Union Pacific's Great Excursion Adventure

“…one day, they will join you in the sun.”

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Wednesday – 17 April 2013
Midweek.
Movie Date Night.
NBN Thursday Eve.

Sunday, Sara! suggested that we take Team DiVa to Wheeler Farm to see the animals. The girls had fun looking at and identifying them. After we walked through the “farm” part, we went to the playground area. They even went down the big kids’ slide… on our laps. But that’s not the point. They – and we – had fun.

Speaking of the ladies: The girls’ vocabulary is growing, as well. And they are starting to put two- and three-word phrases together. It’s been neat listening to them express themselves.

Monday, I finally got around to mudding and taping the last two corners of the train room closet. It still needs sanding. And there’s a chance that I’ll have to go over things with a second coat of joint compound before putting on the topping compound, but it’s that much closer to being done.

Stray Toasters

Namaste.

Team DiVa Tuesday – 16 April 2013

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Tuesday – 16 April 2013
It’s Tuesday and… well, you know the drill by now.

Diana (l) and Vanessa, playing with the new toy Grandmommy and Papi got them

Diana (l) and Vanessa, playing with the new toy Grandmommy and Papi got them

 

Vanessa (l) and Diana: Drawing Time

Vanessa (l) and Diana: Drawing Time (…also known as “Crayon Stacking Time”)

 

Daddy let us have his phone again... that means... PICTURE TIME!!!

Daddy let us have his phone again… that means… PICTURE TIME!!!

I am afraid to count the number of “selfies” the girls have taken with my phone and iPad.  I think that they got 50+ in on  Sunday morning before breakfast.

And that, as they say, is that.

Namaste.

Team DiVa Tuesday – 2013-04-09

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Tuesday – 09 April 2013
It’s another Tuesday in the valley.  Which means: “It’s another Tuesday in the valley.”

What?

Weren’t you paying attention the first time?

Here’s your weekly dose of Team DiVa cuteness:

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Vanessa has learned to smile – REALLY BIG – whenever a camera comes out. Diana, however, is non-plussed.

 

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Diana: “Oh, come ON, Daddy… aren’t we done yet?!”

Namaste.

Team DiVa Tuesday – 02 April 2013

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Tuesday – 02 April 2013
Here we are again. Lets get straight to the TDVT pictures…

Vanessa (l) and Diana, putting some change in their banks...

Vanessa (l) and Diana, putting some change in their banks…

This has pretty much become a pre-bedtime tradition with Team DiVa. It’s gotten to the point where – unless they are playing down in the family room before bed – they will ask for their bears and “muh-NEE” (or “muh-MEE,” as Diana sometimes calls it). Loudly. And emphatically.

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Diana (l) and Vanessa

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“Oh, hey… I found this LEGO magnet on the floor. Can I keep it?”

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“I don’t have time for pictures, Daddy!  I’m playing with LEGO magnets!!!”

Namaste.

Happy Easter!

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31 March 2013 – Sunday
Today is Easter.

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easter_chicks

I hope that everyone has had a safe and enjoyable holiday.

This morning, Sara!, Team DiVa and I got up, dressed – which was a minor event, thanks to Team DiVa not wanting to put on their dresses – and headed to Mass. (Which started out as something of an event, too, when Vanessa decided that church was not where she wanted to be.)

Fortunately, she’s not one of the primary decision-makers in the family, so we stayed.

Fortunately (for her), she also discovered the “Better Mood” setting and chose to employ it…

…of course, this doesn’t mean that she and Diana didn’t climb on and play with as much as possible during Mass, but we were able to attend. I even remember at least half of the homily. I consider those both to be in the “Win” category.

On the way home, we stopped to say “Hello” and “Happy Easter” to Bonne and Steve.

Back at home, we managed to get a few pictures of the girls…

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Vanessa (l) and Diana

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We like books!

…before changing them for naps and lunchtime.

We also let them pick through the Easter basket:

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Hey! These eggs have stuff in them!!!

Sara!, in her infinite wisdom, made some good suggestions with respect to this year’s basket:

  1. We should get a basket that could be repurposed as a centerpiece setting or some other decorative piece after Easter.
  2. We should consider a “family” basket, rather than two (or four) baskets.
  3. The girls, who have more than “enough” of them, don’t really need any more stuffed animals/toys.

So, I followed Suggestions 1 and 2. As far as Suggestion 3 went, I was of the mind that they should still have some eggs – and something in them for Easter.  Since the girls are fond of playing with some of my old HeroClix figures, it made it easy to decide what to put in the eggs. (Yeah, avoided the candy option for another year. Win!)

After their naps, we decided to try and have a mini-Easter Egg Hunt. We hid six eggs around the living room and told the girls to go look for them. Instead, they went into the dining room — that was where they left the Easter basket and the eggs from this morning. Once we pointed them in the right direction, they were on the hunt. They each found three eggs. (Funny how that worked out.)

And that’s been pretty much how our Easter has been.

Team DiVa Tuesday – 2013-03-26

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Tuesday – 26 March 2013
It’s amazing how quickly these Tuesdays just seem to keep lining up.

Here’s a quick dose of the little ladies of Team DiVa for your day:

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Diana

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Vanessa

And there you have it.

Namaste.

Team DiVa Tuesday – 2013-03-19

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Tuesday – 19 March 2013
I’ve been elbow-up in trying to get some things configured, but I wanted to make sure that I got a post up before the day got completely away from me. And so, here it is:

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Diana (l) and Vanessa

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Diana, demonstrating why the alphabet magnets have been disappearing…

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Vanessa, test-driving Daddy’s 50th Anniversary Disneyland Mickey Mouse Ears…

And, before it’s all through, we even have… video!

Diana helping Vanessa twirl around in Grandmommy’s chair.

Namaste.

Team DiVa Tuesday – 2013-03-12

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Tuesday – 12 March 2013
It’s Tuesday, which means it’s time for a new Team DiVa post.

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Team DiVa (Diana, l; Vanessa, r) after putting money in their banks

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Diana, sitting at the big kids’ table

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Vanessa, sitting at the big kids’ table

Team DiVa Tuesday

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Tuesday – 05 March 2013
It’s Tuesday, so it must be time for Team DiVa pics!

Diana

Diana

Vanessa

Vanessa

Pictures courtesy of Sara!

And there you have it.

Namaste.

