chronicle.  Check it out.
  • Trunk Club Men’s Outfitters: Hand-Selected Outfits Shipped to Your Door
  • Thanks to , for remembering my affinity for Rush when he posted this picture:

Time to find some more trouble to get into.
Or maybe even find some late lunch.

Namaste.

 

“It’s not easy being green…”

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Thursday – 17 March 2011
It’s my “Friday.”
Happy Green Lantern Day.
Or, for some of you: “Happy St. Patrick’s Day.”

Could the day possibly get better? Somehow, I doubt it.

Yesterday was a pretty good day. I left work a little early and made a trip down to The Train Shoppe. I managed to not buy a ton of stuff, just a few sections of track. Of course, I was exhibiting some restraint because I was picking up a case of ‘Clix, as the new Giant-Size X-Men set was released yesterday. And, with release day comes… Release Day Tournament. On the plus side: This was an event that Jeremiah ran for the store, meaning that I got to play in the event, rather than having to judge it. Win-Win.

Stray Toasters

Namaste.

3.14159…

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Monday – 14 March 2011
It’s Pi Day.

It’s also ‘s birthday.

This weekend was good… even with losing an hour on Saturday night/Sunday morning.

Saturday, SaraRules! and I had brunch with Logan and Swiz, before the four of us went off to see Utah Symphony’s performance of Peter and the Wolf, accompanied by Ballet West II. In the afternoon, I headed up to Clearfield and Ogden to check out a couple of train shops. Saturday night, SaraRules! and I attended Utah Opera’s opening night performance of Mark Adamo’s Little Women. I’m not typically a fan of modern classical music, but this is the second of Mr. Adamo’s works that I’ve heard this season… and I’ve enjoyed both of them.

Sunday, we took my car in to get the brakes worked on and then drove down to The Garden of Sweden. Amen. Next, I headed to West Valley Hobbies for a quick fix before we, along with the in-laws, headed to the Maverik Center for a Utah Grizzlies game. The team tried – hard – to give the game away, but managed to pull victory from the jaws of defeat mediocrity and send the Stockton Thunder home with a loss. The rest of the evening was pretty quiet and low-key.

Today, it’s more grey than I’d have expected after yesterday’s stunningly beautiful day. Oh, well.

Stray Toasters

Namaste.

O-E-O-E-O!

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Friday – 11 March 2011
It’s Friday! Hallelujah!

Last night, SaraRules! and I went out for a dinner and movie date night. We ate at Pawit’s Royale Thai. We started with the Por Pia Sod appetizer and I had the Pad Khing; I can’t remember what SaraRules! had… but she said that it was very good. From there, we went to catch a showing of Unknown. It wasn’t a bad flick. (C’mon… a movie with Liam Neeson kicking ass and taking names?  Win.) We both enjoyed it.

Stray Toasters

And with that… it’s lunch time!

Namaste

Thursday: The day before the day before the weekend starts

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Thursday – 10 March 2011
It’s a sunny and bright NBN Thursday, which is a very nice change of pace from the past few grey days.

Last night, I didn’t do a whole lot… and it was pretty damned nice. I think that the highlights of the evening were: A) sitting down to read yesterday’s comics haul and B) bidding on a new (read: “yet another”) van for my layout.

Stray Toasters

Namaste.

“Roll over Beethoven…”

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Wednesday – 02 March 2011
Not only is it the middle of the week…
Not only is it new comics day…
MacCool’s is having another Guinness dinner tonight. And SaraRules! and I are going.

Last night, SaraRules! and I attended the Utah Symphony 2011-12 Season Announcement Reception at Abravanel Hall. Music Director Thierry Fischer (1, 2, 3) spoke about his vision for the Utah Symphony and the seven directives that drove his choices for the upcoming season and beyond. (There will be a Beethoven cycle throughout the season!) The symphony also unveiled their newly updated website. The event was neatly run and well-managed, and seemed to come off without any outwardly visible problems.