Batter up!

baseball, books, business and economy, comics and animation, everyday glory, faith and religion, food for thought, games, geekery, health, history, kids, LEGO and Rokenbok, movies and TV, music, office antics, politics and law, the world, trains/model railroads No Comments »

Thursday  – 28 February 2013
A new NBN Thursday is here. So far, it’s not bad.
It’s also the end of February.

This morning, Diana was up a bit before Vanessa. In order to let Vanessa sleep a bit longer, brought her into our room. This appeased Diana… somewhat. So, I did what any father would do, I broke out the iPad and let her read/play with the Barnyard Dance book/app. This worked for a few minutes. Then, I switched over to Moo, Baa, La La La. That satisfied her for a little while, as well. Long enough for Vanessa to wake up and decide that she was ready to start the day.

Last night, Sara! and I watched Moneyball:

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The characters were well-developed, not just cardboard cut-out caricatures. The dialogue was believable and realistic, not just a bunch of baseball-related cliches. The story also managed to show a bit of the off-the-field life of Pitt’s character, Billy Beane, and his journey from all-star golden boy in high school to a MLB player to general manager of the Oakland A’s.

All told, it was a good film.  Sara! enjoyed it… though she qualified it by saying that it still wasn’t enough to make her like baseball.

baseball baseball baseball baseball baseball baseball baseball

Chew on This – Food for Thought – Black History Month
I didn’t get as many days filled in as I had hoped, but I could not let the month end without an entry:

  • Daniel Hale Williams, Surgeon

    danielwilliams
    Daniel Hale Williams III was born on January 18, 1856, in Hollidaysburg, Pennsylvania, to Sarah Price Williams and Daniel Hale Williams II. The couple had several children, with the elder Daniel H. Williams inheriting a barber business. He also worked with the Equal Rights League, a black civil rights organization active during the Reconstruction era.

    After the elder Williams died, a 10-year-old Daniel was sent to live in Baltimore, Maryland, with family friends. He became a shoemaker’s apprentice but disliked the work and decided to return to his family, who had moved to Illinois. Like his father, he took up barbering, but ultimately decided he wanted to pursue his education. He worked as an apprentice with Dr. Henry Palmer, a highly accomplished surgeon, and then completed further training at Chicago Medical College.

    Williams set up his own practice in Chicago’s Southside and taught anatomy at his alma mater, also becoming the first African-American physician to work for the city’s street railway system. Williams—who was called Dr. Dan by patients—also adopted sterilization procedures for his office informed by the recent findings on germ transmission and prevention from Louis Pasteur and Joseph Lister.

    Due to the discrimination of the day, African-American citizens were still barred from being admitted to hospitals and black doctors were refused staff positions. Firmly believing this needed to change, in May 1891, Williams opened Provident Hospital and Training School for Nurses, the nation’s first hospital with a nursing and intern program that had a racially integrated staff. The facility, where Williams worked as a surgeon, was publicly championed by famed abolitionist and writer Frederick Douglass.

    In 1893, Williams continued to make history when he operated on James Cornish, a man with a severe stab wound to his chest who was brought to Provident. Without the benefits of a blood transfusion or modern surgical procedures, Williams successfully sutured Cornish’s pericardium (the membranous sac enclosing the heart), becoming the first person to perform open-heart surgery. Cornish lived for many years after the operation.

    In 1894, Williams moved to Washington, D.C., where he was appointed the chief surgeon of the Freedmen’s Hospital, which provided care for formerly enslaved African Americans. The facility had fallen into deep neglect and had a high mortality rate. Williams worked diligently on revitalization, improving surgical procedures, increasing institutional specialization, allowing public viewing of surgeries, launching ambulance services and adding a multiracial staff, continuing to provide opportunities for black physicians and nursing students.

    And in 1895, he co-founded the National Medical Association, a professional organization for black medical practitioners, as an alternative to the American Medical Association, which didn’t allow African-American membership.

    Williams left Freedmen’s Hospital in 1898. He married Alice Johnson, and the newlyweds moved to Chicago, where Williams returned to his work at Provident. Soon after the turn of the century, he worked at Cook County Hospital and later at St. Luke’s, a large medical institution with ample resources.

    Beginning in 1899, Williams also made annual trips to Nashville, Tennessee, where he was a voluntary visiting clinical professor at Meharry Medical College for more than two decades. He became a charter member of the American College of Surgeons in 1913.

    Daniel Hale Williams experienced a debilitating stroke in 1926 and died five years later, on August 4, 1931, in Idlewild, Michigan.

    Today, Williams’s work as a pioneering physician and advocate for an African-American presence in medicine continues to be honored by educational institutions worldwide.

Stray Toasters

Namaste.

Team DiVa Tuesday

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Tuesday – 26 February 2013
The day is racing away, but I was bound and determined to get in a new Team DiVa Tuesday post!

As I’ve posted before, the girls are pretty fond of my LEGO magnets. VERY. FOND. INDEED. Though, with a limited number of magnets – and the girls not always being the best at sharing – there can be some… discontent.

Yesterday, Sara! scored a major “win” in the “New Toys for Team DiVa” department: Alphanumeric magnets. She picked up a set the other day, while shopping, and gave them to the girls when she got home from work yesterday.  This was the result:

Yeah.

They apparently kept sticking magnets on the refrigerator and dishwasher in the same manner as seen in the video for at least fifteen minutes before I got home. Non-stop. This video was taken about 10 minutes after I got home. Playing with the magnets was even more fun/important to the girls than eating dinner. It was even more fun than getting ready for bed, too. Go figure.

But, the bottom line is: They had a lot of fun playing with them. And that’s the important thing.

Namaste.

Space: The Final Frontier…

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Thursday – 21 February 2013
It’s No Bad News Thursday. That’s really all that needs to be said.

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As I’ve mentioned, Team DiVa has a computer with a series of astronomy pictures as a screen saver in their room. The girls have been identifying things like “moon,” “stars” and the closest that they can get to “nebula” for weeks now. Tonight, Vanessa surprised me with how well she could say “Saturn” – granted, it sounded more like “Sa’UHN” – when its picture appeared on the monitor. Yet another proud daddy moment.

After Team DiVa was in bed, Sara! and I watched Alex Cross.

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It wasn’t an awesome movie. I’m not sure what I expected, but what I got was Alex Cross in more of an action movie than a thriller (as we got used to with Morgan Freeman’s portrayals of Dr. Cross). It was… meh.

Oddly enough, though, I am curious about Tyler Perry’s Medea movies. I know that he’s made eleventy-seven of them, but I have never seen one. But, I’m considering it.

Chew on This – Food for Thought: Black History Month
Here are two items for Thursday:

  • Neil deGrasse Tyson – Scientist, television personality, writerNeil-deGrasse-Tyson-600x300Tyson was born as the second of three children in the borough of Manhattan in New York City, but was raised in the Bronx. His mother, Sunchita Feliciano Tyson, was a gerontologist, and his father, Cyril deGrasse Tyson, was a sociologist, human resource commissioner for the New York City mayor John Lindsay and the first Director of Harlem Youth Opportunities Unlimited. Tyson attended the Bronx High School of Science (1972–1976, astrophysics emphasis) where he was captain of the wrestling team and was editor-in-chief of the school’s Physical Science Journal. Tyson had an abiding interest in astronomy since he was nine years old, following his visit to the Hayden Planetarium. He obsessively studied astronomy in his teens, and eventually even gained some fame in the astronomy community by giving lectures on the subject at the age of fifteen. Tyson recalls that “so strong was that imprint [of the night sky] that I’m certain that I had no choice in the matter, that in fact, the universe called me.”
    Astronomer Carl Sagan, who was a faculty member at Cornell University, tried to recruit Tyson to Cornell for undergraduate studies. During an interview with writer Daniel Simone, Tyson said, “Interestingly, when I applied to Cornell, my application dripped of my passion for the study and research of the Universe. Somehow the admissions office brought my application to the attention of the late Dr. Sagan, and he actually took the initiative and care to contact me. He was very inspirational and a most powerful influence. Dr. Sagan was as great as the universe, an effective mentor.” Tyson chose to attend Harvard University, however, where he majored in physics. He was a member of the crew team during his freshman year, but returned to wrestling, eventually lettering in his senior year. In addition to wrestling and rowing in college, he was active in dance in styles including jazz, ballet, Afro-Caribbean, and Latin Ballroom. Tyson earned aBachelor of Arts in physics from Harvard in 1980 and began his graduate work at the University of Texas at Austin, where he earned a Master of Arts in astronomy in 1983. In 1985, he won a gold medal with the University of Texas dance team at a national tournament in the International Latin Ballroom style. Tyson transferred from the University of Texas at Austin to Columbia University in 1988 after his committee was dissolved. At Columbia University, in 1989, he received a Master of Philosophy in astrophysics and, in 1991, he earned a doctor of philosophy in astrophysics.Tyson’s research has focused on observations in stellar formation and evolution as well as cosmology and galactic astronomy. He has held numerous positions at institutions including University of Maryland, Princeton University, the American Museum of Natural History, and Hayden Planetarium.

    Tyson has written a number of popular books on astronomy. In 1995, he began to write the “Universe” column for Natural History magazine. In a column he authored for the magazine in 2002, Tyson coined the term “Manhattanhenge” to describe the two days annually on which the evening sun aligns with the cross streets of the street grid in Manhattan, making the sunset visible along unobstructed side streets. Tyson’s column also influenced his work as a professor with The Great Courses.

    In 2001, US President George W. Bush appointed Tyson to serve on the Commission on the Future of the United States Aerospace Industry and in 2004 to serve on the President’s Commission on Implementation of United States Space Exploration Policy, the latter better known as the “Moon, Mars, and Beyond” commission. Soon afterward he was awarded the NASA Distinguished Public Service Medal, the highest civilian honor bestowed by NASA.

    In 2004, he hosted the four-part Origins miniseries of PBS’s Nova, and, with Donald Goldsmith, co-authored the companion volume for this series, Origins: Fourteen Billion Years Of Cosmic Evolution. He again collaborated with Goldsmith as the narrator on the documentary 400 Years of the Telescope which premiered on PBS in April 2009.

    As director of the Hayden Planetarium, Tyson bucked traditional thinking in order to keep Pluto from being referred to as the ninth planet in exhibits at the center. Tyson has explained that he wanted to look at commonalities between objects, grouping the terrestrial planets together, the gas giants together, and Pluto with like objects and to get away from simply counting the planets. He has stated on The Colbert ReportThe Daily Show, and BBC Horizon that this decision has resulted in large amounts of hate mail, much of it from children. In 2006, the International Astronomical Union (IAU) confirmed this assessment by changing Pluto to the dwarf planet classification. Daniel Simone wrote of the interview with Tyson describing his frustration. “For a while, we were not very popular here at the Hayden Planetarium.”

    Tyson has been vice-president, president, and chairman of the board of the Planetary Society. He was also the host of the PBS program Nova ScienceNow until 2011. He attended and was a speaker at the Beyond Belief: Science, Religion, Reason and Survival symposium on November 2006. In 2007, Tyson, who is known for his vibrant character, cheerful demeanor, and awe of the vastness of the universe itself, was chosen to be a regular on The History Channel’s popular series The Universe.

    In May 2009, he launched a one-hour radio talk show called StarTalk, which he co-hosted with comedienne Lynne Koplitz. The show was syndicated on Sunday afternoons on KTLK AM in Los Angeles and WHFS in Washington DC. The show lasted for thirteen weeks, but was resurrected in December 2010 and then, co-hosted with comedians Chuck Nice and Leighann Lord instead of Koplitz. Guests range from colleagues in science to celebrities such as Gza, Wil Wheaton, Sarah Silverman, and Bill Maher. The show is also available via the internet through a live stream or in the form of a podcast.

    In April 2011, Tyson was the keynote speaker at the 93rd International Convention of the Phi Theta Kappa International Honor Society of the Two-year School. He and James Randi delivered a lecture entitled Skepticism, which related directly with the convention’s theme of The Democratization of Information: Power, Peril, and Promise.

    In 2012, Tyson announced that he would appear in a YouTube series based on his radio show StarTalk. A premiere date for the show has not been announced, but it will be distributed on the Nerdist YouTube Channel.