After the event, I jetted over to ‘ for our D&D 3.5 game. A couple of the players weren’t able to make it, but we still managed to accomplish a (not-so) minor goal and give ourselves a slightly longer-term objective, to boot. Now, if we can just manage to pull it off without getting ourselves killed…

Stray Toasters

Namaste.

“Blame it all on yourself, cause she’s always a woman to me…”

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Tuesday – 01 March 2011
A new month begins.
Today also marks the beginning of Women’s History Month.

T minus three days to the train show.
T minus sixteen days until Green Lantern/St. Patrick’s Day.

Last night was very low-key around the house. SaraRules! fixed soft-shelled tacos and rice for dinner. While eating, we knocked out the last two episodes of NCIS: Los Angeles on the DVR and watched an episode of House Hunters about a couple in Texas. (They were almost as finicky as the couple I posted about a few days ago who were looking for the one-level home.) But, they found a spot they liked.

Tonight, SaraRules! and I are attending Utah Symphony‘s 2011-12 Season Announcement Reception at Abravanel Hall. (Yeah, I get some pretty swank fringe benefits of having a wife with a cool job.) After that, I’ll be dashing off to join ‘ D&D game. No rest for the wicked, I guess.

Stray Toasters

She would waste not, not in struggle
No other shall there ever be
And what she is to love, listen oh my brother
Is as the wind to Mercury

Namaste.

Another quiet and lazy Sunday…

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Sunday – 27 February 2011
This morning started off as a grey, drab-looking day… but the sun has  put in an appearance. I’m good with that. After a quiet start to the day, we’ve done a little errand-running and shopping.

Yesterday was a low-key and fairly quiet day. We did a little errand-running in the late afternoon/early evening. I also put in a stop at The Train Shoppe; I picked up some more Superstreets. I have no idea where I’m going to use all of it, at this point, but I have it. I also fixed dinner last night: Baked teriyaki-marinated chicken and homemade macaroni-and-cheese, with a side salad. After that, we watched some shows on DIY and Food Networks and cleared a few more things off the DVR.

Chew on This: Food for Thought – Black History Month
Today’s item is The Apollo Theater (1, 2, 3)

The world famous Apollo Theater is so much more than a historic landmark – it is a source of pride and a symbol of the brilliance of American artistic accomplishment. With its rich history and continued significance, the Apollo Theater, considered the bastion of African-American culture and achievement, is one of the most fascinating chronicles in American history. It is one of the most famous music halls in the United States, and the most famous club associated almost exclusively with Negro performers. It is listed on the National Register of Historic Places, and was the home of Showtime at the Apollo, a nationally syndicated television variety show consisting of new talent.

An Apollo Hall was founded in the mid-19th century by former Civil War General Edward Ferrero as a dance hall and ballroom. Upon the expiration of his lease in 1872, the building was converted to a theater, which closed shortly before the turn of the 20th century.

However, the name “Apollo Theater” lived on. In 1913 or 1914, a new building, designed by the architect George Keister, opened at 253 West 125th Street as Hurtig and Seamon’s New (Burlesque) Theater. In 1933 Fiorello La Guardia, who would later become New York City’s Mayor, began a campaign against burlesque.  Hurtig & Seamon’s was one of many theaters that would close down. Sidney Cohen reopened the building as the 125th Street Apollo Theatre in 1934 with his partner, Morris Sussman serving as manager. Cohen and Sussman changed the format of the shows from burlesque to variety revues and redirected their marketing attention to the growing African-American community in Harlem.

Ella Fitzgerald made her singing debut at 17 at the Apollo, on November 21, 1934. Fitzgerald’s performances pulled in a weekly audience at the Apollo and she won the opportunity to compete in one of the earliest of its “Amateur Nights”. She had originally intended to go on stage and dance, but intimidated by the Edwards Sisters, a local dance duo, she opted to sing instead.

The Apollo grew to prominence during the Harlem Renaissance of the pre-World War II years. In 1934, it introduced its regular Amateur Night shows hosted by Ralph Cooper. Billing itself as a place “where stars are born and legends are made,” the Apollo became famous for launching the careers of artists such as Ella Fitzgerald, Billie Holiday, James Brown, Diana Ross & The Supremes, Gladys Knight & the Pips, The Jackson 5, Patti LaBelle, Marvin Gaye, Luther Vandross, Stevie Wonder, Aretha Franklin, Ben E. King, Mariah Carey, The Isley Brothers, Lauryn Hill, and Sarah Vaughan. The Apollo also featured the performances of old-time vaudeville favorites like Tim Moore, Stepin Fetchit, Dewey “Pigmeat” Markham, Clinton “Dusty” Fletcher, John “Spider Bruce” Mason, and Johnny Lee, as well as younger comics like Godfrey Cambridge. One unique feature of the Apollo was “the executioner” a man with a broom who would sweep performers off the stage if the highly vocal and opinionated audiences began to call for their removal. Jimi Hendrix won the first place prize in an amateur musician contest at the Apollo in 1964. The Jazz Foundation of America has celebrated its annual benefit concert, “A Great Night in Harlem”, at the Apollo Theater every year since 2001.

The club fell into decline in the 1960s and 1970s, and was converted into a movie theater in 1975. The Apollo was revived in 1983, when Inner City Broadcasting, a firm owned by former Manhattan borough president Percy E. Sutton purchased the building. It obtained federal, state, and city landmark status, and fully reopened in 1985. In 1991, the Apollo was purchased by the State of New York.

On December 15, 2005, the Apollo Theater launched the first phase of its refurbishment, costing an estimated $65 million. The first phase included the facade and the new light-emitting diode (LED) marquee. Attendees and speakers at the launch event included President Bill Clinton, New York Mayor Michael Bloomberg and Time Warner CEO Richard Parsons.

As of 2009 it is run by the nonprofit Apollo Theater Foundation Inc., and draws an estimated 1.3 million visitors annually.

Stray Toasters

Namaste.

“Lit up with anticipation, we arrive at the launching site…”

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Thursday – 24 February 2011
Let’s try this… again… after WordPress decided to eat (and apparently thoroughly digest) my last post. Fortunately, I wasn’t too far into it and the miscellany is all fairly easily recoverable.

Happy birthday to :

Last night was D&D 4.0 night with and company. The encounter was a little different than our usual ones: We got into a bar fight. But, it wasn’t our fault. (This time.) And by “we got into a bar fight,” I mean that “we got beat on by a hero from the Forgotten Realms” (read: “ever-so-slightly out of our league”).

Correction: We got beat on by a drunken hero (read: “still ever-so-slightly out of our league”) from the Forgotten Realms.

It was a good encounter. We all survived, though some of our group had a few new lumps. And, we left the bar in one piece (more or less) and not on fire. I’d consider that a minor feat for our party.

Chew on This : Food for Thought – Black History Month
Today’s person of note is: Charles Young (1, 2, 3, 4)

Charles Young was the third African American graduate of West Point, the first black U.S. national park superintendent, first black military attaché, first black to achieve the rank of colonel, and highest-ranking black officer in the United States Army until his death in 1922.

Charles Young was born in 1864 into slavery to Gabriel Young and Arminta Bruen in May’s Lick, Kentucky, a small village near Maysville, but he grew up a free person. His father Gabriel escaped from slavery, in 1865 going across the Ohio River to Ripley, Ohio to enlist as a private in the Fifth Regiment of the Colored Artillery (Heavy) Volunteers during the American Civil War. After the war, the entire family migrated to Ripley in 1866, where the parents decided opportunities were better than in postwar Kentucky. As a youth, Charles Young attended the all-white high school in Ripley, the only one available. He graduated at age 16 at the top of his class. Following graduation, he taught school for a few years at the newly established black high school of Ripley.