  • Sarah Vaughan – Singersarah-vaughan-14
    Sarah Lois Vaughan (March 27, 1924 – April 3, 1990) was an American jazz singer. Nicknamed “Sailor” (for her salty speech), “Sassy” and “The Divine One“, Sarah Vaughan was a Grammy Award winner. The National Endowment for the Arts bestowed upon her its “highest honor in jazz”, the NEA Jazz Masters Award, in 1989.Sarah began piano lessons at the age of seven, sang in the church choir and occasionally played piano for rehearsals and services. Vaughan developed an early love for popular music on records and the radio. In the 1930s, Newark had a very active live music scene and Vaughan frequently saw local and touring bands that played in the city at venues like the Montgomery Street Skating Rink. By her mid-teens, Vaughan began venturing (illegally) into Newark’s night clubs and performing as a pianist and, occasionally, singer, most notably at the Piccadilly Club and the Newark Airport USO.Vaughan initially attended Newark’s East Side High School, later transferring to Newark Arts High School, which had opened in 1931 as the United States’ first arts “magnet” high school. However, her nocturnal adventures as a performer began to overwhelm her academic pursuits and Vaughan dropped out of high school during her junior year to concentrate more fully on music. Around this time, Vaughan and her friends also began venturing across the Hudson River into New York City to hear big bands at the Apollo Theater in Harlem.

    Sometime in the fall of 1942 (when Sarah was 18 years old), Vaughan suggested that Robinson enter the Apollo Theater Amateur Night contest. Vaughan played piano accompaniment for Robinson, who won second prize. Vaughan later decided to go back and compete herself as a singer. Vaughan sang “Body and Soul” and won, although the exact date of her victorious Apollo performance is uncertain. The prize, as Vaughan recalled later to Marian McPartland, was US$10 and the promise of a week’s engagement at the Apollo. After a considerable delay, Vaughan was contacted by the Apollo in the spring of 1943 to open for Ella Fitzgerald.

    Sometime during her week of performances at the Apollo, Vaughan was introduced to bandleader and pianist Earl Hines, although the exact details of that introduction are disputed. Billy Eckstine, Hines’ singer at the time, has been credited by Vaughan and others with hearing her at the Apollo and recommending her to Hines. After a brief tryout at the Apollo, Hines officially replaced his existing male singer with Vaughan on April 4, 1943.

    Eckstine left the Hines band in late 1943 and formed his own big band with Gillespie, leaving Hines to become the new band’s musical director. Parker came along too, and the Eckstine band over the next few years would host a startling cast of jazz talent: Miles DavisKenny DorhamArt BlakeyLucky ThompsonGene AmmonsDexter Gordon, among others.

    Vaughan accepted Eckstine’s invitation to join his new band in 1944, giving her an opportunity to develop her musicianship with the seminal figures in this era of jazz. Eckstine’s band also afforded her first recording opportunity, a December 5, 1944 date that yielded the song “I’ll Wait and Pray” for the Deluxe label. That date led to critic and producer Leonard Feather to ask her to cut four sides under her own name later that month for the Continental label, backed by a septet that included Dizzy Gillespie and Georgie Auld. Vaughan officially left the Eckstine band in late 1944 to pursue a solo career, although she remained very close to Eckstine personally and recorded with him frequently throughout her life.

    Vaughan began her solo career in 1945 by freelancing in clubs on New York’s 52nd Street such as the Three Deuces, the Famous Door, the Downbeat and the Onyx Club. Vaughan also hung around the Braddock Grill, next door to the Apollo Theater in Harlem. After being invited by violinist Stuff Smith to record the song “Time and Again” in October, Vaughan was offered a contract to record for the Musicraft label by owner Albert Marx, although she would not begin recording as a leader for Musicraft until May 7, 1946. Vaughan’s recording success for Musicraft continued through 1947 and 1948.

    A musicians union ban pushed Musicraft to the brink of bankruptcy and Vaughan used the missed royalty payments as an opportunity to sign with the larger Columbia record label. During her tenure at Columbia through 1953, Vaughan was steered almost exclusively to commercial pop ballads, a number of which had chart success.

    Vaughan also achieved substantial critical acclaim. She won Esquire magazine’s New Star Award for 1947 as well as awards from Down Beat magazine continuously from 1947 through 1952, and from Metronome magazine from 1948 through 1953. A handful of critics disliked her singing as being “over-stylized”, reflecting the heated controversies of the time over the new musical trends of the late 40s. However, the critical reception to the young singer was generally positive.

    Vaughan began recording for Roulette Records in April 1960, making a string of strong large ensemble albums arranged and/or conducted by Billy MayJimmy JonesJoe ReismanQuincy JonesBenny CarterLalo Schifrin, and Gerald Wilson. When her contract with Roulette ended in 1963, Vaughan returned to the more familiar confines of Mercury Records. At the conclusion of her Mercury deal in 1967, she was left without a recording contract for the remainder of the decade.

    The seventies heralded a rebirth in Vaughan’s recording activity. In 1971, Bob Shad, who had worked with her as producer at Mercury Records, asked her to record for his new record label, Mainstream Records. Vaughan’s relationship with Mainstream soured in 1974; this left Vaughan again without a recording contract for three years.

    In December 1974, Vaughan played a private concert for the United States President Gerald Ford and French president Giscard d’Estaing during their summit on Martinique.

    Vaughan remained quite active as a performer during the 1980s and began receiving awards recognizing her contribution to American music and status as an important elder stateswoman of jazz.

    Vaughan’s final complete album was Brazilian Romance, produced and composed by Sérgio Mendes and recorded primarily in the early part of 1987 in New York and Detroit. In 1988, Vaughan contributed vocals to an album of Christmas carols recorded by the Mormon Tabernacle Choir with the Utah Symphony Orchestra and sold in Hallmark Cards stores. In 1989, Quincy Jones’ album Back on the Block featured Vaughan in a brief scatting duet with Ella Fitzgerald. This was Vaughan’s final studio recording and, fittingly, it was Vaughan’s only formal studio recording with Fitzgerald in a career that had begun 46 years earlier opening for Fitzgerald at the Apollo.

    Vaughan is featured in a number of video recordings from the 1980s. Sarah Vaughan Live from Monterey was taped in 1983 or 1984 and featured her working trio with guest soloists. Sass and Brass was taped in 1986 in New Orleans and also features her working trio with guest soloists, including Dizzy Gillespie and Maynard Ferguson. Sarah Vaughan: The Divine One was featured in the American Masters series on PBS. Also in 1986, on Independence Day in a program nationally-televised on PBS she performed with the National Symphony Orchestra, conducted by Mstislav Rostropovich, in a medley of songs composed by George Gershwin

    In 1989, Vaughan’s health began to decline, although she rarely revealed any hints in her performances. She canceled a series of engagements in Europe in 1989 citing the need to seek treatment for arthritis in the hand, although she was able to complete a later series of performances in Japan. During a run at New York’s Blue Note Jazz Club in 1989, Vaughan received a diagnosis of lung cancer and was too ill to finish the final day of what would turn out to be her final series of public performances.