While teaching, Young took a competitive examination for appointment as a cadet at United States Military Academy at West Point. He achieved the second highest score in the district in 1883, and after the primary candidate dropped out, Young reported to the academy in 1884. He was not the only black student in the academy,(John Hanks Alexander entered West Point Military Academy in 1883 and graduated in 1887, Alexander and Young shared a room for three years at West Point). He had to repeat his first year because of failing mathematics. Young’s strength was in languages, and he learned several. Young graduated with his commission as a second lieutenant in 1889, the third black man to do so at the time. Young began his service with the Ninth Cavalry in the American West: from 1889-1890 he served at Fort Robinson, Nebraska, and from 1890-1894 at Fort Duchesne, Utah.

Beginning in 1894 as a lieutenant, Young was assigned to Wilberforce College in Ohio, a historically black college, to lead the new military sciences department, which was established under a special federal grant. As a professor for four years, he was one of a number of outstanding men on the staff, including W.E.B. Du Bois, with whom he became friends.

In 1903, Young served as Captain of a black company at the Presidio of San Francisco. When appointed acting superintendent of Sequoia and General Grant national parks, he was the first black superintendent of a national park. At the time the military supervised the parks. Because of limited funding, the Army assigned personnel for short-term assignments during the summers, making it difficult for the officers to accomplish longer term goals, such as construction of infrastructure. Young supervised payroll accounts and directed the activities of rangers. Young’s greatest impact on the park was managing road construction, which helped to improve the underdeveloped park and enable more visitors to travel within it. Young and his troops accomplished more that summer than had teams under the three military officers who had been assigned the previous three summers.

With the Army’s founding of the Military Intelligence Department, in 1904 it assigned Young as one the first military attachés, serving in Port-au-Prince, Haiti. He was to collect intelligence on different groups in Haiti, to help identify forces that might destabilize the government. He served there for three years.

In 1908 Young was sent to the Philippines to join his Ninth Regiment and command a squadron of two troops.

In 1912 Young was assigned as military attaché in Liberia, the first African American to hold that post. For three years, he served as an expert adviser to the Liberian Government and also took a direct role, supervising construction of the country’s infrastructure. For his achievements, in 1916 the National Association for the Advancement of Colored People (NAACP) awarded Young the Spingarn Medal, given annually to the African American demonstrating the highest achievement and contributions.

He returned to Wilberforce University, where he was a Professor of Military Science through most of 1918. On November 6, 1918, after Young traveled by horseback from Wilberforce, Ohio to Washington, D.C. to prove his physical fitness, he was reinstated on active duty in the Army and promoted to full Colonel. In 1919, he was assigned again as military attaché to Liberia.

Young died January 8, 1922 of a kidney infection while on a reconnaissance mission in Nigeria. His body was returned to the United States, where he was given a full military funeral and buried at Arlington National Cemetery near Washington, DC.

Stray Toasters

Namaste.

“My baby just cares for me…”

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Friday – 18 February 2011
It’s my day off. Unfortunately, it’s not a four-day weekend for me, as our robot overlords protectors don’t give us President’s Day as a holiday. Oh, well.

Last night, SaraRules! and I attended Ballet West‘s performance of

It was very enjoyable. The dancers for Aurora, Prince Desire (“Prince Philip” for the Disney-ites out there), the Lilac Fairy and the Male Bluebird were all excellent. My only real complain about the performance came in Act III, with the court dances of the fairy-tale characters in attendance — It seemed to be a never-ending cavalcade of dance. Granted, the performers were all talented and acquitted themselves nicely, but it just seemed to make the production drag on and on. (NOTE: The dances were written into the original production by Tchaikovsky, so it’s the way the ballet is supposed to be performed.)

After we returned home, I played a little CoD: Black Ops before calling it a night.

Chew on This: Food for Thought – Black History Month
Today’s personality of note is: Nina Simone (1, 2)

Eunice Kathleen Waymon, also known by her stage name Nina Simone, was an American singer, songwriter, pianist, arranger, and civil rights activist widely associated with jazz music. Simone aspired to become a classical pianist while working in a broad range of styles including classical, jazz, blues, soul, folk, R&B, gospel, and pop.

She took to music at an early age, learning to play piano at the age of 4, and singing in her church’s choir. The sixth of seven children, Simone grew up poor. Her music teacher helped establish a special fund to pay for Simone’s education and, after finishing high school, Simone won a scholarship to New York City’s famed Julliard School of Music to train as a classical pianist, but she eventually had to leave school after she ran out of funds. Moving to Philadelphia, Simone lived with her family there in order to save money and go to a more affordable music program. Her career took an unexpected turn, however, when she was rejected from the Curtis Institute of Music in Philadelphia; she later claimed the school denied her admittance because she was African-American. Turning away from classical music, she started playing American standards, jazz and blues in clubs in the 1950s. Her original style arose from a fusion of gospel and pop songs with classical music, in particular her first inspiration, classical composer Bach, and accompanied with her expressive jazz-like singing in characteristic low tenor. She injected as much of her classical background into her music as possible to give it more depth and quality, and as she felt that pop music was inferior. She took the stage name Nina Simone—”Nina” came from a nickname meaning “little one” and “Simone” after the actress Simone Signoret.

Simone had always included songs in her repertoire that hinted about her African-American origins (such as “Brown Baby” and “Zungo” on Nina at the Village Gate during 1962). But on her debut album for Philips, Nina Simone In Concert (live recording, 1964), Simone for the first time openly addresses the racial inequality that was prevalent in the United States with the song “Mississippi Goddam”. It was her response to the murder of Medgar Evers and the bombing of a church in Birmingham, Alabama that killed four black children. The song was released as a single, being boycotted in certain southern states. With “Old Jim Crow” on the same album she reacts to the Jim Crow Laws. From then on, a civil rights message was standard in Simone’s recording repertoire, where it had already become a part of her live performances. Simone performed and spoke at many civil rights meetings, such as at the Selma to Montgomery marches. Simone advocated violent revolution during the civil rights period as opposed to Martin Luther King’s non-violent approach, and hoped that African Americans could, by armed combat, form a separate state.

In 1987, the original 1958 recording of “My Baby Just Cares For Me” was used in an advert for Chanel No. 5 perfume in the UK. This led to a re-release which stormed to number 5 in the UK singles chart giving her a brief surge in popularity in the UK. Her autobiography, I Put a Spell on You, was published during 1992 and she recorded her last album, A Single Woman, in 1993.

In 1993, Simone settled near Aix-en-Provence in Southern France. She had been ill with breast cancer for several years before she died in her sleep at her home in Carry-le-Rouet, Bouches-du-Rhône on April 21, 2003. Simone’s ashes were scattered in several African countries.

Stray Toasters

That’s it for now.
Time to find some trouble to get into…

Namaste.

“She turns to the clock… it’s a quarter-to-nine.”

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Sunday – 13 February 2011
It’s my sister, Rana’s, birthday:

So far, today has been rather quiet and lazy. I slept in, which was quite the treat.

Yesterday, I headed over to Dr. Volt’s Comic Connection to play HeroClix with a few of the guys.  We wound up playing a 3-on-3 game, themed “Science vs. Magic.” Chris, Andrew and I played figures with the “Mystical” and “Psychic” keywords, while Jeremiah and the two Johns played “Science,” “Robot” and “Armor” keyworded figures. It was a good game. We beat science to a pulp… with the very notable exception of Jeremiah’s Dr. Manhattan figure.

After I got home, SaraRules! and I ate dinner and watched The Hurt Locker and Iron Man. We’d not seen The Hurt Locker before. It was a very good and well-done movie; it was easy to see why the Academy lavished so much attention on it last year. And, Iron Man – which was SaraRules!’ choice, not mine by the way- well, that was just fun.