    Vaughan returned to her home in California to begin chemotherapy and spent her final months alternating stays in the hospital and at home. Vaughan grew weary of the struggle and demanded to be taken home, where she died on the evening of April 3, 1990, while watching a television movie featuring her daughter, a week after her 66th birthday.

Stray Toasters

Namaste.

Meetings? Oh, yes, we have meetings.

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Tuesday – 12 February 2013
It’s Teleconference Tuesday. And the best way to start a telecon is to use the wrong meeting ID… and therefore wind up six minutes late to the conference that you thought you were three minutes early to. *grlbsnrkx*

::: rest of the day :::

The second meeting wasn’t too bad. Thankfully.

Team DiVa Tuesday
Here’s a couple of quick shots of the ladies of Team DiVa:

Vanessa

Vanessa

Diana

Diana

Chew on This – Food for Thought: Black History Month
Today’s person of note is: Garrett Morgan – Entrepreneur, writer, inventor

Garrett A. Morgan.  September 28, 1945  (Cleveland News file photo)

Born in Paris, Kentucky, on March 4, 1877, Garrett Morgan was the seventh of 11 children. His mother, Elizabeth (Reed) Morgan, was of Indian and African descent, and the daughter of a Baptist minister. It is uncertain whether Morgan’s father was Confederate Colonel John Hunt Morgan or Sydney Morgan, a former slave freed in 1863. Morgan’s mixed race heritage would play a part in his business dealings as an adult.

When Morgan was in his mid teens, he moved to Cincinnati, Ohio, to look for work, and found it as a handyman to a wealthy landowner. Although he only completed an elementary school education, Morgan was able to pay for more lessons from a private tutor. But jobs at several sewing-machine factories were to soon capture his imagination and determine his future. Learning the inner workings of the machines and how to fix them, Morgan obtained a patent for an improved sewing machine and opened his own repair business.

Morgan’s business was a success, and it enabled him to marry a Bavarian woman named Mary Anne Hassek, and establish himself in Cleveland. (He and his wife would have three sons during their marriage.)

Following the momentum of his business success, Morgan’s patented sewing machine would soon pave the way to his financial freedom, albeit in a rather unorthodox way: In 1909, Morgan was working with sewing machines in his newly opened tailoring shop—a business he had opened with wife Mary, who had experience as a seamstress—when he encountered woolen fabric that had been scorched by a sewing-machine needle. It was a common problem at the time, since sewing-machine needles ran at such high speeds. In hopes of alleviating the problem, Morgan experimented with a chemical solution in an effort to reduce friction created by the needle, and subsequently noticed that the hairs of the cloth were straighter.

After trying his solution to good effect on a neighboring dog’s fur, Morgan finally tested the concoction on himself. When that worked, he quickly established the G.A. Morgan Hair Refining Company and sold the cream to African Americans. The company was incredibly successful, bringing Morgan financial security and allowing him to pursue other interests.

In 1914, Morgan patented a breathing device, or “safety hood,” providing its wearers with a safer breathing experience in the presence of smoke, gases and other pollutants. Morgan worked hard to market the device, especially to fire departments, often personally demonstrating its reliability in fires. Morgan’s breathing device became the prototype and precursor for the gas masks used during World War I, protecting soldiers from toxic gas used in warfare. The invention earned him the first prize at the Second International Exposition of Safety and Sanitation in New York City.

There was some resistance to Morgan’s devices among buyers, particularly in the South, where racial tension remained palpable despite advancements in African-American rights. In an effort to counteract the resistance to his products, Morgan hired a white actor to pose as “the inventor” during presentations of his breathing device; Morgan would pose as the inventor’s sidekick, disguised as a Native American man named “Big Chief Mason,” and, wearing his hood, enter areas otherwise unsafe for breathing. The tactic was successful; sales of the device were brisk, especially from firefighters and rescue workers.

In 1916, the city of Cleveland was drilling a new tunnel under Lake Erie for a fresh water supply. Workers hit a pocket of natural gas, which resulted in a huge explosion and trapped workers underground amidst suffocating noxious fumes and dust. When Morgan heard about the explosion, he and his brother put on breathing devices, made their way to the tunnel and entered as quickly as possible. The brothers managed to save two lives and recover four bodies before the rescue effort was shut down.

Despite his heroic efforts, the publicity that Morgan garnered from the incident hurt sales; the public was now fully aware that Morgan was an African American, and many refused to purchase his products. Adding to the detriment, neither the inventor nor his brother were fully recognized for their heroic efforts at Lake Erie—possibly another effect of racial discrimination. Morgan was nominated for a Carnegie Medal for his efforts, but ultimately wasn’t chosen to receive the award. Additionally, some reports of the explosion named others as the rescuers.

While the public’s lack of acknowledgement for Morgan’s and his brother’s roles at the Cleveland explosion was undoubtedly disheartening, Morgan was a voracious inventor and observer who focused on fixing problems, and soon turned his attention to all kinds of things, from hats to belt fasteners to car parts.

The first black man in Cleveland to own a car, Morgan worked on his mechanical skills and developed a friction drive clutch. Then, in 1923, he created a new kind of traffic signal, one with a warning light to alert drivers that they would need to stop, after witnessing a carriage accident at a particularly problematic intersection in the city. Morgan quickly acquired patents for his traffic signal—a rudimentary version of the modern three-way traffic light—in the United States, Britain and Canada, but eventually sold the rights to General Electric for $40,000.

Outside of his inventing career, Morgan diligently supported the African-American community throughout his lifetime. He was a member of the newly formed National Association for the Advancement of Colored People, was active in the Cleveland Association of Colored Men, donated to Negro colleges and opened an all-black country club. Additionally, in 1920, he launched the African-American newspaper the Cleveland Call (later named the Call and Post).

reference: Biography.com

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Namaste.

Thursday in the valley

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Thursday – 07 February 2013
It’s No Bad News Thursday.  ‘Nuff said.

There was fog in the valley, at least in the central/north part. The trees around here are coated with ice crystals, but not as much sheen as after an ice storm.

Last night, Sara! and I watched The Rescuers.

the_rescuers

It’s her favorite Disney movie. For her, the movie holds fun childhood memories in much the same way that Superman: the Movie does for me and is my favorite movie. Somehow, I’d never seen this movie before. It was a little darker than I would have expected… especially from Disney. I was also pleasantly surprised to see hear Bob Newhart and Eva Gabor in the starring roles. And I can’t imagine anyone else in those roles. All told, it was a fun movie and I enjoyed it.