Chew on This: Food for Thought – Black History Month
Today’s personality is Wynton Marsalis:

Wynton Learson Marsalis is a trumpeter, composer, bandleader, music educator, and Artistic Director of Jazz at Lincoln Center. Marsalis has promoted the appreciation of Classical and Jazz music often to young audiences. Marsalis has been awarded nine Grammys in both genres, and was awarded the first Pulitzer Prize for Music for a jazz recording.

Wynton was born in New Orleans, Louisiana to Dolores and Ellis Marsalis, the second of six sons. At an early age he exhibited an aptitude for music. At age eight, Wynton performed traditional New Orleans music in the Fairview Baptist Church band led by banjoist Danny Barker, and at 14, he performed with the New Orleans Philharmonic. During high school, Wynton performed with the New Orleans Symphony Brass Quintet, New Orleans Community Concert Band, New Orleans Youth Orchestra, New Orleans Symphony, various jazz bands and with a local funk band, the Creators.

At age 17, Wynton was the youngest musician admitted to Tanglewood’s Berkshire Music Center, where he won the school’s Harvey Shapiro Award for outstanding brass student. Wynton moved to New York City to attend Juilliard in 1979, and picked up gigs around town. In 1980, Wynton joined the Jazz Messengers led by Art Blakey. In the years that followed, Wynton performed with Sarah Vaughan, Dizzy Gillespie, Sweets Edison, Clark Terry, Sonny Rollins, Ron Carter, Herbie Hancock, Tony Williams and countless other jazz legends.

In 1987, Wynton Marsalis co-founded a jazz program at Lincoln Center. In July 1996, Jazz at Lincoln Center was installed as new constituent of Lincoln Center. In October 2004, Marsalis opened Frederick P. Rose Hall, the world’s first institution for jazz containing three performance spaces (including the first concert hall designed specifically for jazz) along with recording, broadcast, rehearsal and educational facilities. Wynton presently serves as Artistic Director for Jazz at Lincoln Center and Music Director for the Jazz at Lincoln Center Orchestra.

Stray Toasters

Namaste.

“You say you want a revolution? Well, you know, we all want to change the world.”

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Thursday – 03 February 2011
It’s my NBN Technical Friday. Amen.

Last night was D&D (4.0) game night with and company. We almost team-wiped twice. It wasn’t pretty. But, we finished two encounters… and everyone survived. Barely. One neat, but unrelated thing: Jack and I noticed a Justice League Chess Set for sale for $50 (USD). We were intrigued. We pondered it for a bit before realizing that we could just “build” a chess set, using ‘Clix figures for the pieces for a lot less, should we decide that we really couldn’t live without one.

I also played a little DCUO last night. I’m still having a lot of fun with it. Last night, I was sent to a new (to me) part of Metropolis, Chinatown, to meet Zatanna for my next set of missions. Let me just say that this part of the city looks simply amazing.  The DCUO team also released another teaser video that portends ill things…

AND… new information has been released about new content being added to the game, including their Valentine’s Day event content, as well.

Chew on This: Food for Thought – Black History Month
Today’s personality is: Stokely Carmichael

Kwame Ture, also known as Stokely Carmichael, was a Trinidadian-American black activist active in the 1960s American Civil Rights Movement. He rose to prominence first as a leader of the Student Nonviolent Coordinating Committee (SNCC, pronounced “snick”) and later as the “Honorary Prime Minister” of the Black Panther Party. Initially an integrationist, Carmichael later became affiliated with black nationalist and Pan-Africanist movements. He popularized the term “Black Power”.

In 1960, Carmichael went on to attend Howard University, a historically-black school in Washington, D.C., rejecting scholarship offers from several white universities. His apartment on Euclid Street was a gathering place for his activist classmates. He graduated with a degree in philosophy in 1964.

He joined the Nonviolent Action Group (NAG), the Howard campus affiliate of SNCC. He was inspired by the sit-ins to become more active in the Civil Rights Movement. In his first year at the university, he participated in the Freedom Rides of the Congress of Racial Equality (CORE) and was frequently arrested, spending time in jail. In 1961, he served 49 days at the infamous Parchman Farm in Sunflower County, Mississippi. He was arrested many times for his activism. He lost count of his many arrests, sometimes giving the estimate of at least 29 or 32, and telling the Washington Post in 1998 he believed the total number was fewer than 36.

Carmichael saw nonviolence as a tactic as opposed to a principle, which separated him from moderate civil rights leaders like Martin Luther King, Jr.. Carmichael became critical of civil rights leaders who simply called for the integration of African Americans into existing institutions of the middle class mainstream.

The Black Panthers and Carmichael disagreed on whether white activists should be allowed to help the Panthers. The Panthers believed that white activists could help the movement, while Carmichael thought as Malcolm X, saying that the white activists needed to organize their own communities first. In 1969, he and his then-wife, the South African singer Miriam Makeba, moved to Guinea-Conakry where he became an aide to Guinean prime minister Ahmed Sékou Touré and the student of exiled Ghanaian President Kwame Nkrumah. Makeba was appointed Guinea’s official delegate to theUnited Nations. Three months after his arrival in Africa, in July 1969, he published a formal rejection of the Black Panthers, condemning the Panthers for not beingseparatist enough and their “dogmatic party line favoring alliances with white radicals”.

It was at this stage in his life that Carmichael changed his name to Kwame Ture to honor the African leaders Nkrumah and Touré who had become his patrons. At the end of his life, friends still referred to him interchangeably by both names, “and he doesn’t seem to mind.”

Carmichael remained in Guinea after separation from the Black Panther Party. He continued to travel, write, and speak out in support of international leftist movements and in 1971 collected his work in a second book Stokely Speaks: Black Power Back to Pan-Africanism. This book expounds an explicitly socialist, Pan-African vision, which he seemingly retained for the rest of his life. From the late 1970s until the day he died, he answered his phone by announcing “Ready for the revolution!”

Stray Toasters

Namaste.

“Let us march on, till victory is won…”

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Tuesday – 01 February 2011
It’s another sunny, but cold, day in Paradise.

Today not only marks the beginning of a new month, but also the start of Black History Month. (More on this below.)

Last night, SaraRules! and I had a fairly quiet night. We had dinner at the local Cafe Zupas, then we did a little errand-running before locking the world outside our door. We even managed to watch an episode of NCIS from the DVR. After that, I played a little DCUO before heading to bed. As a test, I fired up City of Heroes; I wanted to see how it looked with the graphics settings dialed up. The visuals were good, but the framerate was… less than fluid, which I found disappointing, when juxtaposed with DCUO. Maybe I need to tweak a few more settings in CoH to increase the framerate.  *shrug*

Chew on This: Food for Thought
As mentioned above, today is the beginning of Black History Month. As with last year, I think that I’ll do another “ABCs of Black History” this year. We’ll start with Dr. Ralph Abernathy:

Abernathy, the grandson of a slave, was born in Linden, Alabama (March 11, 1926). Ordained a Baptist minister in 1948, he studied at Alabama State College and Atlanta University. Abernathy met Martin Luther King in the early 1950’s, when the two were ministers of congregations in Montgomery, Alabama. They became widely known after the success of the Montgomery Bus Boycotts in 1955-56.

In 1957, King and Abernathy formed the Southern Christian Leadership Conference (SCLC), with King as President and Abernathy as Secretary-Treasurer. After King’s assassination in 1968, Abernathy assumed the presidency, leading the Poor People’s Campaign later that year. Abernathy also presided over SCLC’s Operation Breadbasket, which used economic pressure against companies that did not provide equal opportunities to blacks. In 1977, he resigned from the SCLC to run unsuccessfully for Andrew Young’s Atlanta seat in the US House of Representatives.

After the election, he served as pastor of the West Hunter Street Baptist Church in Atlanta. A year before his death, he published his autobiography, entitled And The Walls Came Tumbling Down.

For more information, see: Ralph Abernathy

Stray Toasters

Namaste.