After the movie, and after flipping channels for a bit, I landed on The Science Channel. We watched Dark Matters: Twisted But True. Interesting show, but it’s made better by being hosted by John Noble (Walter Bishop on Fringe).

Chew on This – Food for Thought: Black History Month
Today’s person of note is: Marvin Gaye

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Marvin Pentz Gay Jr. (he added the “e” to his last name alter in life) was born in Washington, D.C. on April 2, 1939. Gaye was raised under the strict control of his father, Rev. Marvin Gay Sr., the minister at a local church, against a bleak backdrop of widespread violence in his neighborhood.

Throughout his childhood, Marvin Gaye often found peace in music, mastering the piano and drums at a young age. Until high school, his singing experience was limited to church revivals, but soon he developed a love for R&B and doo-wop that would set the foundation for his career. In the late 1950s, Gaye joined a vocal group called The New Moonglows. The talented singer had a phenomenal range that spanned three vocal styles and he soon impressed the group’s founder, Harvey Fuqua. It wasn’t long before Gaye and Fuqua both came to the attention of Detroit music impresario Berry Gordy and were signed to Gordy’s legendary Motown Records.

Gaye’s first certified hit under his own name wouldn’t come until 1962, but his early years at Motown were full of behind-the-scenes successes. He was a session drummer for Motown legends such as Little Stevie Wonder, The Supremes, The Marvelettes, and Martha and the Vandellas. Showing his stripes as Motown’s renaissance man, Gaye went on to break into the Top 40 for the first time on his own in 1962 with his solo single “Hitch Hike.” Throughout the 1960s, Gaye would show his immense range, churning out solo dance hits and romantic duets with hit-makers like Diana Ross and Mary Wells. “Can I Get a Witness” and “I Heard It Through The Grapevine” (vide0) were some of Gaye’s biggest hits of the period, the latter achieving its place as Motown’s bestselling single of the 1960s. For three high-flying years, Gaye and Tammi Terrell wowed the country with their soaring duet performances of songs like “Ain’t No Mountain High Enough” (video) and “If I Could Build My Whole World Around You”. Unfortunately, their reign as the Royal Couple of R&B ended when Terrell succumbed to a brain tumor in 1970. His beloved partner’s death ushered in a dark period for the singer, who swore never to partner with another female vocalist and threatened to abandon the stage for good.

In 1970, inspired by escalating violence and political unrest over the Vietnam War, Gaye wrote the landmark song “What’s Going On.” (video) Despite clashes with Motown over the song’s creative direction, the single was released in 1971 and became an instant smash. Its success prompted Gaye to take even more risks, both musically and politically. When it was released in the spring of 1971, the What’s Going On album served to open Gaye up to new audiences while maintaining his Motown following.

Departing from the tried and true Motown formula, Gaye went out on his own artistically, paving the way for other Motown artists like Stevie Wonder and Michael Jackson to branch out in later years. Beyond influencing his peers, the album garnered widespread critical acclaim, winning the Rolling Stone Album of the Year award.

In 1972, Gaye moved to Los Angeles and soon met Janis Hunter,who would later become his second wife. Inspired in part by his newfound independence, Gaye recorded one of the most revered love anthems of all time, “Let’s Get It On.” (video) The song became his second number one Billboard hit, cementing his crossover appeal once and for all. Shortly afterwards, Motown pushed Gaye into touring to capitalize on his most recent success; reluctantly the singer-songwriter returned to the stage.

In 1975, Gaye’s wife Anna Gordy — Barry Gordy’s daughter — filed for divorce, and two years later Gaye married Hunter, who had by then given birth to their daughter, Nona (born September 4, 1974) and their son Frankie (born November 16, 1975). Gaye also had an adopted son (Marvin Pentz Gaye III) from his previous marriage. The singer’s marriage to Hunter proved short lived and tumultuous, ending in divorce in 1981.

Through most of the mid-1970s, Gaye was touring, collaborating or producing. Working with Diana Ross and The Miracles, he would put off releasing another solo album until 1976. He continued touring after the release of I Want You (1976) and released his last album for Motown Records (Here, My Dear) in 1978. After two decades at Motown, Gaye signed with CBS’s Columbia Records in 1982 and began to work on his last album, Midnight Love. The lead single from that album, “Sexual Healing,” (video) became a huge comeback hit for the R&B star and earned him his first two Grammy Awards and an American Music Award for Favorite Soul Single.

Despite his successful comeback in the early 1980s, Gaye struggled badly with the substance abuse and bouts of depression that had plagued him for most of his life. After his last tour, he moved into his parents’ house. There he and his father fell into a pattern of violent fights and quarrels that recalled conflicts that had haunted the family for decades. On April 1, 1984, Marvin Gaye Sr. shot and killed his son after a physical altercation; the father claimed he acted in self-defense but would later be convicted of involuntary manslaughter.

Three years after his death, Marvin Gaye Jr. was inducted into the Rock and Roll Hall of Fame. Creating beautiful art from a troubled life, Gaye again and again brought his vision, range, and artistry to the world stage. At the end of his career, he admitted he no longer made music for pleasure; instead, he said, “I record so that I can feed people what they need, what they feel. Hopefully, I record so that I can help someone overcome a bad time.”

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Back on the air

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Wednesday – 06 February 2013
Not only is it midweek…
Nor is it just new comics day…
Or even Movie Date Night with Sara!…

Today is my niece, Grace’s, fifth birthday:

grace_wedding

Grace at Sara and my wedding

Grace_2011

Grace (2011)

I first met Grace about a week after she was born. Since then (and mostly through the marvels of modern technology), I have watched as she’s grown into a lovely, fun, and very precocious little girl:

grace_halloween2012

Chew on This: Food for Thought – Black History Month
Since I’m a few days behind, it’s time to play “catch up” with our people of interest:

  • George Washington Carver00v/49/arve/G1905/031George Washington Carver (by January 1864 – January 5, 1943), was an American scientist, botanist, educator, and inventor.Carver was born into slavery in Diamond Grove, Newton County, near Crystal Place, now known as Diamond, Missouri, possibly in 1864 or 1865, though the exact date is not known. His master, Moses Carver, was a German American immigrant. Carver had 10 sisters and a brother, all of whom died prematurely.
    After slavery was abolished, Moses Carver and his wife Susan raised George and his older brother James as their own children. They encouraged George to continue his intellectual pursuits, and “Aunt Susan” taught him the basics of reading and writing.

    Black people were not allowed at the public school in Diamond Grove. Learning there was a school for black children 10 miles (16 km) south in Neosho, George decided to go there. When he reached the town, he found the school closed for the night. He slept in a nearby barn. By his own account, the next morning he met a kind woman, Mariah Watkins, from whom he wished to rent a room. When he identified himself as “Carver’s George,” as he had done his whole life, she replied that from now on his name was “George Carver”. George liked this lady very much, and her words, “You must learn all you can, then go back out into the world and give your learning back to the people”, made a great impression on him. At the age of thirteen, due to his desire to attend the academy there, he relocated to the home of another foster family in Fort Scott, Kansas. After witnessing a black man killed by a group of whites, Carver left the city. He attended a series of schools before earning his diploma at Minneapolis High School in Minneapolis, Kansas.

    Carver applied to several colleges before being accepted at Highland College in Highland, Kansas. When he arrived, however, they rejected him because of his race. In 1890, Carver started studying art and piano at Simpson College in Indianola, Iowa. His art teacher, Etta Budd, recognized Carver’s talent for painting flowers and plants; she encouraged him to study botany at Iowa State Agricultural College in Ames. When he began in 1891, he was the first black student, and later taught as the first black faculty member.

    When he completed his B.S., professors Joseph Budd and Louis Pammel convinced Carver to continue at Iowa State for his master’s degree. Carver did research at the Iowa Experiment Station under Pammel during the next two years. His work at the experiment station in plant pathology and mycology first gained him national recognition and respect as a botanist.

    Booker T. Washington, the principal of the African-American Tuskegee Institute, hired Carver to run the school’s agricultural department in 1896. Washington lured the promising young botanist to the institute with a hefty salary and the promise of two rooms on campus, while most faculty members lived with a roommate. Carver’s special status stemmed from his accomplishments and reputation, as well as his degree from a prominent institution not normally open to black students. One of Carver’s duties was to administer the Agricultural Experiment Station farms. He had to manage the production and sale of farm products to generate revenue for the Institute. He soon proved to be a poor administrator. In 1900, Carver complained that the physical work and the letter-writing required were too much.

    Carver’s research and innovative educational extension programs were aimed at inducing farmers to utilize available resources to replace expensive commodities. He published bulletins and gave demonstrations on such topics as using native clays for paints, increasing soil fertility without commercial fertilizers, and growing alternative crops along with the ubiquitous cotton. To enhance the attractiveness of such crops as cow peas, sweet potatoes, and peanuts, Carver developed a variety of uses for each. Peanuts especially appealed to him as an inexpensive source of protein that did not deplete the soil as much as cotton did.

    Carver’s work with peanuts drew the attention of a national growers’ association, which invited him to testify at congressional tariff hearings in 1921. That testimony as well as several honors brought national publicity to the “Peanut Man.” A wide variety of groups adopted the professor as a symbol of their causes, including religious groups, New South boosters, segregationists, and those working to improve race relations.

    From 1933 to 1935, Carver worked to develop peanut oil massages to treat infantile paralysis (polio). Ultimately researchers found that the massages, not the peanut oil, provided the benefits of maintaining some mobility to paralyzed limbs. From 1935 to 1937, Carver participated in the USDA Disease Survey. Carver had specialized in plant diseases and mycology for his master’s degree.

    In 1937, Carver attended two chemurgy conferences, an emerging field in the 1930s, during the Great Depression and the Dust Bowl, concerned with developing new products from crops. He was invited by Henry Ford to speak at the conference held in Dearborn, Michigan, and they developed a friendship. That year Carver’s health declined, and Ford later installed an elevator at the Tuskegee dormitory where Carver lived, so that the elderly man would not have to climb stairs.

    Carver had been frugal in his life, and in his seventies established a legacy by creating a museum on his work and the George Washington Carver Foundation at Tuskegee in 1938 to continue agricultural research. He donated nearly $60,000 in his savings to create the foundation.

    Carver took a bad fall down a flight of stairs; he was found unconscious by a maid who took him to a hospital. Carver died January 5, 1943, at the age of 78 from complications (anemia) resulting from this fall. He was buried next to Booker T. Washington at Tuskegee University.

  • Angela Davisangela-davis
    Writer, activist, educator. Born on January 26, 1944, in Birmingham, Alabama. Angela Davis is best known as a radical African American educator and activist for civil rights and other social issues. She knew about racial prejudice from her experiences with discrimination growing up in Alabama. As a teenager, Davis organized interracial study groups, which were broken up by the police. She also knew several of the young African American girls killed in the Birmingham church bombing of 1963.Angela Davis later moved north and went to Brandeis University in Massachusetts where she studied philosophy with Herbert Marcuse. As a graduate student at the University of California, San Diego, in the late 1960s, she joined several groups, including the Black Panthers. But she spent most of her time working with the Che-Lumumba Club, which was all-black branch of the Communist Party.Hired to teach at the University of California, Los Angeles, Angela Davis ran into trouble with the school’s administration because of her association with communism. They fired her, but she fought them in court and got her job back. Davis still ended up leaving when her contract expired in 1970.

    Outside of academia, Angela Davis had become a strong supporter of three prison inmates of Soledad Prison known as the Soledad brothers (they were not related). These three men—John W. Cluchette, Fleeta Drumgo, and George Lester Jackson—were accused of killing a prison guard after several African American inmates had been killed in a fight by another guard. Some thought these prisoners were being used as scapegoats because of the political work within the prison.

    During Jackson’s trial in August 1970, an escape attempt was made and several people in the courtroom were killed. Angela Davis was brought up on several charges, including murder, for her alleged part in the event. There were two main pieces of evidence used at trial: the guns used were registered to her, and she was reportedly in love with Jackson. After spending roughly 18 months in jail, Davis was acquitted in June 1972.

    After spending time traveling and lecturing, Angela Davis returned to teaching. Today, she is a professor at the University of California, Santa Cruz, where she teaches courses on the history of consciousness. Davis is the author of several books, includingWomen, Race, and Class (1980) and Are Prisons Obsolete? (2003).

  • Billy EckstineBilly Eckstine
    William Clarence Eckstine (July 8, 1914 – March 8, 1993) was an American singer of ballads and a bandleader of the swing era. Eckstine’s smooth baritone and distinctive vibrato broke down barriers throughout the 1940s, first as leader of the original bop big-band, then as the first romantic black male in popular music. Eckstine’s recording of “I Apologize” (MGM Pop Single, 1948) was inducted into the Grammy Hall of Fame Award in 1999.
    Eckstine was born in Pittsburgh, Pennsylvania; a State Historical Marker is placed at 5913 Bryant St, Highland Park, Pittsburgh, Pennsylvania, to mark the house where he grew up. Later moving to Washington, D.C., Eckstine began singing at the age of seven and entered many amateur talent shows. He attended Armstrong High School, St. Paul Normal and Industrial School, and Howard University. He left Howard in 1933, after winning first place in an amateur talent contest. 
    After working his way west to Chicago, Eckstine joined Earl Hines’ Grand Terrace Orchestra in 1939, staying with the band as vocalist and, occasionally, trumpeter, until 1943. By that time, he had begun to make a name for himself through the Hines band’s radio shows with such juke-box hits as “Stormy Monday Blues” and his own “Jelly Jelly.”In 1944, Eckstine formed his own big band and made it a fountainhead for young musicians who would reshape jazz by the end of the decade, including Dizzy GillespieDexter GordonMiles DavisArt BlakeyCharlie Parker, and Fats NavarroTadd Dameron and Gil Fuller were among the band’s arrangers, and Sarah Vaughan gave the vocals a contemporary air. The Billy Eckstine Orchestra was the first bop big-band, and its leader reflected bop innovations by stretching his vocal harmonics into his normal ballads. Despite the group’s modernist slant, Eckstine hit the charts often during the mid 1940s, with Top Ten entries including “A Cottage for Sale” and “Prisoner of Love”. On the group’s frequent European and American tours, Eckstine, popularly known as Mr. B, also played trumpet, valve trombone and guitar.

    Dizzy Gillespie, in reflecting on the band in his 1979 autobiography To Be or Not to Bop, gives this perspective: “There was no band that sounded like Billy Eckstine’s. Our attack was strong, and we were playing bebop, the modern style. No other band like this one existed in the world.”

    After a few years of touring with road-hardened be-boppers, Eckstine became a solo performer in 1947, and seamlessly made the transition to string-filled balladry. He recorded more than a dozen hits during the late 1940s, including “My Foolish Heart” and “I Apologize.” He was one of the first artists to sign with the newly-established MGM Records, and had immediate hits with revivals of “Everything I Have Is Yours” (1947), Richard Rodgers’ and Lorenz Hart’s “Blue Moon” (1948), and Juan Tizol’s “Caravan” (1949).

    Eckstine had further success in 1950 with Victor Young’s theme song to “My Foolish Heart” and a revival of the 1931 Bing Crosby hit, “I Apologize”. However, unlike Nat “King” Cole (who followed him into the pop charts), Eckstine’s singing, especially his exaggerated vibrato, sounded increasingly mannered and he was unable to sustain his recording success throughout the decade.

    While enjoying success in the middle-of-the-road and pop fields, Eckstine occasionally returned to his jazz roots, recording with Vaughan, Count Basie and Quincy Jones for separate LPs, and he regularly topped the Metronome and Down Beat polls in the Top Male Vocalist category: He won Esquire magazine’s New Star Award in 1946; the Down Beat magazine Readers Polls from 1948 to 1952; and the Metronome magazine award as “Top Male Vocalist” from 1949 to 1954.

    Eckstine was a style leader and noted sharp dresser. He designed and patented a high roll collar that formed a “B” over a Windsor-knotted tie, which became known as a “Mr. B. Collar”. The collars were worn by many a hipster in the late 1940s and early 1950s. Legend has it that his refined appearance even had an effect on trumpeter Miles Davis. Once, when Eckstine came across a disheveled Davis in the depths of his heroin excess, his remark “Looking sharp, Miles” served as a wake-up call for Davis, who promptly returned to his father’s farm in the winter of 1953 and finally kicked the habit.

    In 1984 Billy recorded his final album I Am a Singer. Eckstine died on March 8, 1993, aged 78.

  • Mary Fieldsstagecoach mary fieldsMary Fields, also known as Stagecoach Mary, was the first African-American woman employed as a mail carrier in the United States, and just the second American woman to work for the United States Postal Service.
    Born a slave circa 1832 in Hickman County, Tennessee, Fields was freed when American slavery was outlawed in 1865. She then worked in the home of Judge Edmund Dunne. When Dunne’s wife died, Fields took the family’s five children to their aunt, Mother Mary Amadeus, a nun at an Ursuline convent in Toledo. Mother Amadeus was sent to Montana Territory to establish St. Peter’s Mission, a school for Native American girls. Word came back that Amadeus was ill, and Fields hurried to Montana to nurse her. After Amadeus recovered, Fields stayed at St. Peter’s hauling freight, doing laundry, growing vegetables, tending chickens, repairing buildings, and eventually becoming the forewoman.
    The Native Americans called Fields “White Crow” because “she acts like a white woman but has black skin.” Local whites didn’t know what to make of her. One schoolgirl wrote an essay saying “she drinks whiskey, and she swears, and she is a republican, which makes her a low, foul creature.” In 1894, after several complaints, the bishop ordered her to leave the convent.

    Mother Amadeus helped her open a restaurant in nearby Cascade. Fields would serve food to anyone, whether they could pay or not, and the restaurant went broke in about ten months.

    In 1895, although approximately 60 years old, Fields was hired as a mail carrier because she was the fastest applicant to hitch a team of six horses. She drove the route with horses and a mule named Moses. She never missed a day, and her reliability earned her the nickname “Stagecoach.” If the snow was too deep for her horses, Fields delivered the mail on snowshoes, carrying the sacks on her shoulders.

    Fields was a respected public figure in Cascade, and on her birthday each year the town closed its schools to celebrate. When Montana passed a law forbidding women to enter saloons, the mayor of Cascade granted her an exception.

    Mary Fields died of liver failure in 1914. In 1959, actor and Montana native Gary Cooper wrote an article for Ebony in which he said, “Born a slave somewhere in Tennessee, Mary lived to become one of the freest souls ever to draw a breath, or a .38.”

    Of course, this entry from Badass of the Week is where I first heard of Stagecoach Mary – and knew that she’d be filling the “F” slot in this year’s Black History Month list.

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Back to it.

Namaste.